First posting

This is for wedding professionals. DJ, Photographer, Videographer, Hair & Make-up, Florist, Venue, Justice of the peace (any one performing a sevice at the wedding). Don’t steal the thunder from the newly married couple. Let them have first posting in regards to the beautiful photos i’ve just done. I explain myself better in the blog vs. this little summary.

 
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Imagine if it was your wedding and the photographer, dj or make-up artist got to announce to all your friends and family (that night or the day after) that you got married and share the most iconic photos (the professional ones) with everyone before you got to announce it?

One of my favorite things to do with my photos is to share them. That means with bride & groom, venue, dj, florists, hair & make up. But i’ve found that I have to provide a little context of how and when to share these photos. I’m making this post because I have had vendors take the initiative and post anywhere from a single photo to dozens of my professional photos of the bridal couple before the bride and groom have had a chance to arrive home and unpack from the wedding day.

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Give the bride & groom (groom & groom, bride & bride) first posting (explaining further). That doesn’t mean you can’t post photos of the wedding day or night. This just means that you don’t tag them the first few days or so. You want to give the bridal couple a chance to announce to the world (friends, family) that something big went down (their wedding). When I make my initial posting about the wedding day i’ll usually post one or two of my favorites and tag the venue, quick little excerpt from the day and that’s about it to start. Once I see the bride and groom are posting days later or a week later thats when I allow myself to tag them on social. Remember that due to some social media privacy settings if you do tag them then all of their friends and family will see it in their newsfeed before they’ve made it public.

The night of the wedding they will expect their friends and family to post photos of where they are, tagging the lovely couple and including selfies and shots of the two at the alter. The following day they’ll still receive photos from friends and family on their social media, they’re riding high with all these posts. The two might make a post thanking everyone (sometimes vendors, I love it when this happens), this is when a formal photo is uploaded of their choosing or dozens of photos put up. The two have spent months, a year or two planning this big day and now they get to revel in all the likes, praises, congratulatory talk that one expects and accepts for just a tremendous day; don’t ruin it for them by taking away any of that thunder.

So now that the official photos are up and the bride and groom (groom & groom, bride & bride) have made it clear the they’re married, now you should tag them. I usually like to wait until after I see posts on their end dying down. I like to give them their due fifteen minutes of fame. I know that it won’t get lost amongst a sea of cell phone photos during the week of the wedding. This is a post i’ve wanted to make for awhile. It’s hard to explain to someone in person about when they should post and why. I’ll summarize it briefly below in simpler terms for ease of use.

If I’ve given you the link to the teaser photos for the wedding, it’s because I want you to have them, I want you to use them. You don’t even have to tag me in them (although I do love it when you do. You don’t even have to ask permission beyond this point).


Wedding day: Thank the bridal couple, tag your business, maybe a selfie with them or a cell phone photo

Following day: Thank the bride couple, tag your business, maybe a selfie with them or a cell phone photo. A professional photo without tagging them, tag your business, venue, other vendors

After you see the newly married couple posting the professional photos: You’re golden, post whatever you would like at this point and tag them.

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Hope you’ve enjoyed this post and will take it into consideration when you make posts in the future. I only put this together because it’s really hard to explain to someone who might be in the same room as the bridal couple about how they can use my photos (I give everyone the link to the teaser photos, I want everyone to win)

This is not a post dictating what to do with my “art” (shudder). I don’t have enough time to police all of my photos and patrol Facebook for infractions. This is just me saying “let the bridal couple enjoy their fifteen minutes of fame”.


 
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Advice, First DSLR Mike Hendrickson Advice, First DSLR Mike Hendrickson

Your first camera setup.

You want to get a fancy camera for your son, daughter, husband, wife, girlfriend, boyfriend but you don’t know what to get. There’s tons of options out there. Do you get a Canon, Nikon, Sony, Olympus (kidding, never ever get an Olympus), Fuji? I usually send a list to friends who ask me this question followed by a phone call to explain each item on that list. This time I’ve written everything out so I can share it with more people who might be thinking about this very question right now.

So this is one of the questions that I always seem to get asked but never take the time to make a template for. I have templates (prepared answers) for most every question I get repeatedly asked. I’ve in fact put together several Amazon wish lists of what I would suggest. But these lists also have to be explained to people otherwise it seems like a bit much.

So in this blog i’m going to share my Amazon wish list and also break down my choices and reasoning behind each selection. Link will be included with each section so that you can go and purchase whatever your little heart desires. I’ll also include alternate selections that will either be pricier or more affordable, I break it down either way so you can decide which is best. The end of this blog will also include a conclusion that should hopefully make you feel like you’re not making a purchase that you’ll regret. ❤️



 
Canon rebel t7

Canon rebel t7

 

CAMERA

The first thing you’ll need to get started is the actual camera body. This particular camera body isn’t going to break the bank. This camera is going to get your feet with having a DSLR (Digital Single Lens Reflux, i’m totally flexing here with my photography knowledge). One of the main benefits of these cameras is having an internal memory buffer. So instead of the camera writing directly to a memory card it will instead route the photos to an internal memory buffer which then pushes files to the memory card. This means faster photos which turns into you taking more photos, at least thats what studies have said. DSLRs also have the ability to swap out lenses. So you can change the focal length and aspects of your camera which makes it a bit more fun that a fixed lens system.

The Canon Rebel T7 also allows you to shoot in a mode called RAW. This is a setting that most professional photographers use. Instead of a 7mb JPEG file you are shooting a 20 mb RAW file. That means more data to play with on the back end (we’ll get to that later). I’m not going to get too heavy into the specs of this camera beyond these few things that i’ve mentioned. The menu system on this camera is fairly simple to learn and the best thing is how it’s the same on every Canon system. So if you upgrade to another Canon camera someday you won’t feel lost. You’ll also be able to start out on Auto on this camera and move to shoot manually (you decided aperture, iso, shutter speed).

The camera also has what’s called a hotshoe on top of the body. This is for a flash gun (a flash, ignore the gun term). With an external flash you’ll be able to better light your subjects without having it come out looking like a photo from a crime scene. The camera has a built in pop up flash (pop up flashes are garbage, don’t use them unless you have to).

The Canon Rebel T7 also has a screen that tilts away from the body. You can either use this feature for interesting selfies or getting a better angle low or high. It also flips to hide the screen to protect it from scratches (don’t bother trying to protect your camera from scratches, each scratch is feather in your cap). There is also built in WIFI and NFC into the camera so you can download photos directly to your camera while on the go. I use this occasionally just to share photos with friends quickly but rarely post anything straight out of camera.

This is a great starter camera. If you’re serious about getting deeper into photography and looking for something thats a little bit “more” out of a camera then I would suggest the Canon 6D. The Canon 6D is a full frame camera that won’t break the bank. Has a full frame sensor which means you’re pulling more information into your photos like color, saturation, sharpness, contrast, low light shooting. This is the least expensive full frame that Canon currently offers.

Whichever camera you decide on, don’t forget to buy lots of extra batteries. I use genuine and also off brand batteries for my camera. I always have at least two or three extra batteries. You never know when you’re going to leave the screen on or if a battery didn’t properly charge the night before.

 
The green box in the camera is the actual camera sensor (full frame). You see that it is much larger than the canon rebel t7. better for indoors, low light and professional grade photos.

The green box in the camera is the actual camera sensor (full frame). You see that it is much larger than the canon rebel t7. better for indoors, low light and professional grade photos.

 

Amazon: Canon Rebel T7 (Body only) Feel free to buy used or renewed. Most people take care of their equipment and when reselling cameras or most electronics it is tested before being sold again. Just make sure to run the camera through it’s paces in the first weeks in case there is an issue and you need to return it.


LENSES

So i’m going to be very vocal about this, do not get the 18-55 lens that this camera is often bundled with. The 18-55 is a garbage plastic lens, quality sucks from it and it has what’s called a variable aperture (not going to explain this one, above your pay grade at the moment). It’s what’s called a kit lens (whatever lens is bundled from a company with a camera) and if you’re buying a DSLR to get into photography then I assume you want to be creative and learn about photography, this lens will only allow you to zoom in on things and get mediocre photos. The lenses i’m going to suggest for you are two prime lenses and also a super telephoto lens (zoom). The goal is to get you super excited about photography and I think through these three lenses you’ll get there.

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Canon 50mm 1.8

This lens is a must own for any photographer. It's great in low light, for portraits and landscapes. It will get you thinking creatively because you won’t be able to zoom in on subjects, you have to be the zoom, you have to move. With a 1.8 aperture you’ll be able to get professional looking photos with lots of bokeh (the blurry background of a photo when you’re focused on a subject). The bokeh is usually enough to encourage anyone to keep taking photos. This lens is also very light and you can even purchase a lens hood with it. A lens hood helps stop any light leaking into the lens from the side or above. It also makes the lens just a little bit cooler looking.

Amazon: Canon 50mm 1.8


Amazon: Yongnuo 50mm 1.8 is also a very comparable lens that will get the job done and save you a little bit of $.

Amazon: Yongnuo 50mm 1.8 is also a very comparable lens that will get the job done and save you a little bit of $.




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Canon 35mm f2

This is great for indoors, portraits, food photography. On a cropped body such as the Canon Rebel T7 this is more so a 50mm in disguise. There’s a small magnification with a cropped sensor cameras such as the T7 and a 35mm is more like a 50mm and a 50mm is closer to an 85mm. Regardless, this lens when you use it is proportioned to what you see from your eyes (you’ll understand once you use it). This lens also has great bokeh and is very solid. I would bring this to a wedding in a heart beat.

Amazon: Canon 35mm f2


Amazon: Yongnuo 35mm 1.8 is a super affordable lens. I’ve bought this for friends who didn’t believe me about how awesome it was.

Amazon: Yongnuo 35mm 1.8 is a super affordable lens. I’ve bought this for friends who didn’t believe me about how awesome it was.

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Canon 75-300 f4.0-5.6

So you still have the need to zoom into things either for portraits or landscapes. This is a great affordable lens that does have a variable aperture but that won’t matter much because the majority of this lenses use will be outside. I’ve used this lens to get photos of sunsets, sunrises and the moon as well as people, places and things.

Amazon: Canon 75-300 f4.0-5.6


Amazon: Sigma 150-600mm 5-6.3 if you want something that’s a little bit more. The lenses are the things you hold onto with any camera kit. The body is what gets changed out.

Amazon: Sigma 150-600mm 5-6.3 if you want something that’s a little bit more. The lenses are the things you hold onto with any camera kit. The body is what gets changed out.


FLASH

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Yongnuo 600EX RT-II

Having an external flash on your camera verses the built in flash will make a world of difference in your photos. Just using light, even incorrectly will let whoever is seeing the photo know that the photo was taken by someone who has a little bit more knowledge than the average person. You can use this flash which will sit on top of your camera to angle the light to more interesting places such as a wall, ceiling or even put a colored gel (really thin sheet of colored plastic) to get interesting effects.

This particular flash is one of my favorites because it’s a knock off that is identical to the four hundred dollar Canon 600ex-rt II. I own eight of these flashes. You can actually control multiple flashes from a single unit. This means lots of interesting lighting once you get the hang of things. I’m not going to get into how to hook up multiple flashes or off camera lighting in this blog. You can purchase other modifiers for your flash like the MagMod system as well which will allow you to flex a little more.

Amazon: Yongnuo 600EX RT-II


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As you can see they are nearly identical. Both perform excellent and can be used to trigger one another when on the same channel.

