Corvid-19 update
I won’t be canceling any of my weddings or engagement shoots. I am however ready to take on any new business from those who are unable to. A majority of what I do can be at a safe distance. Even my meetings have been switched to Skype & FaceTime. Most current weddings into April have been canceled by venues and those brides and going to be looking for new dates and hopefully i’ll have your date later in the year open.
First off, I don’t have the Corona virus.
If you’re a current bride or groom: I won’t be canceling any of my weddings or engagement shoots. I am however ready to take on any new business from those who are unable to. A majority of what I do, can be at a safe distance. Even my meetings have been switched to Skype & FaceTime. Most venues aren’t choosing to cancel dates but have mandated to do so by the government. Feel free to give me a call when rebooking with a venue and I can let you know on the spot if I have your date available. Try and work with multiple dates from a venue if possible. More likely to be able to stick with you through all this with more options.
I am currently under self quarantine. I spend the majority of my day currently thinking about what I’ll eat and when and which YouTube video i’ll watch along with that. I’m also keeping busy by organizing, editing, sorting and building infrastructure as well as marketing. This shut down of the American way of life has affected me the same as everyone else, unexpectedly. I’ve always been somewhat prepared for extended stays at home. As a wedding photographer I have to wait for my payday. I don’t ask for money up front or portions of it leading up to a wedding. I couldn’t imagine the pain of being a photographer with a canceled wedding who has to give back a large retainer or deposit. So because of not taking money before a wedding I usually am stocked up on toilet paper, soaps, cleaning supplies and food. This only meant that when I went to the store to pick up a little extra last week it wasn’t imperative and more luxuries I was partaking in; sweets, meats and salty foods.
I depend on weddings to make payments to all my bills from mortgage down to my Spotify premium account (I just can’t stand those commercials). I have yet to see any cancellations from any of my forty four brides and grooms. I’ve already shot a half dozen weddings this year with the majority set to begin at the end of April. I’m looking forward to getting back to normalcy and keeping myself nice and healthy in the meantime; taking my vitamins, exercising, resting and waiting. This post is more to let my current brides and grooms know that i’m not planning on going anywhere, fleeing to the Corona virus free island off of Massachusetts. If you have any worries, then just call of course.
I’m not going to go much further into how bad it could get or what’s already happened because of this shut down. I’ve seen too much of that on Facebook as it is and don’t need to contribute, it’s bad. I’m just waiting for the spring, summer and time to pass so I can get back to doing what I love. I feel terribly for those who are going through financial hardships as well as the mental. There’s so many businesses i’ve seen who I thought were rock solid that are being hit so hard. Some laying off employees temporarily and others struck with the possibility of having to close permanently. Those of you in the beauty industry and food industry that interact with people directly have lost their income abruptly and I wish the best for you. I hope this is all over as quick as it came.
Stay safe and #StayTheFuckHome
Here’s some of my favorite photos i’ve taken at weddings.
Dumb tricks that get photographers hired.
I don’t do bridal shows and I try and stay away from some of the practices of other photographers. If you’re going to make it in this business you can’t do the same exact thing every other photographer does. If we all used the same exact equipment, same “style” aka presets.. then we would be pretty hard to distinguish ourselves from the pack. Here’s some trends that I see and some of how I operate.
THIS IS AN ENGAGEMENT SESSION I DID IN DOWNTOWN PROVIDENCE, RHODE ISLAND WITH AN UPCOMING WEDDING. THE ENGAGEMENT SESSION IS A REALLY GREAT TIME TO HANG WITH THE BRIDAL COUPLE.
So this will be a quick little blog. It’s poking at some practices that we (not me) as photographers sometimes do to bait potential customers. I’m just listing a few that you might see at a bridal show, online or a face to face meeting. This also will touch a little bit on style of photography as well (some tricks that I do employ to a degree). If you’re a photographer, bride or groom then you may agree or disagree. Feel free to comment at the bottom. This is really only my insight from over ten years of shooting weddings and developing my approach. This is my opinion and of course there are many roads to Florida (my analogy I most often use). I know a photographer, lets make up a fictional name and call him Bill G. He would get soo mad whenever he saw anyone doing photography different than he did it, it wasn't the proper way he would always mutter. This photographer only happens to shoot a few events a year now while I have shoots a few times a week. Anyways.. all roads eventually lead to Florida. Every photographer has a different method and this is only to highlight what some of the masses do when they’re not trying to stand out.