As you can see they are nearly identical. Both perform excellent and can be used to trigger one another when on the same channel.

Lots of buttons to play with and learn. It’s a lot easier than it looks. Most of the time I shoot on manual power (I always know how the flash is going to fire) and I just change my camera settings from there.

Lots of buttons to play with and learn. It’s a lot easier than it looks. Most of the time I shoot on manual power (I always know how the flash is going to fire) and I just change my camera settings from there.


EXTRAS

Now that you have the essentials like the camera and lens we can talk about the extras that are going to make owning a DSLR that much more fun. These are things that I myself have and wouldn’t go without.

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Think Tank Airport Commuter

This is one of my favorite purchases ever. I’ve owned many backpacks in regards to camera gear. This is by far one of my favorites. Great for lifting from the side or top. Built in security (has a wire built into the bag that can be used to wrap around objects to prevent your bag from traveling far). Tons of storage for your small things and also very customizable interior. I’m constantly changing my layout for different needs. I also use this as a hiking backpack when I bring equipment because I can compartmentalize my gear very well. This bag also has a waist strap and chest strap to stop any wobble when you’re hiking or moving quickly. It’s $199 but it’s very worth it. Consider that you won’t have to upgrade to a bigger bag as you get more and more accessories for your camera. Highly suggest the Think Tank line of backpacks they offer.

Amazon: Think Tank Airport Commuter

Lots of room, organize, shift, move it around. The blue bag has a rain cover inside.

Lots of room, organize, shift, move it around. The blue bag has a rain cover inside.

Fits tons of gear

Fits tons of gear


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The R Strap

There are plenty of cheap knock offs and imitators, but this is absolutely a must buy. This is a great company who i’ve used their products for almost fifteen years now. Instead of your camera dangling around your neck you can have it rest securely at your side. Simply screw the attachment into the baseplate of your camera and tighten it as much as you can. Now while you’re not using your camera it rests under your arm, you’ll have it ready much quicker when the moment arises. When you’re ready to shoot all you have to do is reach down to your camera and it effortlessly slides up the strap to meet your eye. Instead of taking your camera in and out of a bag or worrying that you’ll knock something over when you bend down, this is the answer; R strap. The company offers lots of different options, some can take on two bodies (cameras) and others have a strap that goes under the arm as well for a more secure fit.

Amazon: BlackRapid R Strap

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Storacell battery holder, AA Eneloop batteries, Titanium 16 bay AA charger

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If you’re using an external flash then you’ll need AA batteries. I love these battery holders because you can either sit the battery positive or negative side down to indicate if it’s charged or uncharged. They’re also great to throw indoor pocket when you’re out shooting and need to change batteries quickly. The ENELOOP batteries are awesome for external flashes because of they low discharge rate, it’s meant to go in a flash. I will say that they are pricey but worth it. I never use throw away batteries. Most of my AA batteries I have are over five years old and still hold their charge. I pair these batteries with the Titanium 16 bay charger which charges AA & AAA batteries. Charging takes only a few hours and I own three of these chargers actually. (When you shoot a wedding you end up with a lot of dead batteries afterwards)

Amazon: Storacell AA Battery holder

Amazon: Titanium 16 Bay charger

Amazon: Eneloop batteries


So I do plan to make a wish list on Amazon so I can include that here at the bottom. But for now you’ll have to click back and fourth to get to Amazon and add everything to your cart. The most important thing is you’re investing in a hobby or profession. You’re not buying something that will be outdated in a few years. My current camera a Canon 5d MKIv is almost five years old and i’m still getting miles out of it. The above selections as far as camera and lenses are to get you excited about shooting. Anyone can pick up a Canon Rebel and put it on Auto and walk around with the kit lens and get okay photos. But if you want to get good then you’re going to play with the prime lenses (35mm & 50mm) and start to play around in manual mode (selecting your aperture, iso, shutter speed). When you take good photos you will be rewarded with compliments from friends, family and strangers which will only encourage you to take more and more photos. The items that I’ve picked out are for kids getting into photographer or people my age getting into photography. I buy used as well, so if you see a deal out there, go for it. Feel free to message me with any questions or give me a call. I’ll eventually add more to this blog and clarify any points you might be curious on.

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Please do not buy combos like this. 90% of it is garbage. May seem like an easy choice to make, save money, bundle… no… stop, garbage!

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Corvid-19 update

I won’t be canceling any of my weddings or engagement shoots. I am however ready to take on any new business from those who are unable to. A majority of what I do can be at a safe distance. Even my meetings have been switched to Skype & FaceTime. Most current weddings into April have been canceled by venues and those brides and going to be looking for new dates and hopefully i’ll have your date later in the year open.

First off, I don’t have the Corona virus.

If you’re a current bride or groom: I won’t be canceling any of my weddings or engagement shoots. I am however ready to take on any new business from those who are unable to. A majority of what I do, can be at a safe distance. Even my meetings have been switched to Skype & FaceTime. Most venues aren’t choosing to cancel dates but have mandated to do so by the government. Feel free to give me a call when rebooking with a venue and I can let you know on the spot if I have your date available. Try and work with multiple dates from a venue if possible. More likely to be able to stick with you through all this with more options.

I am currently under self quarantine. I spend the majority of my day currently thinking about what I’ll eat and when and which YouTube video i’ll watch along with that. I’m also keeping busy by organizing, editing, sorting and building infrastructure as well as marketing. This shut down of the American way of life has affected me the same as everyone else, unexpectedly. I’ve always been somewhat prepared for extended stays at home. As a wedding photographer I have to wait for my payday. I don’t ask for money up front or portions of it leading up to a wedding. I couldn’t imagine the pain of being a photographer with a canceled wedding who has to give back a large retainer or deposit. So because of not taking money before a wedding I usually am stocked up on toilet paper, soaps, cleaning supplies and food. This only meant that when I went to the store to pick up a little extra last week it wasn’t imperative and more luxuries I was partaking in; sweets, meats and salty foods.

I depend on weddings to make payments to all my bills from mortgage down to my Spotify premium account (I just can’t stand those commercials). I have yet to see any cancellations from any of my forty four brides and grooms. I’ve already shot a half dozen weddings this year with the majority set to begin at the end of April. I’m looking forward to getting back to normalcy and keeping myself nice and healthy in the meantime; taking my vitamins, exercising, resting and waiting. This post is more to let my current brides and grooms know that i’m not planning on going anywhere, fleeing to the Corona virus free island off of Massachusetts. If you have any worries, then just call of course.

I’m not going to go much further into how bad it could get or what’s already happened because of this shut down. I’ve seen too much of that on Facebook as it is and don’t need to contribute, it’s bad. I’m just waiting for the spring, summer and time to pass so I can get back to doing what I love. I feel terribly for those who are going through financial hardships as well as the mental. There’s so many businesses i’ve seen who I thought were rock solid that are being hit so hard. Some laying off employees temporarily and others struck with the possibility of having to close permanently. Those of you in the beauty industry and food industry that interact with people directly have lost their income abruptly and I wish the best for you. I hope this is all over as quick as it came.

Stay safe and #StayTheFuckHome

Here’s some of my favorite photos i’ve taken at weddings.

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Advice Mike Hendrickson Advice Mike Hendrickson

Bride, groom, photographer and.... i'll come help!!!!!

When you see a photographer, bride and groom head off away from the wedding reception or somewhere during the day you should totally follow and help them out by asking them questions and offering suggestions and also giving constructive criticism during this and maybe giving social media updates. Kidding, don't do this!

 

I wanted to recap on something I run into every fifth or sixth wedding. An entourage of family and friends that want to help during the couples photos. This sometimes is following the ceremony or a more private moment sometime during the reception. I'm not going to specifically reference exact details but wanted to tell you how most circumstances unfold. This is for informational purposes / venting purposes... i'm only human.  :) The photos in this blog do not reflect any specific weddings where this occurred, they're just pretty photos. 

     I really like to write exactly like I talk and this is a story i've told brides and grooms before. I wanted to take the time and write this out for other brides, grooms and fellow photographers who may or may not yet have encountered this moment. 

Please hold your phone side ways to read it to correctly view the conversation's proper exchange.  Otherwise this post will just sound a little too weird. 

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Here's a few moments with just the bride and groom to help give example to special moments that unfold during these private photos.

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Me to bride & groom: Okay, the clouds just parted way to beautiful sun rays and a deep blue sky with a rainbow... let's go run and get a few photos. Okay.. ready. Let's go. Sweet!
 

 

Me: Totally cool. You just have to stand back a bit because I need their complete focus.

 

BRIDAL COUPLES PHOTOS START

 

Friend or family member: (talking on phone) Yeah, we're behind the building, come on over.

 

Friend or family member: (one minute passes) You should both hold hands and do this thing where you make a heart and...

 

Friend or family member: That looked really pretty, you should have them go over there next and stand on that rock. Oh hey Jim (another family or friend walks over). 

 

Me: Could I have you folks just give us a little bit of room so I can have their complete focus while I do the photos. Just for a few minutes.

 

Friend or family member: Hi Denise (now a third family member has joined because they saw the five of us standing over here and wanted to see what we were doing).

 
 

Friend or family member: I'll come help. I'll come and watch. I want to take a photo with my phone so I'll come along with you. 

 

Friend or family member: Of course, no problem. I'll just stand back and won't say a word.

 

Friend or family member: Hey you should take photos over by the wall there. Tim and Diane got their photos there.

 

Me talking to bride & groom: Okay, look back over here. Okay, I need you to move slightly over to the left and focus on each other and..

 

Me talking to bride & groom: That's perfect, I just need you to slightly turn a little bit more this way and... perfect. 

 

Me talking to bride & groom: Okay, look back over here again. (looks over at family or friend and reaffirms the need to stand back and not converse). Okay move slightly over to the left and focus on each other and move in slightly towards a kiss but don't kiss yet.

 

Me talking to bride & groom: Let's take a walk down this path over here and what i'm going to have you do is do a slow walk, hold hands, talk and have a moment to yourselves while I take photos.

 

Friend or family member: What are you guys doing, are you taking photos right now. It's very pretty over here.

 

Friend or family member: (All the friends and family): Totally, no problem. We just want to hang out and watch.

 

Me: Could I have you all step over this way while I do their photos, I only have about three more minutes before we have to head back.

 

Friend or family member: (Two minutes pass) Hey (directed towards bride and groom), are you both going over to the hotel after or heading back home, Rob is texting me and wanted to know. Hey can we get a photo with you over there in a few minutes.

You get the point. 

 
 

     What really happens is the bride and groom don't actually get a private moment to themselves for these special photos that they're going to have for the rest of their lives. Think about your parents or grandparents wedding photos and now imagine that they could have had a dozen other special ones equal or greater than those ones. 

     Everything always starts off with good intentions. I'll hold your drink, let me hold up your dress, I want to come and watch, I have a quick question, can we get a quick photo, can I take a photo with my friend, this person wanted to know this question, what are you guys doing. 

     I've had a bridesmaid rush in after each test shot to fix a brides dress. When i'm setting up a magical photo that will be hung on their wall from now until the end of time i'm going to put a little extra care into everything. I'll be adjusting power levels, exposure and position of lights for maybe a dozen photos before I even think about a final pose. Before i'm even ready to start posing a bride i've had the bridesmaid try and jump start the photos by posing them and positioning them and after each test fire (too bright, not bright enough, not in the right position, add a second or third light) run in and turn a two minute photo session into a ten minute "are we done yet" sorta mood.  This is just another example of moments that I run into. :)

     I'm never going to be rude to a bride & grooms wedding guests, family, friends. I'm never going to be rude to the wedding coordinator / planner who wants to stand next to me and count down every single minute of our remaining time (This happens usually during formal photos). You in fact will never know if you got in the way. If you make a weird suggestion or try and hijack a moment i'm most likely going to humor you and go along with it and a smile. It's always going to be easier to say good idea and take a photo or two and then move on to my shots.

      Every single wedding I've made it part of my routine to borrow the bride and groom for additional photos post reception moments like bouquet toss or cake cutting. Most of these moments go off without a hitch but occasionally I get someone who wants to tag along. During your wedding day you're going to be surrounded by people the entire day, ball & chain to a schedule of events and have the same thingss repeated at you for hours (wheres the honey moon, do you feel different, you must be tired, congratulations). This is typically a moment to breathe, have a bit of quiet and also a special moment with your husband or wife. 

     I know this post most likely won't change how the next twenty years of weddings go or in fact anyone will actually read this. But it's therapeutic at best and helps keep me sane in moments that I cannot control. These are moments that brides & grooms don't know about until their wedding day and it's actually happening. They're very much on my side when i've had to occasionally shush off people. So if you ever see a bride, groom and photographer head off to get photos I can almost guarantee that they will be just fine if you wait to talk to them when they return. 

 
 

     In the end i'm there to take beautiful photos and be nice to people even if they are stepping on my feet. I hope this wasn't too offensive and if it was, you might be that person tagging along during photos. ;)

     

 

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photography, Projects, Wedding photography, Travel Mike Hendrickson photography, Projects, Wedding photography, Travel Mike Hendrickson

Drove 17 hours for 2.38 minutes

So when an eclipse happens you don't simply stay home, you go and meet it where it's at it's best. I drove way too long to see something way too short and it was very worth it. Did I mention the waffle house?

It was worth it.

Worcester, Massachusetts to Madisonville, Tennessee takes roughly seventeen hours of travel time give or take. Was it worth the hype or at least the many stops to Waffle House that I had envisioned?

     A few years ago a friend said that we should go see the eclipse and that it was crossing the United States. I said sure, why not; it was so far in the future where any decision should always be a unwavering yes. Time went by, I forgot about the eclipse and then I started seeing all the news stories about the eclipse, hmmm.. maybe this is something I should check out.

     My friend Pat called me up and asked if I still wanted to go down south. I checked my calendar to which I am married to one way or another and for whatever reason the stars had aligned to allow this venture. I called another friend Chris and invited him, perhaps against protocol but this is an eclipse and protocol is more so a grey area. 

     We took two cars loaded to to the brim with gear, well mostly loaded; we had to make room for gas station treats like gatorades and many other processed affections. Driving down eighty one south was fast, slow, hectic and mundane. Most cars went with the flow while others would cross perilously through cracks in the traffic pattern to what they assume is saving them around an hour of time. The best part of these fast and furious drivers was finding them only five cars away as we hopped off a highway.

     Quick mention of our juvenile behavior. While we were traveling south we noticed many race car enthusiast around. We up north don't particularly focus on those types of sports and most often drive the flow of traffic as close to the speed limit as possible... give or take. We ran into a very entertaining way to pass the time during these long stretches of driveway. I'll mention a particular encounter which gave us great joy. A blue Toyota Prius had rocket fuel in it's tank and was pushing through traffic very aggressively, Chris and myself happened to be talking on the phone, albeit coordinating as most might do while caravanning. We simply created large gaps that looked enticing for those who might want to overtake our cars as well as the ability to stay together by slowing down or speeding up on marks to push our car back into a spot we needed to be. But for some reason every time our friend the blue Prius throttled up to those gaps we had created they would mysteriously disappear, when I say gap I really mean two or three car lengths or less. It was as simple as myself letting off the gas and Chris pulling up to meet me. We continued this for many many many many exits. When we finally freed the Prius from our speed limit fearing ways I allowed the driver to see me aloof drinking a little bit of my leftover Starbucks as I pretended not to look. I've also found that letting my arm hang out the side of my vehicle with my hand surfing the air alongside makes many who tailgate very happy. 

     Honorable mention to the Riverview Inn hotel  where we stayed the night before the eclipse. It was a first floor room which was nice. The cigarette burns in the comforter was a nice tough as well as hair on the shower walls. Pulled back the bedsheets to find the same long hair that was adorned on the shower walls in the bed. When we headed out for dinner we found that the backdoor did not lock, there was a latch at the top which would allow the door to be opened several inches. We barricaded the door for a little piece of mind, the desk chair and an ironing board kept the room slightly more secure. Some of the ceiling tiles had been painted in the room along with the trim but only half finished and the room smelled like smoke. Postive note, the AC worked and the blowup mattress that we brought along worked wonderfully. 

     Arriving early in the AM hours to Kefauver park we found parking easily after being directed to the back of a field which didn't seem quite reflective of the moment we were about to experience. We made our way to a smaller parking lot adjacent to the main street and a few dozen steps away from the bathrooms. The park had a lake which primarily housed algae and it has been suggested.. fish. Some of the parks and rec had managed to get vendors in for this event to sell t-shirts, viewing glasses, drinks and bbq. 

     I put up the drone a few times to get the full view of the park as we waited around six hours for the eclipse to begin. We got to know our neighbors a bit better as we sat underneath a pop-up canopy we had purchased the day before. Early afternoon the eclipse finally began, everyone remarking, cheering and discerning stares upwards didn't push us any quicker to shoot a sliver taken out of the sun. 

     The eclipse happened slowly, very slowly, three hours slowly. It was hot out too, didn't mention that yet; low nineties. We had set up all of our gear now, drone was out, tripod and cameras positioned. The sun was positioned high in the sky, we laid on our backs and arched our necks while tilting our gaze through the viewfinder to focus each time on each subtle movement.

     The week leading up to this event was laden with how-to youtube videos, articles and other periodicals on how to view the eclipse which I will sum up here. Don't look at the sun, just look at it through the glasses, don't bother taking photos, use a solar filter if you do take pictures, don't look at the sun, ND filters won't work and what equipment will and won't work. Here's what we did with that info... pretty much nothing. We knew about solar filters, we brought some big lenses, big tripods and plenty of snack food. When you're photographing a T-Rex or a trans-dimensional being doing a backflip then it doesn't matter much which camera or lens your using. The same goes for the eclipse, you have a big enough lens and something to put in-between there to darken it then chances are you're going to get a pretty damn good photo. 

     So I had never really taken photos of the sun before, never attempted or enough had the thought cross my mind. The most interesting thing I found was being able to see the sunspots across the sun. You knew you had the right exposure when you had a yellow center and orange rind protecting that. We took photos of this smaller and smaller crescent as we neared the main attraction, full totality.

     The eclipse started to near totality, the shadows grew sharper, the light stranger; almost desaturating and dulling everything. These details couldn't really be captured with a simple Iphone because of the ISO compensation that is employed through Iphone magic. The light dimmed further and my car's headlights and taillights turned on, we got our signal to focus more. I started shooting by just pressing the buttons as quick as possible, sliding my thumb across the back wheel of my camera adjusting the aperture and snapping photos as I did so. Alternating with shutter speed the same way as I fired off photos. We only had two minutes and thirty eight seconds in our location to get these once in a lifetime photos. The best photos would be taken at the beginning and end of totality showing the beads and the diamond ring of the eclipse. The totality ended and each minute or two we had to slightly adjust our settings to recalibrate the exposure. Once I was back to getting the golden orange of the sun once again I relaxed on my duty of photos. 

     We slowly packed up, picked up, parted ways and shipped out. The rest of the story is packed highways, slow meanders down backroads and a much better hotel room. Thanks for reading my story.

     

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Advice, Worcester, Wedding photography Mike Hendrickson Advice, Worcester, Wedding photography Mike Hendrickson

Why would you hire me?

I've put together some ramblings of why you would want to choose me as your wedding photographer.  When you choose a wedding photographer you are choosing someone who you will most likely spend the day with. I'm fun and sometimes I bring donuts. 

Here I am wielding not one, but two flashes. #ExpertLevelAchieved

Here I am wielding not one, but two flashes. #ExpertLevelAchieved

Trigger warning: bad writing. 

Sometimes I start off with a really solid idea and then I branch out into ramblings. I apologize ahead of time because I believe I slightly did that here. 

     Why should we hire you... MIKE. While I don't get asked this exact question, it still hangs in the air throughout the meeting. I've done enough meetings with potential brides and grooms to read their expressions like a packet of Cliff Notes guide to meeting with wedding photographer.  

     So first there is the nodding expression where they are thinking "This is going to be expensive" . In truth it is going to be expensive. You're hiring me to document a day that can't be repeated, it's high stakes. I'm also showing up with enough equipment to put a downpayment on a house with. 

     There's the other hinting of body language and facial expression that spell out we don't want anything extra, book, flash drive, online gallery; we just want the digital photos. That's great that you know what you want and yes, just say that right off the bat.

     Sometime's I meet with just the bride and sometimes with the bridal couple. Meeting with one person is always easier because you have their complete focus. I'll also be completely honest in saying that the bride to be usually makes the calls when it comes to the details of the wedding. When I have a potential bride and groom in front of me throughout my pitch they will sometimes show their cards. When we get into price and start talking about what they're looking for. I'll start running through the different options and when I run across something they don't want they instinctively look at each other. They say it with their eyes "we talked about this before, I don't want this" and with a look back i'm able to course correct and steer them with options they do want. 

     The meetings are really just to see if we vibe, I already know I can shoot your wedding blindfolded and you know I can too. It can come down to a few things for a bride, i'll name the top three. First, do you like me? I'm going to spend all day with you and hopefully we get along right off the bat because I will spend more time with the bride on her wedding day than the groom. Secondly, do you like my photography? I have lots of different lenses and I'm with you for the whole day so I tend to have lots of different looks to my photos. Third, does my price work for you? I'm flexible on price to a point. I really want to shoot weddings and make people happy but it costs money to be a well rounded photographer. 

     Okay so I wanted to convey a little bit about the meetings above. But here's the truth of why you would to hire me as your wedding photographer. I'm committed to getting you awesome photos on your wedding day. My goal is to keep you on schedule, be your cheerleader, help out where I can. I've been known to bustle a dress, fit a corsage, straighten ties, deliver flowers, escort grandmothers and dance with kids. This is my full-time job, that means you message me at ten at night, i'm most likely going to be responding by ten ten. I've even taken the time to write out every single question that I've been asked in the past few years, sometimes a bride won't actually voice these questions so I've found it helpful to write it all out. I have enough gear, equipment and batteries to shoot three weddings in a row without recharging. I've been shooting weddings for over ten years. I actually like photography and do that in my spare time.. for fun. When I do a good job with weddings it leads to more weddings which means better equipment, sharper photos, more unique aspects. I'm constantly rolling my money back into my photography, so developing myself more. Every year I add a few more tricks to my wheelhouse. I also travel a lot, eighteen countries and twenty four states; that means I don't mind flying to your wedding to shoot. I would be happy to give you any bride and groom's contact info and have them tell you how much fun they had with me. Friend me on Facebook, Follow me on Instagram to see exactly who you would be getting as a wedding photographer; I won't disappoint. 