Free engagement shoot with all new bookings! Okay, I always offer an engagement shoot with every wedding, that’t only normal to me because i’m going to be spending the entire day with you and… I want to know that you’re both semi-normal and that we somewhat get along and like each other. The engagement shoot is also a great time to run through poses, get a few nice photos for save the dates.
So back to how this works at a bridal show. Everyone is going to give this away and they’re going to put a “value” on it or an exact price or possibly use the word bargain along with this. The engagement shoot costs the photographer nothing but his time and when you bundle up your fee for the wedding day along with any tangibles (flash drives, albums), then a little extra time on the front end isn’t a big deal. Every photographer is going to include this, you might have to poke and prod a bit, but get it. But never think that the photographer is some sort of saint for offering this.
Positive side of things, take the engagement shoot with the photographer you want to book your wedding with, it’s a good trial to see how you vibe with each other. Even if in the end they charge you for it as extra it’s still a small investment to know that your wedding photos are going to be what you want.
Dates are filling up fast, better book with me now. This may be true. I had to turn away almost forty brides last year because I can only shoot one wedding at a time. If you need a few days or a week to mull things over then that’s totally reasonable and responsible. There are popular dates out there that happen every year. Typically i’ll have one or two dates that people are pining after every year, but only those who book early get it. If someones offering a one day deal only then pass on it. This is your wedding and if your photographer can’t wait a day or week to book you then maybe they don;’t have that much business to begin with or too much business to properly accommodate you.
Free album with all 2020 bookings, an eight hundred dollar value!!! OMG, you better book right now, that’s a killer deal. Wait! There’s the internet, With absolute certainty I know that any of my brides can find a decent album for two hundred dollars. I also know that once I send them an album they could do a little research and figure out who I use or… just ask me directly. When I book a wedding I do the albums at cost, give or take twenty dollars, this means that I have no incentive to up-sell you on getting one. It’s not that I don’t want you to have an album, in fact I do. I just don’t want to charge you eight hundred dollars or more for one and lose a wedding over a book, I also don’t want you to say “we aren’t interested in an album” and all of a sudden i’m taking eight hundred dollars off the total. So for me it’s always easier to just be super transparent on this. I would much rather charge for what matters, the photography. I’m putting value on my time and skill, not the material things. You’re paying for someone to show up, not mess up and deliver some amazing images.
Quick photo I had of an album that I had made for around two hundred and fifty dollars. fifty pages and glass cover.
To be completely transparent and honest I will say that there are eight hundred dollar albums and northward out there. Some of them are amazing companies that put out a quality product. I have friends that sell using these beautiful albums and that’s great. I’m only warning you about people that are pushing a free album in attempt to make you “Buy now now now!”. A great salesmen is going to present, not pressure. A traditional mark up on products is three hundred percent of their original cost if not more. It’s much easier for me not to have to explain the price increase if someone ever tracks down where I get my albums, so I do it at cost.
So if you’re a photographer you may have a problem with this next part. Multiple packages and A la cart pricing. So this allows photographers to move things around and still keep the price in their favor. This also can add to some confusion when trying to figure out the price. Sure, I can add this, let me give you a deal on this other thing or this is going to cost more because it’s not bundled with this, so you want this but not this other thing, or that’s an additional charge because of…
It’s too much to shift all these tiny pieces around all the time. I always want to make sure you get a good deal so I just find out what you’re looking for and give you. price on that, putting the majority of the fee on photography, not the tangibles or things that don’t cost me anything. A la cart pricing “can” be a way to steer you back to the packages. Once you add up everything that you want you realize that the price is more than the package. So now you’re considering the packages again and now you’re back to shifting things around. Again, going to play myself up again. I only offer one package so that I can just take away whatever brides aren’t interested in vs. shifting packages around or slowly building up the bill.