     So i'll use an analogue to describe wedding photography. When you go to Best Buy and stand there and look at all the TVs you can see the difference between each one pretty easily. They're all next to each other, same dimensions, same brightness, maybe color is different on this other one or another is a bit smoother with the resolution. When you eventually pick out a set you're getting it because the price worked for you. When you get that TV home you're going to fall in love with it and brag to your friends about your big tv. I will say that I certainly don't think back to that Samsung with the high gloss black finish when i'm sitting watching my tv. 

     It's partially the same with wedding photography. We're going to all do essentially the same thing, capture photos of you on your wedding day, the best we can or know how. If you stack me up next to other photographers you'll see i'm better than some but not than others. All I can offer is my uniqueness, perspective and skill. But when you have your photos, your memories you won't be second guessing who you went with. I imagine you're going to be pretty happy. I can't really trash other wedding photographers because most are not terrible, most just do it a bit differently then I do, different equipment, different focus or limited or unlimited experience that they may have. Most of my friends are actually photographers so I have that unique viewpoint of knowing how lots of other photographers operate.  So do you research before you commit, drill your wedding photographer, ask me a million questions. 

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Any of the above will make me happy.

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Mike Hendrickson Mike Hendrickson

It's not a Trump hat!

So if you haven't seen my Facebook yet then you don't know the yuuuge news. I have a new hat, a red hat, like i've always worn, except.. it has white lettering. Make Mike great again, he's always been great. So the problem with the new hat is Donald Trump also wears a red hat. I guess the big difference will be my ability to write and speak full sentences without using small words and big small hand movements. Okay, enough writing, go and read. 

 

Okay, I recently got some new unitymike.com gear. That's what i'm going to call it I guess, unitymike.com gear. Just so you know, it's expensive, FUBU expensive. These shirts, hats are not H&M prices.

     Okay, so let's get where we're going. I happen to wear a red hat all the time, well almost all the time. When it's spring, summer or anywhere where it's hot out i'm not wearing a red winter hat. Which you may think of as my luxury items which are not readily available to the great public. Recently I wanted to rock a red hat when it was spring, summer or generally hot out, I couldn't; too hot. I decided I need a summer version of my hat and soon.

     So while I was in Hawaii I wandered into a LIDS, which for those of you not in the know, it's a hat store. Quick side not, I was wearing a Worcester "Fuck Yeah" T-Shirt from Worcester Wares, the person who actually designed the outdoor mall where we were happened to notice my shirt. This architecture guru or designing genius has actually designed the Greendale Mall and the Solomon Pond mall as well as dozens of other malls, anyways... small world.

     So back to the story,  I checked out some red hats, black hats and ended up getting both. So now i'm going to crap on LIDS for a second. This chain wanted the price of the hat, plus fifty dollars to create a DST or EMB file (embroidery file) and then twelve dollars to put my logo on a hat. So for a single hat it would be a little north of eighty dollars. So I decided to curt the system a bit and have the embroidery file made elsewhere. This is where I want to praise Fiverr.com. I was able to have my logo made back into a vector file, it's been awhile so why not sharpen that up. I lost my original logo file and have been working off a lesser quality version. So once that file was nice and sharp I found someone on Fiverr that would create this embroidery file for the high cost of five dollars. At this point i'm home on the mainland in Massachusetts. I made my way to the Auburn Mall to meet with the embroidery artists who are experts at putting a hat on a machine and hitting a button. This is literally what they do. So now i'll throw some praise back at LIDS. The first three hats that I brought them got destroyed while attempting my logo. A quote of around an hour turned into two hours and then turned into me swinging back later in the day to find no progress made. This doesn't sound like much praise yet, i'm getting there. So the next day I show up around eleven thirty or so and there is all three of my hats with varying degrees of mis-stiching. The kid working there assured me that the machine was now fixed and he just walked into this, I did not doubt him in the least. So again I was quoted around twenty minutes per hat and thirty minutes later I realize that they do not understand estimates.

     Okay, praise time. My hats came out awesome, they did start from scratch for the new hats. They hats fit good, they look good with one exception. The exception is it's similar to Donald Trump's hat, Make America Great Again. Okay, two things; America was never not great and secondly I've been rocking a red hat longer. I am not a trump supporter at all, so much not a support in fact that when I type out trump and it doesn't auto correct the capitalization of his name.. I don't even go back and fix it. So two second rant, watch the news, watch his press conferences, watch what he's doing in office. I want him to do good and stand up and do the job, but I doubt that's going to happen. 

     So i've had too many people comment on the fact that it looks like a Trump hat and I guess i'll have to get over that little aspect of my hat. I like it because it's a strong looking hat. I know it will eventually get dirty and crappy and i'll have to stop wearing it, but until that day comes. 

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Advice, photography, Wedding photography Mike Hendrickson Advice, photography, Wedding photography Mike Hendrickson

Wedding workflow

So this post is geared towards photographers out there, specifically wedding photographers. This is my workflow. It's simple and it works. I basically import, sort and process. This is a little bit technical and you'll appreciate it this only if you know Lightroom or are planning on getting Lightroom. 

So this post is purely for photographers, maybe geared more towards wedding photographers perhaps. This is not going to be a blog where I incorporate lots of visual aids, i'm not a Buzzfeed article. If you know Lightroom or have just started using it then you will be able to follow along. If you're a bride or groom and don't know what Lightroom is then this probably isn't for you.

     So what I concentrate on is keeping things simple. It can be very easy to misplace a photo if you don't know what you're doing in Lightroom. You can add a filter that doesn't show certain types of flagged photos or you might not have photos from 2016 or 2015 included and miss a photo that you needed asap. Okay, so i'll go through everything from the beginning.

     So first off, any of my edits have usually been thirty seconds or less on a photo. I'm working with four thousand photos when shooting a wedding and between sorting, processing and delivering I have gotten pretty efficient. I'm mentioning this because I want you to understand that I don't treat my catalog like a golden goose. If my catalog becomes corrupt or has an issue and I have to restart from scratch, it won't be the end of the world. I may lose all of my edits but i'll always have my photos which is the most important part.  

     I sort my photos by YEAR, MONTH, DATE. If I need to get photos of a race from two years ago all I have to do is search my calendar on my computer or phone for RACE. Once I have the date I just look through my catalog for these photos.   

     I do have two catalogs, one on each computer. My main computer is used for managing storage between two eight terabyte external hard drives. This catalog has everything from 2007 to 2017. I'm currently teetering around five and a half terabytes but it goes up and down each year depending on how harshly I treat my past work which i'll explain more about in the next paragraph. The second catalog I have is on my MacBook Retina, this is my workhorse. It's fully loaded and meant for travel and speed. I'm able to take all my wedding photos and work through them non stop without being confined to my office or apartment. My favorite place to work is actually Starbucks. So this catalog of photos and edits on my MacBook is stored on a Lacie Thunderbolt hard drive. I'll talk more about what I do with these photos later in this blog.

     Another benefit of having everything in one catalog is access. You can keep doing triage on your photos, sorting through them and pulling out the bad photos. When years go by and you get better at photography you will be better equipped to judge your past work more critically. Every year I spend a few weeks to go back through my old photos and trim out the chum. God forbid I expire before i'm suppose to and someone is charged with sorting through my photos and see all my bad photos (I mean bad composition, blurry and other issues). I've heard other photographers talk about how inexpensive storage is, it's not trust me. I upgrade my hard drives every year due to concerns of proper backups. Hard drives fail so you should regularly upgrade. I use my hard drives pretty heavily as well. If I have a bride or past client that wants photos from their shoot I don't want to give them any bad photos. If you even show a client a bad photo there is a chance they may think it's great. Here's what happens when you show that bad photo, they say it looks great and you know it doesn't. They start showing that bad photo and telling everyone who took that photo. So I really only want my good photos out there. If it's something important then yes, save the photos, no biggie. But for me I don't want to have sixteen terabytes of good photos mixed with bad photos.

           Sorting, yes, no. It's that simple. Yes to a photo, it's good and you like it and want to share it and you want people to know it's on of your photos and i've used too many ands in this sentence. No means that you don't like the photo, it didn't come out good, bad composition, un-saveable, blurry, unflattering. When you get rid of a photo you're also saving the environment. You're also saving your wallet from having to get a bigger hard drive prematurely. So for those of you not in the know... P is for Pick or YES, X is not Reject or NO. While in the library module you have to make sure Auto Advance is clicked on under the Photo menu at the top. Okay, so now that we have all the photos and we're selecting P or X and working through the photos we realize it may not be going as fasts you would like it. This can be for two different reasons. You have to make sure all standard previews were built for the photos. Otherwise you will have to wait a second for the photo to render each time you click through the photos. Control A and then Library menu, Previews, Build Standard Size previews. Now wait and once it's finished restart your sorting process. Another reason the photos may be going slower as you pick through them is you're in the DEVELOP module. You will be able to sort while in this module but it will be a little bit slower.  

     The best part about sorting with P and X is you can do it with one hand. The more you do it the faster you'll get with it. I promise once you've done it with a half dozen shoots you'll be a master. Now here's what you do once you've selected all the bad and good photos, once you've flagged everything as a YES or NO. Now you can DELETE REJECTED PHOTOS. Now keep in mind once you've deleted these files they are moved to your trash bucket on your computer or Mac. Please please please make sure you don't have deleters remorse over your photos. This is just how I work and if it works for you then it works for you. Lightroom really allows everyone to process and do their own workflow the way they want. This is just how I work. Okay moving on.

     Once you have deleted the rejected photos by clicking the Photo menu at the top of the screen and scrolling down to it you can repeat this whole process again. So what you'll want to do is go through all of the photos and repeat this process of saying yes or no to all of the photos. I will typically do this several times if not more just because I want to make sure that my client or bride & groom get the best photos they can. You'll start to notice that you now have just really nice photos in your catalog. It will be a pleasure to show, friends and family your photos without having to delicately explain why some of the are bad.  

     Now that you are down to just your good photos you are ready to start editing. I don't use presets btw for anything. I process my photos a little bit differently and don't want everything to look exactly the same as every photographer on Instagram or Pinterest with a yellow decontrasted light flared photo. So here's what I do next. I take one photo and I apply a few general edits on it. First I add anywhere between +5 to +15 on contrast (This helps give enforce a more sharpened look) and then +5 to saturation (You should be shooting RAW and your phot may be a little flat because of it) and then +1 or +2 on clarity just to add a little bit of edge to everything. I'll also make sure Profile correction is on and sometimes i'll add increase sharpness and add a little bit of noise reduction. Once i've done this singular edit to this photo i'll want to apply it to all of the photos. I move back to the main Library loupe view by hitting the G key. Select All (Control A or Command A) and i'll mouse over to the side triangle to reveal the window to the left where it says Sync Settings. I select Sync Settings and I make sure everything is applied. Keep in mind if you decided to adjust exposure on this first photo it will apply to all of the photos. So once all these basic edits are applied to everything I can start going through with more edits. if you've noticed I don't do much with my editing. I really try to get everything correct when I actually shoot the original photo. I don't try and follow up my work with corrections. It makes my life a lot easier when I take a good photo and work from that to make minor adjustments. I'm not huge on filters, fake looking scenes and such. I would much rather get the correct tonal range and add some lights in the scene to break a subject from the background or add a dynamic little flare by using my flash a certain way. It's way too easy to add all these afterwards.   I wrote about that a little more here.