Gratuitous photo of myself.
Additional photographer, more coverage. Okay. This is true to a degree. You end up with more photos, more people in more places. My goal is never to up-sell you on what you may not need. If you’re getting ready near each other somewhat or if you have under a hundred and fifty guests then it’s pretty easy for me to accommodate you. Most brides that come to me are pretty educated on wedding stuff by the time they get to me and I know they’ve researched me and my work, so I’ll never want to push something on them that they already have an inkling that they don’t need. Your photographer should be pretty up front and either say yes or no, not yes and yes to a second shooter (our term). If you want photos of you walking down the isle from front and back then you’ll want a second shooter. If you want photos fo your grooms face as you walk down the isle and you walking down the isle, you don’t need a second shooter. If you’re both getting ready at a hotel and you want coverage of the both of you then you don’t need a second shooter. If you’re getting ready four towns away from each other and want coverage of the both of you… you may want a second photographer.
When I use a second shooter (photographer) I usually charge whatever money i’ll actually be giving them. They have an easy job, they show up, have fun, shoot and eventually leave sans memory card. I’m only using a portion of their photos in the end, we all have pretty high standards when it comes to photos and we’re all very picky as photographers. Be weary of any photographer pushing services that you don’t think you need on you. Do your research on this subject, ask Jeeves (old reference).
I couldn’t find any of my photos with crazy filters on them, so I’m using a photo of a wonderful meal I had, yes I have a cell phone case with my logo on it. I’m branded up.
Here’s what else grinds my gears, yes I went there. Everyone calling their photography their style or vision when… they’re just using a downloaded preset (sometimes they even pay for these) on every single photo or desaturating the photos. I’m not going to say I don’t like these photos, some of them are great. I love the look but, yes there’s a but. Someday in the future when you want to see what that moment actually looked like without grain and desaturated reds and oranges and way to much work on highlights and shadows you won’t be able to. Because that filter is there for life. What I like to do is capture the actual colors, correct color temperature and exposure. It takes seconds to throw a filter on, but I don’t think I could ever call it my “style”. I’ve wrote a bunch more about it here.
So here’s what i’m trying to get across, look at their skill as a photographer. Do you like the way they frame a photo, is the exposure at least correct. Take a look at their whole portfolio, not just weddings. See their range and skill as a photographer because a wedding is essentially a marathon of photography. We’re constantly pushed and pulled throughout the day to get operate in any conditions, bad lighting, difficult people and situations, hot and cold and also our gear matters. I’m getting away from my point but basically if a photographer is calling his desaturated photos his style and trying to play up how artistic he is… take a second look. If he’s saying he’s a natural light photographer.. run! One more warning sign to look for is selective color, thats when a photographer turns down all the colors except for one. This makes everything black and white except for those red roses, making it an iconic photo. This is gimmicky, simple and a stupid trick that people can now do on their cell phones… so why would a wedding photographer be doing this? Steer away from white vignetting as well, that’s a huge warning sign that your photographer is behind the times in style.
So this is a shot THAT A NATURAL LIGHT PHOTOGRAPHER COULDN’T GET. THIS WAS SHOT WITH TWO OFF CAMERA FLASHES. ONE FLASH BEHIND THEM ON A SNOOT SO THAT THE FLASH DIDN’T SPILL OUT ONTO THE BRANCHES OF THE TREE AND THE SECOND LIGHT BEING HELD BY ANOTHER PHOTOGRAPHER WITH A TIGHT GRID TO FOCUS THE MAJORITY OF THE LIGHT ON THEM.
A natural light photographer is a scary thing for a wedding. There’s only so many hours of the day that are bright during a wedding. Eventually it gets dark and then what? If someone’s mastered how to take photos in daylight, that’s great. But you’re going to want your entire wedding covered and if they can’t navigate around a flash and some interesting light then you may want to look elsewhere. Again, they’ll have some amazing photos and they may be a talented photographer but please for wedding sake make sure your photographer uses lights! Imagine if you bought cabinets for your kitchen and the cabinet maker told you that he can only put the hinges on the outside of the cabinet and not inside because that’s not his style. I love a good analogy.
Depth of field, making something sharp and something pretty damn smooth. At a quick glance you already know this wasn’t taken with a cell phone, so automatically it’s already leaning towards the only conclusion you could make, a professional photographer took this with a professional camera.
Here’s another trick that I do employ. Shooting at a very low depth of field. This means whatever i’m focused on is sharp and the rest is out of focus. It does make for a pleasing photo. I also know that regardless of the situation when I use this little trick that whoever sees the photo regardless of proper assessment sees a professional image. They know that a good camera or good lens is somewhere in the equation and whoever can afford this good lens or camera must be a professional photographer. Quick example, lets say I tattoo’d someone and it didn’t look half bad and I show off that tattoo. To those of you who don’t know, I might be a professional tattoo artist, but look at the rest of my work and realize that maybe… not so much. So again, look at someones portfolio, if that’s their style, everything shot in low depth of field, then maybe pass. It’s a simple trick that I do use, but only when it’s called for. These lenses are primarily used to work in extremely low light, not just for a blurring (bokeh) effect.
So here’s an example of my Canon 200mm 1.8 lens. The reason this looks unique is because of the size of this lens and also the hefty price tag. This isn’t a lens you can pick up in your local best buy.
So i’m going to admit to something horrible. I use my gear to get brides and grooms. I have some cool lenses. I have a fisheye lens that is pretty much useless except for some random cool photos here or there. It’s sometimes fun to use during a wedding reception or sometimes in tight spaces but mostly useless. I also have a two hundred millimeter lens that is no longer produced that can shoot at an incredibly low depth of field which produces a spectacularly amazing image that looks like non other. I have many others which I could list. I use these lenses to get new business sometimes because I know the common person will see the image and be wowed. But the main thing I want to point out is that I can still use the most basic, boring, cheap lens to get an amazing image regardless of depth of field or any other curiosity the lens may entail.
So to round this out, investigate your photographer, get to know them. Don’t go with a photographer because they’re rolling back the price quickly or throwing in a freebie as soon as you blink or move your chair in the meeting. Make sure you love their work, that they don’t use car salesmen terms in regards to your wedding package. If you see the word budget, value or deal then calmly and quietly get up and say that you have to make a quick phone call and get out of there. Just like then you buy a house, car or anything of value, research, know the terms, know the differences between photographers and make a very educated choice on who you go with.
Click here to see some of my photography or call me at 508-471-0069 to ask me any questions you might have.
David & Anna at the AC HOTEL, Worcester
David & Anna’s wedding. Hotel to park to church to hotel. Lots of dancing, great food and great company.
David and Anna at the AC Hotel in Worcester
I made the bride's daughter cry
Soooo before you get mad at me, I didn't do anything wrong. While taking photos a waitress yelled at me and afterwards the bride's daughter (9 years old) was absolutely certain this waitress would kick everyone out and cancel the wedding. Here's the story.
Okay. Now that i've link baited you i'll quickly tell you I didn't do anything wrong. Okay now that we've got that settled I can continue with the story. I also did get my bride's permission to tell this story because I didn't want to come off as mean in any sense or be disrespectful to anyone. I'm not going to name this venue and if you recognize it then you know they have amazing prime rib and corn fritters. I have shot many weddings here as well as my first wedding and I will be back.
So first off, me and the bride's daughter totally hitting it off. She's nine years old and I took the time to help her find some things in a Where's Waldo type of book at the hair salon and I let her use my camera. When we arrived at the wedding venue (I'm not going to use their name here because I really like them) I started doing detail photos while the bride ran around and made sure everything was in order. I asked my bride's daughter is she wanted to come and hang out with me while I do photos and carry the veil.