     While in the DEVELOP module you can navigate your mouse over to exposure and it should change the color slightly from Grey to white notifying you that your cursor is selecting this certain option. While the mouse sits over exposure you can now use the arrow keys to adjust exposure and also move between photos. This means you can go through all of your photos with out having to move around your mouse non-stop. I like to apply all of my exposure edits to all the photos like this. I'll eventually go back and do cropping on all of my photos to make it more pleasing to the eye. Some photos may require additional adjustments like Shadows or adjusting highlights. 

     Once I have done all my edits and i'm happy with my work i'll export the photos to a custom named folder. Once the photos have made their way to where they're suppose to be. This is usually my website IShotYourWedding.com which is made through Pixieset.com. Any photos that I really like will end up on my Facebook or Instagram. I'll also take a few photos that i'm happy with and put them in a separate folder called "Images", I know i'm super creative. This is just a folder that links to my Wallpaper and Screensaver that allows me to keep seeing my good photos. When i'm done getting the photos to where they need to be I delete the JPG files. I have no use for them. I have a finished copy on my website if I need to show them and the really good ones I have in a folder and on social media. I find it's much easier to get rid of them and it also keeps my desktop very clean and provides a really nice focus for me to get work done now.

     After most shoots, always weddings I take my photos and back them up to my Lacie thunderbolt hard drive. I sort through them as quickly as possible and then those get backed up to two eight terabyte hard drives. When I am no longer using the photos on my MacBook or travel drive as much I delete them because I have them backed up in two separate locations. This allows me to keep my computer relatively clean. If my computer ever gets stolen I don't lose out on photos and because I have a MacBook and good practices it's very quick to get back on my feet as far as editing goes. 

     I hope this is helpful to the photographers out there with a massive workload. This is a little bit of the magic behind my smoke and mirrors. This is not a shortcut to work, this still takes a great deal of time to do correctly. I'm not breezing through any photos. In fact most  weddings I take four to five weeks because I'll work on the photos every few days that way I'm looking at them with fresh eyes and processing everything in my head on which is a good photo and which is a bad photo. I always want to make sure my best foot is forward. If you don't have Lightroom yet i would highly suggest you go and sign up for Adobe's photographer plan which gives you Lightroom & Photoshop for only $9.99 a month.  Feel free to leave me any comments or criticism on this post. 

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Destination wedding, photography, Travel Mike Hendrickson Destination wedding, photography, Travel Mike Hendrickson

I accidentally went on vacation.

I went to Hawaii for work and I accidentally went on vacation. It's a slippery slope to relaxing when you're out here. Wanted to write a little bit about my journey even though I still have a tad bit of jet lag. Feel free to leave comments. 

 
Black Sand beach via my magical flying powers

Black Sand beach via my magical flying powers

     Okay, this isn't my best writing. I just got home yesterday but wanted to take this time to get back to work and that's meetings and writing and working on my website as well as blogs. This is all fresh in my mind and I wanted to get it out. I'm a little bit jet lagged and tired and malnourished (my version of malnourished is not enough salt, chocolate and fatty foods). Anyways here's a little bit about my latest exploits. 

     So I recently went to Hawaii for work. It wasn't a wedding, it wasn't a model and macadamia farms didn't hire me. I was actually working for the government, the Army in fact. I was there with Shawn Pacheco shooting a military ball with nearly a thousand people in attendance. So all I knew going into this was I was going to be shooting couples, the formal photos portion as Shawn made his rounds taking video of the event and ceremonies. The event was huge, I hoped I had brought enough equipment when I arrived there. I brought some Yongnuo flash guns and some compact Manfrotto nano stands in addition to some umbrella mounts and some Neweer modifiers for the lights. I had no idea if my luggage would get lost so in preparation for a few thousand lost in gear I opted for the cheaper gear. I purchased a nice grey and white backdrop from B&H which arrived just in time. To get everything out there cost a bit as well. I actually did a little research after talking for a friend and was able to create a media pass for my gear which dropped the price of the luggage to fifty dollars instead of a hundred dollars.  Anyways the logistics of planning and implementing all this equipment to land alongside me in Hawaii was a little daunting.

     So i'll jump ahead a few days into my trip when I'm actually doing work which is the real reason I was out there in Honolulu. We arrived at the Warrior's brigade ball at the Honolulu Convention Center and had the pick of where we would set up. Luckily the sun wasn't out and there was plenty of overcast which allowed me to get an amazing spot. I set up my backdrop stand and lights while couples approached me with the inquiry to be first for photos. I didn't have time to even do test shots on my friend Shawn to get everything tuned in. I immediately started doing photos as soon as everything was up, a line forming to my left. Each time I looked back I would see more and more couples until I realized I couldn't see the end of the line. I was sweating and not because of the pressure of performing at these high stakes, it happened to be eighty or so out which was giving me that sweat. Each couple got their own treatment and time with me. As long as the line was I was able to say hello to the couples and pose them a little bit, a little different each time. I shot for around two hours straight before the ceremonies began which offered me some down time. Each time I would turn someone away because the ceremonies would start I would reconsider, mostly because each person that came through looked like they outranked the last. I was later explained most of the ranks by Captain David Fowler. 

     Towards the end of the event I was beat and we packed up and headed out. Driving back to our host's home at Ewa (Pronounced Eva if I remember correctly) I already was receiving e-mails asking about the photos. The best part of doing these photos was giving some of the couples the chance to sneak in an engagement session or maternity photos or just to show off how good they looked that night. I did have to do some minimal corrections, a few of them had obviously worked hard a few days prior and had scratches on their faces. I got to meet a lot of nice men and women at this ball. Here's a few sample photos from the event, i've also provided a link below to check out all of the photos. 

The video above is Shawn Pacheo's cinematography from the ball.

So here's where the story begins now that I prefaced it with work. Work work work, that's what i'm always doing, I don't mind it. In fact it's my natural state most of the time and it's pretty normal to me. I actually feel anxious or weird if i'm not working. Part of working for yourself means that if you're not working then you're not making money which is essential to surviving. So I was pulled apart from my documents, my computer most of the time and also put in places which I was not always taking photos so I actually was removed from most of the components that usually curtail me into productivity. So here's what I did instead of work, I relaxed. I hiked, swam, snorkeled, ate, flew my drone, ran, explored, saw lava. 

     It was lovely not working, our hosts David & Beth provided us with daily rituals of Mai Tais and healthy food. Shawn who brought me on this "vacation" was also into the healthy food and exercise, which I swayed him from by the end of the week. We spent a lot of time visiting waterfalls, exotic locations and checking out some pretty awesome spots for food.  I highly suggest Monkey Pod, awesome food and desserts as well as a very modern atmosphere.  We had our own room at their housing which happened to be a two minute walk from the beach. Our beach was actually on the backside of Pearl Harbor in Honolulu. One of the awesome benefits to our hosts and our housing was the inclusion of having a big dog named Girl. Girl was a pit bull that won me over. She loved treats, being lazy and was very attentive in exchange for some petting. 

hiking to Manoa waterfalls

hiking to Manoa waterfalls

     One day of our days we took a plane over to the Big Island where we visited where Captain Cook was murdered (turns out the locals who thought he was a god weren't convinced he was a god after giving the local ladies STDs). Our journey down to this location involved a two and a half mile hike down a mountain side to a small lagoon. We snorkeled there for awhile and fed many mongoose (I want to say mongeese). The waters where we swam contained lots of sea urchin within the coral and rocks which meant flippers were a necessity.  The hike up the mountain was pretty tough, dry, arid weather in addition to loose gravelly trails. So David and Beth are both in the Army. Beth in the reserves and David full-time. Shawn is into MMA and has owned his own school and still trains people weekly. Myself, I like visiting places to get donuts, sandwiches or various meat dishes. The hike was tough for me but I couldn't really tap out so I had to take my time. Later that day we visited black sands beach, I can't recall the exact name of this beach. There are actually a few black sand beaches in Hawaii. These beaches have this soft black sand derived from the lava rocks being pulverized in the Hawaiian surf. The views at this beach were amazing and even more so from my drone.  So currently we are at about five miles give or take for the day plus some swimming and snorkeling. We are heading south towards active lava fields. We start a five mile hike down a paved road and then a gravel road and finally onwards through a cooled lava field. Okay, the five miles actually ended before we hit the lava fields but because of a recent collapse of the cliffside and lava fields we had to trek around the active lava which was about a mile and a half. Oh yea, it's dark out too; in case I didn't mention that. We didn't know how long our walk across the lava fields would be, for all we knew it was a half hour. Each person we passed told us various distances and estimates as we conversed this sharp, treacherous path alongside a thick singular rope which stretched into the darkness. When we arrived at the final location it was raining and crowds dispersing. Our view wasn't as spectacular as previously observed by our hosts. Despite our current view we had an additional option of seeing a better view of the flow.  On our trip back we stopped and set up the drone and managed to fly it within shouting distance of the red and orange stuff. We all had our iPhones out lighting our way back and I did take a nasty spill on the rocks but we made it back to the gravel road. We took this endless trip back to the car, each of us carrying out own burden of tiredness. We made it back to our hotel a few hours later and slept, only to wake up before any actual rest had occurred to fly back to Oahu. We did around eighteen miles that day and I will never ever forget it, because I'm out of shape and it's bragging rights for me ;).

This is David and Beth

This is David and Beth

     So the rest of the trip we visited beaches, snorkeled, had close calls in the water between waves, water and snorkeling mishaps. My friend Shawn at one point swallowed a good deal of water a few hundred feet out and was towed in by the lifeguard. I was held down at one point around sixteen seconds in the surf of a big wave, go ahead and hold your breath for sixteen seconds now add getting rolled around while that's happening. We had an awesome time doing it all regardless of the danger. After a few days of this "vacation" I actually realized I was vacationing. I wasn't taking calls non stop and answering e-mails in a timely manner. I did however manage to book five meetings for when I returned home. Future Mike will appreciate past Mike's initiative. 

     We had many other days that are worth mentioning but sometimes it's nice to not share every little bit of my day. If I didn't do wedding photography or photography and didn't rely on attention then I would absolutely love being a bit more private. But honestly it's nice to share my travels with everyone too.  I had an awesome vacation and it was nice to have the opportunity to shut down and enjoy the moments. I accidentally went on vacation and I liked it.

     I do want to take a second to write about my experience with United airlines. I booked with them before their recent choices to overbook and literally drag a paying passenger over their plane. I was hoping that they would be over the top trying to win everyone over with service and maybe a little bit extra. It was a plain experience on this plane, cramped seats, no complimentary meal on our six hour flight from Honolulu to Denver. I only found out about paying for food as they went through the plane at that exact moment they were taking orders. There was also no display units on the back of the seats which meant all I had was my phone to watch movies after connecting to their wifi. I had enough battery to last me a movie and then I had to reserve my battery so I could call my ride when I reached my destination.  I typically fly Delta because of their upgraded economy class and meals included. I won't be flying United again because of their treatment of this passenger and also it's nothing that stands out as far as service goes. I did however get a lot of suggestions of social media to try out JetBlue, so that's in the mix soon.  

P.S the naked guy in the waterfall is me. Check that off my bucket list. 

 

 

 

 
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Business cards and why mine is the best.

So I posted the design of my new business card and everyone had great feedback on it. I wanted to write about my design choices a bit more and explain myself and not have it get lost within the thread. So here's some of my marketing choices and design choices wrapped up together. This blog has cost me two Venti Cafe Mochas from Starbucks btw.

Here's a few business cards i've put together.  You can see the evolution of my design.


Brace yourself for a long winded rant about my business cards. You kinda asked for it... those were a lot of Facebook comments. 