My little assistant came with me while I hung the dress all around the property but there was no area that was really conducive to what I was looking to do. Inside and outside I only found a few spots but nothing that blew me away.I found one spot that worked amazingly, from a chandelier by the front entrance. I hung it, tipping the lights sideways a bit but the dress was light and no troubles. I took a few photos and it looked amazing. I decided to have Sam stand in a chair next to the dress and maybe some directly behind it. I had her on a chair and I was instructing her not to touch the dress whatsoever because of the chandelier. Just as I was doing so a nineteen year old waitress rushes over with her hands up saying "I'm sorry, I just, I, you can't, sorry, you can't" to which I replied we'll just be a few more minutes and then we'll be out of your way. She then started to reach for the wedding dress which I grabbed before she could touch it. We stood there in a small stale mate and I explained that I just needed to get a few photos and I would be leaving the area and she said that I couldn't hang the dress there (several employees had walked by me or watched me prior to this). She pointed out two places where I could hang the dress. One being on a coat hanging area with high chairs and the other by the front podium where there was no place to hang it.
I pointed out those to areas and questioned them, over there??? She eventually walked away very quickly and I was left alone with Sam. I walked back over to rehang the dress and continue with my photos and was blocked by Sam. Sam told me "No! The lady said you can't" to which I replied, yea I know but it's okay. So I moved into position again but was blocked by Sam "She said no". Now i'm being impeded from doing my job. So I got down and tried to explain to her that the worse thing that can happen is I get yelled at again. I tell her that i'm going to be taking the photos that her mom will have for the rest of her life and I have to make them as perfect as I can. Now Sam is actively trying to take the wedding dress fro me.
A family member of Sams comes in the front entrance and says hi to both of us. I ask if they can take her upstairs so that I can finish taking photos. She stands there with arms crossed. She is unresponsive to her Aunt and Uncle. I ask if she doesn't want me to take photos of the dress, she is quiet with arms still crossed "Do you not want me to hang the dress up" yessssss. Tears start to drip down her face so I say "Okay i'm going to go take photos over here, but you have to head upstairs okay". So she leaves and I walk over and rehang the dress and get a few more photos.
Afterwards I head up to put the dress back and my bride is there to greet me. She says "So you made my daughter cry...". She then follows up with telling me that she talked to Sam and that for the money she paid me and also the venue that I can do whatever I want and that's what i'm paying for. So Sam thought that the nineteen year old waitress was going to cancel the wedding and kick everyone out. I did talk to the coordinator for our wedding and she said she was aware of what happened and it wasn't a big deal at all and was fine with it.
My main goal at any wedding is maybe not following all the rules but instead getting the best photos I can without being too disruptive. I'm always on the bride and groom's side and am looking to do the best I can do. I've included some photos of the dress below, I did only take a few shots inside of the dress.
See if you can pick out which photo I designed and shot and which one was suggested to me.
B
A
Filters are for the lazy.
Going to be pretty straightforward in saying that filters can ruin weddings. Look in your phone at the photos from a year for two ago at the filters you were using on your photos, some are pretty cringe-worthy. Some photographers use filters as a crutch or use it because they're lazy. Photographers who de-contrast and play with highlights / adding a yellow filter over a photo are a dime a dozen. The goal should be correct color reproduction and using your skill as a photographer to produce compelling images through composition, knowledge and also being in the right place at the right time.
Believe it or not, no filter. This was shot with a Canon 90mm TSE (Tilt shift) lens
WGBH Live on Boylston Street
Government Center MBTA Canon 8-15 Fisheye
I just got this question recently when meeting with a bride and groom.
Why don’t I have black and whites, sepia tones, filters on my photos? This is very simple to answer, look back in your phone a year or two. Do see all the random filters that you were using on your Instagram photos / Facebook posts; they’re awful.
Tastes change, styles adapt and people move on from trends. These are some of the most important photos that you’ll have of yourself, why would I put a trendy filter on and especially one that is so overused by Pinterest focused wedding photographers. De-contrast, playing with the highlights and adjusting the color temperature to be a bit more yellow doesn’t make a classic photo in my mind. I’ve also seen a lot of photographers use this as a crutch when a photo is mediocre or missing something.
Sometimes converting a photo to black and white looks great provided you do it the correct way and know what you’re doing with levels, curves and also saturation of colors and a number of other things. But here’s what we photographers know, this doesn’t make any photo a classic or immortalized image. Being honest, the only time i’ve actually made a photo black and white in recent history is when I absolutely couldn’t do what I wanted with the photo due to a number of reasons. I reluctantly changed it and adapted it because it was a moment that I did not want to throw away. I will never myself change a color photo to black and white though just to wow someone. One more example, white or black vignetting on photos… cringe.
Now here’s the part where i’m a dick and say mean things about other photographers. I really do try to be positive, like way too much.. usually. I know a great number of photographers that are shooting the exact material they were two or three years ago. Most photographers that I know get better every few months, years or just plainly have breakthroughs of creativity that make me very jealous. But I see some wedding photographers that never try new things, never purchase new equipment or develop their post game (editing). Wedding photography is simply put a gym for photographers, you’re regularly pushed to adapt, learn and get better, faster, stronger at your photography. I can look back every year and see my deficits or where i’ve made improvements. So here’s where I tie that back into what i’m saying, filters are a huge crutch for someone trying to hide the fact that they aren’t developing themselves. For the sake of the bride and groom you should be taking the payment and rolling a good portion back into your own development and/or equipment. This is your one chance to capture someone’s wedding and why would you put an ugly filter on such a beautiful day.
What I try to accomplish with my wedding photography is creating accurate representations of what the scene actually looked like. I use different lenses and compositions to showcase different moments. I’m trying to achieve as close to as possible correct color profiles, your flowers are rarely neon or muted colors; it’s somewhere in-between I hope. It would be too easy to add filters to my photos and claim that I’m an artist and that this is my art. What I do is document and record moments as beautifully as I can. I don’t have a particular unique skill that no other photographer could ever attain. What I bring to the table is knowledge, personality, skill and a pretty good amount of equipment to back it up. I do use some creative editing techniques that highlight certain aspects of a scene or cast a cold blue morning as a more warn and sunny one. The best editing in my opinion is the kind you can’t detect.
If you want to add a filter on your photos you’re always welcome to do so but as I started out saying, look at your images with filters and effects from a year or two ago.. cringe. :) Imagine your parents wedding photos and imagine what it would look like with correct color or your grandparents images if it wasn’t shot in black and white (yes, I know that may have been all that was available at the time).
I shoot weddings and would love to shoot your wedding.
Click here to see my website and learn more.
Moore State Park, Canon 200mm 1.8
My cafe mocha. Shot with Canon 35mm 1.4
We're not going to get everything.
You're going to have your dream wedding, you've even selected what your wedding photos will look like via Pinterest, various wedding blogs and Google image searches. So you can have all of this but you may have to spend some time doing during your wedding. If you're getting married you'll want to read this. I'm writing this through my own personal experience. My number one goal is to make a bride and groom happy and also being very truthful with what I can offer.
A photographer can work off a list or just capture a little bit of everything. When you work off a list you are trying to remember what is not important to the bride. In fact the bride may not even know what is the most important parts of the day, this is her first go at a wedding. That’s why I think it’s best to just cover every aspect.
So before the wedding you have loaded up your head with amazing images from Google and Pinterest and featured Buzzfeed articles. You’ve forwarded these links to your photographer and informed them that these photos are to be captured. This is all very doable, but when it comes to your wedding day and you incorporate this into the mix it’s sometimes impossible. So I say impossible, it’s not really impossible; it’s undoable for you as the bride and groom. The photographer can most certainly do this, but he won’t be able to do all of these requests in the twenty to thirty minutes he may have with you following bridal party photos. I can only speak from my own experience in this of course. I would love to recreate photos and make the bride and groom happy but often during a wedding day you're busy with friends and family. Another thing to take into account is that some photos you see on the internet are purely circumstantial or in fact not even from a wedding. Some photographers will have models pose as a bride and groom just to create breathtaking photos. For the bride and groom I really suggest trusting their photographer and let photos take a backseat to being in the moment.