      So Zazzle who I typically use for my business card had a little bit of a trimming mishap when producing my cards. They upgraded some of their behind the scenes editing software and it ended up pushing some of my text outside the cut lines. So this mishap meant they took care of me with credit and that allowed me to go back and readjust the cards. Additionally the thickness or weight of the card was so thick that during the cutting process the sheets shifted slightly. I had text very close to the edge and it showed any slight deviation. I only noticed it while dropping off a set of business cards. 

     I do want to preface this all with Zazzle is awesome. I've used other companies and I really have had good experiences with this company. The customer service is always top shelf. There has been times where I've made a mistake and other times where they've made a mistake. They have humans who work there and it turns out humans can make an occasional mistake, totally okay with that. I've had soo many people message with me various other companies that they use and I have to decline the help because I really do love this company and the fact that I have everything all ready and designed for print here.  So with this current mishap Zazzle took care of me and just recently sent me an additional box of cards which was done unpressured and just a show of appreciation. So I ended up with double the amount of cards. I've been using Zazzle since I started my photography business and it's nice to have a steady supplier like them. 

     So I've put this out to my friends on Facebook, the designing of my card. I was mostly looking for feedback on my red hat that I want to include. I've spent a lot of time designing my card to stand apart from everyone else. Typically everyone does the same exact thing. Name, Phone, E-mail, logo and maybe a slogan. Think about how many business cards look exactly the same. 

     The design of my business card has been the same with minor adjustments over the past five years. One side is always a large image of my logo, large enough to read if it's on the ground or a table. I've chosen the chubby size cards instead of the standard for two reasons, it stands out and doesn't fit behind other cards nicely. The second reason is it's different, it's usually been a tear-proof material which is always an interesting challenge to my clients to tear it up. 

     So I appreciate everyones input for the cards. Some of the advice I totally understand. Use a beautiful image you've shot, use this font, why is the phone number so big. This is not a card which I've put together quickly. It's been made to stand out from the pack.  A thousand cards will probably last me most of the year. Brides and grooms who typically end up with my card end up with it because they are in my office. Most people are finding me on Google, Facebook, Instagram or a random phone call. If these were being used for a wedding expo I would probably have something a bit different. 

     One of the biggest things with photographer is everyone happens to use a camera aperture for a logo (myself included, guilty). So I changed my logo a year or two back to something a littler bit more reflective of who and what. It now includes the words wedding which is my focus. I also have the dot come in the logo as well so now I don't have to do any additional dot come references elsewhere in the card. The main goal of my card is for it to stand apart from everyones no matter what business's card it's next to. My business name was believe it or not an AIM handle back in 1996 which was unity1818. Unity is an Operation Ivy song, not a Queen Latifah jam. It ended up as a placeholder for my website because I eventually needed one. Unity happens to work as a name for a business name but unity photography is actually taken by another photographer named Ken who I've actually met in real life. Anyways the reason I mention this is logos are hard and also very much essential to pull together a website, business card and any branding you may want to do. I didn't get to do anything cute like Two cranes photography or jumping cat photo. I based mine off a teenage Aol Instant Messenger name. 

     The giant phone number is something that takes people a second to grasp sometimes. I've had lots of people pick it up and say what is this and then it clicks. Then I have a few different sentences fit above, in-between and below the giant phone number. So whoever has already picked up my card because they don't understand the giant numbers at first and now they're reading all these sentences i've put on my card which is done is a very small font.  So they've spent anywhere from fifteen seconds to twenty seconds reading this side of my business card. I just times myself doing it from picking it up and skimming through everything. 

 
 

TEXT LISTED CURRENTLY ON MY BUSINESS CARD

Follow me on Twitter, Instagram, Pinterest, Google+ and Facebook. Visit my website to find all my social media links.

Wow, this is a very impressive business card. Thank you, I agree. If you find this impressive then wait until you see my photos.

The number on this card is my phone number. Please visit my website to send me a more formal message.

Don't lose this card. Int has your future wedding photographer's contact info on it.


There is a rhyme to my reason.... is that even a saying?

     So think about how long it takes for you to usually comprehend information on anyones business card. You look at a logo, an address maybe, hours possibly, phone and e-mail. I've already gotten almost twenty seconds of someones time. I've told them where they can find my social media links. I've directed them to my website to send me a message. I personally don't like a random e-mail from someone with a simple sentence "HOW MUCH" "WHAT ARE YOUR PACKAGES". So I love to direct people to my website where I have a proper contact form and more importantly all the information.  I've also included a little bit of my humor by saying how impressive the business card is. If you didn't get what the numbers were or skipped over the numbers in favor for a full sentence then it's explained here with the above text. I've also told them how important the card is and not to lose it, it has your future wedding photographers info on it. Okay, that last sentence is a little cocky but it's cool, I know I rock.

    So if you found this card and and saw all this information you would be able to get a quick snippet of who I am, personality wise possibly. As a wedding photographer i'm the person you'll have the most contact with during a wedding day. I'm literally with a bride all day long give or take some distance. The big thing I try to convey when I meet a bride and groom is the attitude of easy going. I'm very easy going, in fact most of my meetings i'm wearing that red hat and a hoodie. More meetings happen in the winter time. I'm also friending all of my brides and grooms on Facebook at some point. Since i'm spending the entire day with someone it totally benefits me to keep them in a good, relaxed and happy mood. Some of that comes from the informality of most of my approaches. I have brides contact me at eleven at night with a simple question or on Facebook on a Sunday afternoon. I'm very accessible and I make sure the bridal couple knows this. My goal is to have it feel like a friend is shooting your wedding. 

     With my current design i've chosen to remove some of the text to focus more on branding myself with my favorite object, a red hat. Affectionally worn for the past six years solid or so. I'm regularly recognized everywhere for this hat. Currently it's a red winter hat from American Eagle but i've also had many other variations of this red hat. I can't really wear baseball caps when I shoot outdoors and fedoras or these winter caps have always hung around me. I've actually gotten to meet a lot of my Facebook friends in public because they spot me somewhere in Worcester, Boston, NYC. It's a very bold color and my attire doesn't really have to match the hat. What i'm doing by including the red hat with my business cards are training anyone who ends up with this card to eventually be able to spot that exact red hat. Think about it. You have this random card with a red hat, phone, name, wedding photographer and you see a random photographer with the same exact hat. Chances are you are going to come up and say hi and tell me about how you ended up with the card. 


I'm going to meander a bit, follow along.

     So beyond wedding photography I actually do a number of things. One of those things being web design. When I meet someone who asks for photos or video the first thing I ask is what it's being used for. They tell me they want to put it on their website or Facebook. The next question I ask is to see their website and from there I see their website is angelfire or geocities hosted (antiquated reference, totally worth googling). So from there I talk to them about web design in addition to photos. So I can put togethers someone website pretty easily with a few photos and rearranging information. Here's the other thing I do, consulting work. 

     What is consulting work as it applies to you? Okay, thats a question being asked to me if that didn't make sense there. What I do is interview a business owner and pull out content to add to their website. Often times while explaining things it leads to other questions which inadvenrtuly conclude with a change in their own business's infrastructure. One of the best questions you can ask someone is "What would this look like if it were easy". It's a question you can ask any business owner. It helps them identify a problem area and provide the easiest solution and then we can work on the actual route to getting there. I also will call out an weak areas in their dealings and suggestions I may have to changing routine. 

     So I deal with many different businesses and these owners all happen to be around Worcester and Boston and every once and awhile I get recognized in a Starbucks or while on the job shooting somewhere. I'm training everyone as well as brides, grooms to recognize and associate the red hat with Michael Hendrickson, wedding photographer. 

I have time.

So hopefully everyone will understand my reasoning a little bit better now. It's not simply a harsh design choice. I've slowly evolved it from the very simple to the more complex. My goal with my cards are to stand apart from everyone and I fear being similar to everyone else will make me blend a little too much. I've spent a few minutes to design some of what everyone's asked for in a business card just to appease some.

I've made a few quick mock-ups of what some think would make a good business card. I've also reverted the size back to a standard business card size. This is not a dig on anyone. This is suggestions i've gotten on the initial thread on Facebook as well as in private messages. 


Okay. So here's my final design. I did put some thought into this. If you've read this entire blog then hopefully you've fell on my side of the wall. 

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Mike Hendrickson Mike Hendrickson

What a photographer's day is like.

So I thought this may be interesting to some of you out there. Being a photographer is awesome but most of it is the hustle. You have to work your butt off and throw stuff at the wall and see what sticks. On top of that is communicating with anyone who you may come across on social media, phone, e-mail, text message or smoke signals. It's being proactive and taking risks at times and other times playing it safe and doing things by the book and also knowing the difference of when to do which.  A typical day in most full time photographers lives means being flexible and nimble. Here's what a typical day looks like for me, give or take a few details. 

 

Wow, you take photos for a living, that's soo cool. It must be awesome traveling and making your own schedule. Did you get to eat that after you took the photos! Wow did they pay you to fly there and take photos of that? That's an awesome camera, it must have cost a lot. You have that many lenses. 

So I get a lot of the same things repeated to me time and time over. People remark at how amazing and fun it must be to do what I do. But the fact is, it is. But... taking the photos is really only ten percent of what I do. Marketing, post processing, phone calls, e-mails, spending money on things that are and aren't tangible as well as hoping clients make their way to you if you're doing everything the correct way.  I'm going to run through some of the basics of what I do and dive into some of it and gloss over the other parts. 

I do get to make my own schedule. I wake up whenever I want, in fact I don't even set an alarm anymore. I just happen to wake up as soon as the sun comes up and my brain automatically activates and goes back to whatever I should be working on or left off on. When I wake up it's a shower, slide on my stylish clothes and Apple Watch and off to Starbucks to have a Venti Cafe Mocha. I wear the same red hat everywhere I go so that i'm easy to find, recognize and meet. I also wear a unitymike.com t-shirt on the off chance that someone wants to talk to me about hiring me. On my way down to Starbucks i'll call my photographer friends and we bitch to each other about the business. We all run into the same problems, clients who don't want to pay, clients that we're still waiting for them to pay and the clients that say they can pay less somewhere else. This topic is rehashed every few weeks or months as time dictates. This photographer friend and I will talk sometimes several times a day. We run numbers by each other and situations to get another perspective. We also share a lot of information such as negotiation tactics and we talk a lot of gear. 

Once at Starbucks I sit down and play on Facebook. I have my noise canceling headphones on which are absolutely necessary to focus on tasks.  So, when I say play on Facebook I really mean sort through my business page's messages or posts and find people who have tried to contact me. Clients contact me through, text message, phone calls, Instagram, Google+, my personal Facebook page, a Facebook thread or my Facebook business page. While on Facebook I'll also post a link to my website which I really need people to visit. I'm also taking a nice selfie photo or photo of my drink. I need likes, I need people to follow me and be remembered when they or their friends get engaged. Some of my marketing strategy is to go exciting places, eat amazing food, have fun experiences and share these. Facebook's algorithm will note if someone hovers over a photo a bit or clicks on something you posted and adjust it so you show more often in their newsfeed. This means when I post things people are seeing it. I write out a blog or two to put on my website because it actually boosts me up in Google, makes my SEO a little bit better. I also schedule a post or two for my Facebook's business page. I sort through my photos on my computer and pull out a few photos and send them to my phone so that I can post on Instagram a little bit later. The Instagram photos will have to include a nice description, location and some relevant hashtags. 