So to follow up and summarize. The photographer is going to do his/her best to capture everything. We want to immortalize your wedding day in photos. We want to provide a seamless, enjoyable experience and not get in the way. If you’ve hired a photographer because you like their work then the best thing to do is trust that they’ll capture your wedding day so you can sit back and enjoy it.
Here's the reality of it.
When you hire a wedding photographer you sometimes have these amazing expectations. You’ve seen their photos, their work, their great attitude. You’re hiring them to capture the one of the most amazing and memorable days of your life. Here’s what he/she is going to be able to capture, not everything.
Another reason to capture everything is you don’t know what’s important to the bride and groom. Sometimes they might not know what was important until after the wedding. Let me give a few examples of this. Let’s say you take the time to get photos of all the cousins, maybe they move away in three years and aren’t reunited until a family reunion in ten years. How about an Aunt and Uncle who come to your wedding that move away the following year. The most common thing i’ve come across is my focus on grandparents. Not to sound morbid of course but we do expire and these photos are a huge trigger for your memories. One more thought, how many times does your family get together. I’m talking about everyone, not just for the holidays which sometimes can be tough with visiting everyone. You have everyone in a room so why not take advantage of this.
Here’s the upside that you can really work with. If you have a great photographer who is willing to be adventurous, persistent and do a little bit of poking and prodding; he/she can liberate you from your wedding reception for a few minutes to take some amazing photos and give you a moment to breath away from everyone. During the formal photos for the bride and groom you’ll also be able to get some of the shots you’re looking for but to reference or have those same exact circumstances to recreate can sometimes be tough. The photographer is going to pose you a bit and move you to different locations. What i’ll do typically is run through all my tried and true poses that work. We only get one shot at getting your wedding photos and I do experiment and innovate but before I do that I make sure to get the memorable photos that you’ll hang on your wall. I only have a short amount of time and it would be selfish of me to ask more of the bride and groom while they’re trying to enjoy their wedding day. The same way a DJ wouldn’t keep asking for suggestions for playlists on your wedding day or a venue wouldn’t be consulting with the bride about sides during before the meal is served on the big day.
Thanks for reading. I've been a wedding photographer for around ten years now and every year means a little more experience and a lot more equipment to play with. I would love to meet with you if you're getting married in 2017 or 2018. 508-471-0069 or www.unitymike.com to see more of my work. Have a great new year.
Jillian & Jarrod
Jillian & Jarrod at Revere Beach. Engagement shoot. www.unitymike.com wedding photo
Spent a little time on Revere beach and afterwards we got some Italian subs at New Deal Fruit.
Jenna & Paul
Jenna & Paul's engagement shoot. www.unitymike.com wedding photo.
Jenna & Paul live in Sturbridge which happens to have lots of exciting places to shoot an engagement shoot in addition to being located somewhat close to B.T's Smokehouse.
Here's some of our shoot at their house, the town common and Old Sturbridge Village.
A thousand images!
What's an apprioate amount of wedding photos to receive? I talk about the upside and downside of what the client receives when the wedding is over. All wedding photographers and future brides and grooms should read this.
So this just popped into my head, this idea of a thousand images or more for wedding photos. This is something I support, I've always support this from day one. I am writing this for brides, grooms and fellow photographers.
There will always be criticism about the amount of wedding photos you share with clients or on the other end of the spectrum receive from a photographer because more often than not you wouldn't mind a few dozen or hundred more to look at or a bunch more to share.
So originally I would give upwards of fifteen hundred images because I felt like I was holding images captive. If I had fifteen hundred images but only gave them five hundred, why? I prided myself in giving this extra value to my brides, grooms, clients, friends and family. Everyone was very happy after all at all the extra photos.
So the images that are completely cut from a wedding that are not used are the following, peoples backs, unflattering faces (not to be confused with a funny face or two which the bridal couple will enjoy), bad micro-expression, unflattering light, blurry photo, obscene, unflattering photo of bridal couple, duplicates of same pose unless there was a significant change in facial expression or posture possibly, bad hand placement during group photos. This is only a small multitude of examples of reasons.
The remainder of the photos are variations of moments, different angles, views and composition. These are the usable photos, the ones that can be saved, shared and looked back on. Some of the photos are a series of an event happening and not just the pinnacle of the moment.
So i'm going to start with the downside of sharing this amount of photos. We as wedding photographers typically take more photos than we need. We do this because we don't know who's going to blink or if someone will suddenly have a horrible twitch in their face or move their hand to look like a t-rex's arm. Lots of photos, lots of options, lower risk of fucking up, better chance of getting something damn near close to magical. With all these photos you have to go through and perform triage, saying yes or no to which photos live and which ones die; a very important responsibility. More photos to look through can mean longer wait times for clients and also longer processing time for photographers.
Now when you give someone fifteen hundred photos that means they have lots of options, maybe too many options. The first dance photos maybe two dozen instead of a select six. When you have two dozen photos verses six that means that the most outstanding, perfect photo will take a bit longer to catch your eye or stand out. It also creates the perception that you quickly edited the photos and are giving them everything without selecting the bad ones to get rid of. You are also putting your photos up against your friends photos or other bride's photos where they have gotten the top fifteen percent of the wedding photos that were taken that day.
Let's use a box of donuts as comparison. I'm going to present you with a dozen donuts, some are chocolate frosted, a few chocolate frosted with sprinkles and maybe a chocolate glazed as well as the jelly, a french (You actually only capitalize french if it is a product of said country) cruller, and an additional complement of donuts. Now lets take that nice looking dozen and put it up against six good looking donuts, jelly, chocolate frosted, french cruller, blueberry, glazed, old fashioned. So you have a perfect assortment but maybe not a bunch of variations on donuts.
So here's the upside of sharing as many photos as is reasonable. The most important reason first, you don't know who is important to the bride or groom. We don't know if they've seen their uncle or aunt in the past twenty years. We don't know if they don't get along with their parents and have reconciled for the sake of family and wedding. We don't know if their parents are divorced and this si the first time they've been in a room together in ten years. Their parents may live on the other side of the country, their sister may be in the army and home for the first time in two years.
So when you make the choice to not include a photo of Uncle John giving a hug or crying at the wedding then you forsaking a once in a lifetime moment. You are the judge, jury and executioner when it comes to the selection of photos given. Why not lessen the risk of incorporating beautiful moments that you might not realize are happening right in front of your lens.
I once had a wedding where I was going through the routine of getting all the moments, all the guests and performing top notch wedding photography. I spent around a month editing the photos and ordering the flash drive and finally presenting the photos. I found out that the bride's aunt had died shortly after from cancer and she was only in maybe three or four photos. She asked if I had more. Apparently the aunt had raised her since she was a preteen, she had meant more to get than her own mother in some sense. I had no idea and this killed me that I couldn't do more for this bride. I'm only sharing this because I want to really impress upon you that we don't know who is special to the bride or groom and we have no idea the great history in everyone's relationships. The wedding guests are chosen very carefully and they're there to witness a huge landmark in a person's life.
So when you give variation, option, choices you are allowing them to choose the best version of themselves in photos. You are giving permission for them to remember moments that they will most likely have missed on their wedding day. It's a little bit extra work to edit a few extra hundred photos, but you get better and faster at it. Is it all worth it, sharing this many photos? Damn right it's worth it and I don't regret it for one second. Those extra photos usually mean that everyone who attended that wedding can find a flattering, fun and amazing photo of themselves or someone they love. This means they share, they brag and hopefully they say who took their photo.
I always argue about this with fellow photographers, I think I always will. I started giving out these extra photos as an added value to my product but through the years i've learned that this added value isn't quantity, it's beautiful moments that I didn't know were happening.
Sharon & Jon's engagement session at Arnold Arboretum
Here's a sneak peak at Sharon & Jon's engagement shoot. More will be shared on www.IShotYourWedding.com
Today we spent the afternoon at Arnold Arboretum in Boston, Massachusetts. Turns out it's right down the road from my best friend's apartment and i've actually driven past this place a dozen times. We wandered and got some great shots and got to know each other a bit better. Here's some of the photos from the shoot.
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