I send a few e-mails, responding back to anyone who has asked me anything. I'm very prompt with this. If I have an e-mail from a potential bride and I don't answer with in short few hours they will move on to the photographer who does answer.  My futuristic tech that I wear around my wrist is not so much to show off a toy as it is used to get e-mail notifications and text messages. I hate staring at my phone for any length of time.

I have to swing by my office to drop off some flyers that came in. I straighten out my office which comes at a nice discount. Other people have been in my office to use my giant tv. I clean up desk, arrange everything for new clients coming in. My forms are getting a little low in stock and I have to sit down and revise and reprint a new stack. I keep adding more to my forms to help me. While at my office I also have to visit with my landlord of sorts to go over his projects and what he needs done. I help out where I can. 

I have to take a drive to a clients house now because they need a family portrait.  Everything is loaded into my car, lights, camera, action. I head to the clients house where I set up, pose, photograph and repeat half a dozen time with various locations on their property. We have a good time, i'm paid and now everything needs to be packed up and brought back home and deconstructed back into it's case.  On my way back home i'm calling a client of mine who I help out at their office. I do everything from ordering supplies to photo and video and web design and consulting work. I check and see if they need anything or if theres anything upcoming that I need to get ready for. Nothing to do there, so no problem. 

I'm having clients in my car later in the week which means that my car which is also used to transport gear from Maine to Florida is nice and clean. Also, earlier I got a good deal of dirt in my car because the clients driveway was muddy. So wiping the seats down, vacuuming, sorting the contents of my trunk space as well as topping off fluids are on my to do list either today or another. 

During lunch I may eat at my dream place, Coney Island Hot Dogs or go down to The Fix. I'm going to pig out and enjoy it. I've earned it. I've been up since seven working on things.  During lunch i'm browsing on Amazon looking for little things that I've been putting off ordering and finally plunge into my wallet to accommodate myself. I also take any phone calls during my lunch time throughout the week. My phone rings about a dozen times a day with clients and also telemarketers. I can't tell the difference between a safe number and unsafe number because local numbers have been bought up to get a better hit rate.  The reason I mention this is I get to go to my favorite places to eat but a majority of the time my food gets cold. I don't let calls go to voicemail when possible because no one wants to wait and I also depend on clients coming in regularly.  I still manage to take photos of my food which more often than not leads to my food losing it's ideal temperature. 

After lunch I'm beat, worn out and ready to quit. I usually take a nice two hour nap or more. This is interrupted by the occasional phone call and I also wake up at some point and roll over and check my phone for reciprocated e-mails from clients. If I get a call from a bride or e-mail from a bride my goal is to set up a meeting asap, that means later in the day or early the next day or whenever they want. Once I'm awake I recharge again with coffee and a snack. I'm editing photos now for a gig I shot the night prior. I've spent a little part of the day making sure I have everything backed up, previews loaded and basic adjustments made across the board. I get a phone call from a print shop saying the custom frames I ordered are in, i'm still waiting to be paid for them by the client. I have to head over and pick them up and then notify my client they are in and softly nudge them to be ready to have their wallet ready. In case of any questions I have to go back to my computer and dig up the original invoice I sent them. I have several invoices out in fact totaling enough to pay my incoming bills, rent, subscriptions, insurance. 

I'm also waiting on my insurance agent to find me a more affordable insurance for my gear which I pay almost two hundred dollars a month for. I pace around my apartment, straightening things out, organizing my equipment and staring at my giant three by four foot white board. I regularly fill this board up with upcoming tasks, notes, reminders and dates. Anything that i've taken a note for has to be put into my phone and computer for redundancy, thats on my to-do list. I put on my nice Bose noise canceling headphones and pace around my apartment conquering small and mundane tasks to the bigger ones. I have a phone call to make and I spend thirty minutes circling my couch talking to a bride and narrowing down a meeting time. I have to cross check my calendar with a list of weddings to make sure I have time to meet later this week and have her wedding date free.  She can meet today in fact which is wonderful. This was a good phone call. About seven or eight times a year I get a phone call from a bride who loves my photos and she's very excited to meet with me and then tells me her wedding date. I cross check her wedding date and i'm already booked. I have a couple go-to photographers which I send brides that I cannot take. I'm careful who I send brides to because it will fall back on me if anything goes wrong. I send most of my brides to a photographer friend out in Boston. 

I head to my office for the second time today, I'm early. I turn on my tv, my apple tv, bluetooth speaker, set Spotify to modern wedding playlist, set up my Macbook to connect with the TV and get the form out and write out all the information I have at the moment. She should be here any minute, okay ten minutes ago, thirty minutes ago, text, phone call, nothing. I get a text message letting me know she'll be late. I've now been here for an hour and it's dark out by now. She arrives, we hit it off and I go through my entire pitch, I feel good about it. I head home and after dinner I sit and write up a contract and send a follow up e-mail regarding our meeting and everything we talked about. I don't know if she's going to go with me or not. I don't typically do follow up messages because it can easily put someone in that awkward position of saying they're going with someone else but thanks for... you get the idea. 

I'm now uploading photos from the gig I shot the day prior. There's a lot of photos going up so It throttles by data which means Netflix and Hulu won't work on my TV. So shower and head back to my TV to be reminded of this. I end up sitting at my computer browsing through Facebook's newsfeed and get lost in Instant Karma videos on Youtube. I'm also kicking myself to be productive still at eleven at night. I'm making a circuit between my workstation where my Macbook and main computer are to my white board looking for more tasks to finish. I write a few more things on my board that need to get finished. There's a lot of things that just require sitting and writing or following up with people about projects. The rest of my time is spent sitting on my couch with my cats swiping through Bumble to meet someone. It's hard to meet someone when you're schedule is composed of the entire day and night. Basically this app leads into a huge time suck of non productivity which re-guilts me into a productive whirlwind.  

Sleep either can be wonderful because i've accomplished so much or terrible because I still have so much to accomplish. I've disallowed any news on Trump before bed because that makes my sleep even worse. The best part of my day though is having my cats follow me onto my bed and lay next to me. They have no idea what I've done today or the day prior no matter how many times i've tried to explain it to them. That's a very calming thing, two little cats who's day tomorrow is packed with sleeping and eating. Maybe i'm in the wrong profession. 

So this is exactly how any day goes for the most part. The details may change, some days are less and some days are more. The tasks are different but each day I get thrown a puzzle and have to put it together. If I ever clear my white board of things that I should be doing that I feel uneasy and anxious because there is something I can be doing and I have to figure that out asap. There is no rest. But the best part of any of this is whenever I want I can take the day off. I can shut down and do nothing. But most every single day goes from seven in the morning to past midnight. It means I can take a vacation wherever I want on a moments notice but I also better keep a watch on social media and e-mail during that.  

 

 

 

 
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Client space, Advice Mike Hendrickson Client space, Advice Mike Hendrickson

Hoodie and winter cap.

Meetings should be casual. Imagine if you went into a bank to discuss a mortgage which is a very serious matter. If the person across from you was wearing similar clothes to you and was able to sit there and walk you through the process of a mortgage wouldn't you feel a bit more confident and relaxed? That's what I think at least. When I meet a bride and groom I want them to be relaxed and honest with me so that I can give them the best price possible and also get to know them a little bit quicker because I'm going to be spending an entire day with them later in the year. 

 

Have you ever been forced to wear a tie or dress shoes. Sure, you look good in them and it looks good from a clients perspective. But is it really necessary? 

     Whenever I meet with a client I usually am dressed as comfortably as I can be. I have sneakers on, a hoodie and my favorite winter hat. This is just something that has worked out very well for me. By dressing down I think I might be giving our meeting a little less high stakes feel and more relaxed vibe. My clothes don't sell me as much as my reputation and my photos do. In ten years and countless clients i've only had one objection to my clothing and that was from a single guest who was a bit oppositional and probably just had a bad day. Most of my clients are dressed in their everyday lounge clothes and the occasional Sunday best but ninety five percent are dressing comfortably so why would I be?

     My meetings are also the same as my dress, very informal and relaxed. I'm not pitching to anyone as much as i'm casually interviewing a couple to see if we're a good fit. I usually ask a dozen or two questions and click through a couple hundred photos. Spotify is playing a modern wedding playlist and the bottles of water are flowing. 

     The first question I have for any couple even before they meet with me is their wedding date. I often have people who get to me a week or two late and I'm not able to shoot their wedding. But in most cases I have the date open and we end up meeting. My office is in the second floor of Gerardo's Italian Bakery, it's a long story of how I got there. I have my books, some forms and a big tv to show my portfolio. 

     I do have a set package but I regularly adapt it to the couple sitting in front of me. The biggest thing for me is to be fair. I can't charge someone who has fifty people coming to their wedding the same I would charge with two hundred people coming. If I have an easier day ahead of me then the price can reflect that. I walk you through a typical wedding day which is usually from hair and makeup all the way to the last dance. Now you probably weren't interested in any books but I'll show you a few anyways. They're not as expensive as you thought in the end, most times. 

     So there is three things I hear from every bride and groom. We're really relaxed, our wedding is informal and unique, we're on a budget. I agree to all of these, you don't even have to tell me in fact. I'm going to capture beautiful memories regardless of budget or if you're a ball of stress. I like hearing about peoples visions for their weddings.It's easy to match someones enthusiasm about their weddings because I really am excited to shoot weddings.  

     By the end of the meeting I run across the price and I've gotten enough information to build a contract. I don't need an answer right now, i'm not a monster. I hope that we clicked and I leave the ball in their hands. 

     By the end of the meeting you never saw my dress shoes and we might have had on the same exact hoodie so you know we both have amazing taste. I send off an e-mail later in the day with details of our meeting and a contract with some instructions attached with it. 

     Hope to have you booking your wedding with me in 2018. Have a great day / night. :)

 
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Mike Hendrickson Mike Hendrickson

Building an amazing wedding portfolio

What to include in your wedding portfolio to show your brides and grooms what you're all about. Showcasing your top photos is great but what about everything else, where does that fit in? I go through everything that has worked for me in my portfolio. Enjoy!

 

Building a wedding portfolio.

I’ve been working on my new wedding portfolio, it’s tough. My natural instincts tell me to just include the cream of the crop, the best of the best, top one percent. That looks great right? 

 

     I think that by only including the best of the best that can be deceiving. We all like Starbucks right, but sometimes not every Cafe Mocha is created equally; the same with photos. Some are going to be amazing, epic, one of a kind and others are of uncles and aunts or flowers and you and a friend who you haven’t seen in years. So that’s why I keep my portfolio varied as much as it is. I’m totally confident in my photography skills and more than happy to show everything. Sometimes when you see amazing photos with a beautiful location and gowns flowing and three or four lights used for the photo, that’s either because they have a team of people putting this together during a wedding or it’s not an actual wedding photo, it’s a couple dressed up as a wedding couple for a shoot. 

 

     Some of my portfolio is what I know looks good. These are the photos that I would eagerly show other photographers to get their approval. But there are parts of it though that I know the average person who is not a photographer will see and love. Do you know those photos where everything is black and white and the rose petals are the only thing in color, yeah… we hate that. Huge white vignetting on a photo, that’s another gross thing that we hate.

 

     So I want to reiterate that this is just my opinion. This is what has worked for me. I also have enough photos in my portfolio that by the end of a presentation there is not question about my skill or devotement.

 

      Here’s a summarization of what I include in my portfolio. By the way, I currently have close to eight hundred photos in my wedding portfolio. I’ve been working for a long time to bring it down but I really do love all the photos and memories that are attached to each and every one of them.  Okay, here it is….

 

Messy room photos. It’s going to be a chaotic day, no lies. I want to show that the reality of a picture perfect wedding doesn’t always happen behind the scenes. 

Getting hair and makeup done. There’s a path to your beauty, this is how that looks.  Before and after is great and is really just for the bride and groom and rarely makes it on social media.

Table shots. Photos of the guests at their table. This is something I capture at the wedding, So I like to show it off here. This is also a great way to connect with each guest and maybe even meet a couple who’s thinking of getting married. 

Kids. If someone is hiring me to shoot a wedding and they have kids then I want them to know that they are not excluded from the wedding. Plus the best way to work a room is to play to the kids. Parents, friends and family notice when their shy little kid is all of a sudden enamored with you and your camera and come out of their shell. I also usually will sit on the ground with most kids and let them fire off a few photos.

Parents. I want to include everyone thats present. This is a big day for the bride and groom but sometime bigger for the parents watching their kids grow up. Additionally, who doesn’t mind getting their photo taken, right?

Details. Couples spend a lot of time working on their wedding details and It really makes the wedding look amazing. This is to showcase that but also gives my new couples ideas. 

Funny and ugly. Sometimes people make funny faces or horrible ones. These are moments for the bridal couple to look back on and laugh or just have blackmail material for later. These are also the best throwback Thursday photos for future posts.

Cake smashing. It happens and it makes the wedding reception soo much better. It shows that the bride and groom can take a joke and also provides some entertainment and tension at that moment.

Locations / venue. Sometimes I might have a staircase from a certain venue in my portfolio twice. That’s because the bride and groom hiring me may have selected that venue. Seeing how different arrangements on the stairs and also the fact that i’ve been there a few times may make me more appealing to hire.

Group photos. Throughout the wedding day I capture tons of group photos. I want the bride and groom to know that family, friends can get whatever they want for photos on the day of their wedding. I’ve done many family photos at weddings because everyones there together. :)

Rings. You spent a lot of money on this symbol of your love. Let’s show it off and brag a little. I’m also showcasing my skill in macro photography and creativity with these photos.

Table decorations. Someone took the time to put this altogether and somewhere, sometime they might be bragging about it. What phrase would be better heard than “the photography took an amazing photo of it” when referring to the table setups.

Creative lighting. Every wedding I try and do new things with lights. Sometimes it doesn’t work out, sometimes it does. But the average person sees this and knows this isn’t something they can do by going to Target or best buy and getting a few things, it’s special. So I include anything that’s out of the ordinary in this department.

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Jenna & Paul

Jenna & Paul's engagement shoot.   www.unitymike.com wedding photo.

Jenna & Paul live in Sturbridge which happens to have lots of exciting places to shoot an engagement shoot in addition to being located somewhat close to B.T's Smokehouse.

Here's some of our shoot at their house, the town common and Old Sturbridge Village.

 

 

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Want to become a better photographer? Shoot weddings!

Want to become a better photographer, shoot weddings. 

This is a marathon, a crucible of photography. Locations, settings, light, people, equipment, you are the one making all these mini decisions and changing the outcome of your photos. The more you shoot these, the better you'll get.  Sure it can be stressful, but once that's gone it's nothing but fun.

So the title pretty much sums up what I want to say. I'm going to keep this brief, mostly because I was just on my way out the door and then inspiration hit and I have to get this out before my Venti Mocha happens. 

     So if most of you don't know already, I'm a wedding photographer. People usually say one of two things, that's awesome it must be a fun job or I would never do that, i've tried before and it was too stressful. So if you've said either of these things you're both correct.

     This is a fun day, you're spending it with two people on the happiest day of their life; unless of course they have a baby or have just spent way too much at B&H (photographer reference). Everyone's happy on their wedding day despite the hiccups of the day and the hectic nature of the schedule sometimes. The bride and the groom see all their friends and family, get to show off dance skills and force everyone to watch them eat the cake; it's a wonderful time. As the photographer I'm also in a good mood. I've done enough where my day feels like i'm hanging out with new friends and just doing what I love.... taking photos. I get to share this beautiful day with two brand new friends of mine and I get to eat with all the rest of the people. I get unrestricted access to the best photos during the ceremony and reception. I'm not fighting anyone for the best shot of the bride and groom and when the dance floor opens up i've been known to dance with an aunt or grandmother too. At the end of the day I get to thank the bride and groom for inviting me to shoot their wedding by sending a dozen or so shots. It feels good to send those off and see all my photos pop up on their social media (I get tagged and I love it).  So again, to reaffirm, this is fun.

     So the other half of the coin, it's stressful and you don't think you could ever do it. Shooting a wedding is a marathon of photography. Sure you may have done an hour or two shoot before or two portraits in a day but imagine shooting six to twelve hours. When people think that it's going to be the most stressful thing, it's not... maybe the first dozen times. But once you realize that you're the one in control the better off you are. Often times or not my job feels like a photographer / chaperone. I'm typically reaffirming the bride & groom about how the day will unfold throughout the day. Okay, you're getting makeup done and afterwards we're going to take a big group photo, yes, not in your dresses yet or okay directly after the ceremony you'll have the receiving line we're everyone hugs you, shakes your hand and while that's happening i'm going to set up over here and then we can..... You get the point (excuse my run-on sentence), i'm guiding the day and reaffirming their schedule and letting them know if we're good on time or not. 

     So the way weddings make you a better photographer is this, you change settings location wise and on your camera hundreds of time throughout the day. Light changes, difficult people added into the mix, someone doesn't like the way their arms look or you found an amazing location that's a ten minute walk away that you have to convince everyone of. Shooting a wedding will make you a better technical photographer (unless you shoot on Auto). You'll constantly be changing angles, lighting and learning posing. You'll change your settings on your camera non stop and after awhile you can dial in whatever you need at a seconds notice. During the ceremony i'll have on a certain setting but as soon as that announcement happens introducing Mr. & Mrs. Smith i've already shot my few photos and now i'm changing everything on my camera to get those photos of the bride and groom walking up the isle in a bit different lighting situation. 

     The most difficult thing for me is looking at photos i've shot and asked myself why didn't I just drag the shutter a little longer or why didn't I just ask that lady to move out of the photo. So each wedding I improve on all these little details, I know that I'm just going to ask someone to move out of the photo, i'll yell at someone who's mugging too much for the camera. When people are difficult or uncooperative and say something like I don't like photos or are just ruining a group photo I remind them "These photos aren't for you, it's for Mary & Tom". The location's aren't always the same either. You may be shooting at a beautiful hotel in Boston and get to take photos around Boston Commons and some of the urban areas and then the next wedding is at the Elks lodge with a giant parking lot around it. This is a challenge but not unconquerable. You find other locations nearby and suggest that we take a ride up the road to the beautiful lake or go across the street to the bridge or if all else fails, embrace what you have. Take photos of everyone outside in front. Showcase where the bride and groom are, set up some awesome portraits inside, make it fun for everyone.  I also am constantly changing what I bring, some weddings I bring all my super telephoto lenses and others I just bring a few prime lenses. I'm constantly challenging myself, can I shoot a wedding on just a 50mm 1.2, damn right I can. Could I show up to a wedding with a Canon Rebel and kits lens, hell yes and I would have the best photos there. 

     So hopefully you're looking at this in a different light or I just got happy and excited for you for nothing. So to recap, each wedding is a six to twelve hour shoot (I don't put a cap on the time and I don't ask them for more money in the middle of their wedding, they just get extra time, thats it) where you get to shoot the same subject from wherever you want and also the subject is willing to go with any ideas that you put down. Let me rephrase this, imagine doing a photoshoot for two people and having eight hours and not nailing it, it's almost impossible. Regardless of how we all feel about our own work and how judgmental we can feel, the bride and groom are going to love their photos, they're in all of them! So long as you try your hardest and are honest about everything with the bride and groom about what they're getting they'll be happy. 

     Want to get better at photography, shoot weddings.

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engagement, Destination wedding Mike Hendrickson engagement, Destination wedding Mike Hendrickson

Sharon & Jon's engagement session at Arnold Arboretum

Here's a sneak peak at Sharon & Jon's engagement shoot. More will be shared on www.IShotYourWedding.com

Today we spent the afternoon at Arnold Arboretum in Boston, Massachusetts. Turns out it's right down the road from my best friend's apartment and i've actually driven past this place a dozen times. We wandered and got some great shots and got to know each other a bit better. Here's some of the photos from the shoot.

 


#engagement #boston #arnoldarboretum #arboretum #bostonweddingphotographer #worcesterweddingphotographer #session #photoshoot #photography #macro #canon #ring #weddingring #inlove #couples #unitymikeweddingphotography #worcesterweddingphotographer 

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Advice Mike Hendrickson Advice Mike Hendrickson

Food photography

So i'm a wedding photographer but I love food. So combining that into food photography is pretty damn easy. Here's a few things i've learned while doing food photography. BTW most times i'm shooting photos of food i'm using my iPhone. 

Lately i've been doing a lot of food photography. I really should say I've been going places and eating and taking lots of photos of my food. I've been supplementing my Instagram feed with new exciting places i've found to eat.  

     That's how I feel about my photography, my work; it doesn't feel like work. I love doing what I do, taking photos and living my life the way I want. So lately it's been taking photos of burgers, pastries or whatever else is beckoning to me.   So I wanted to share a little bit more about food photography. I know it's been written about it a more glorious fashion in books, online articles or magazines but I wanted to share my little view of it.

     So i'll be perfectly honest, a few months ago I really knew nothing about food photography. I knew the basics, some lighting and what not and adjusting colors after so everything looks great. I didn't realize how much went into it. Often times the location is not well lit and whoever has prepared the food doesn't know about food photography and you're given a little less than perfect presentation of the food. So when you show up and get the food to work with you either get something thats pretty damn good looking or you gotta fix it up a bit.

     So the first thing I want to try and get is a clean plate. I bring my own, a few different sizes and colors because sometimes whoever is giving me the food might have a god awful ugly plate that ruins the presentation. I have a huge variety of plates that I collect from Target, Wal-Mart, Savers and any other place that I go. I also am consistently on the lookout for unique glassware and bowls.  So the plate is the base, it's where the beautiful food will sit and pose for me. Now the next thing is making sure the plate remains clean throughout, I would rather not do photoshop after the fact to fix it.  

    The next thing is the food, it's gotta look amazing. I will usually work with the chef and make sure that they understand what i'm looking for. I want a picture perfect piece of food, no flaws and all ingredients showing. Sometimes this may mean adding extra ingredients or putting less of something else on something. I typically only need one side of whatever i'm working with, so it can be built up on one side.  

     So the next is location. I don't want to take the photo in the back of the kitchen or on a steel table. I don't want a white background that looks like it belongs on Amazon either. So I usually scout around the area where i'm going to take the photo and select a few locations.  Depending on the location I will use a flash or strobe. But the best thing that I usually use is a simple reflector.  

     So someone asked me which is harder, taking pictures of people or food. It's definitely food because it's all on me to get the photo right. I can't blame anyone else on the photo not coming out. The food is just sitting there, looking sexy and I have my camera and tools to get it done. When i'm shooting a person, they could have a bad hair day, a bad attitude or simply just be wearing something horrible. So again, food is hard.

     So back to food photography. We left off at starting to take photos of the food. So there's a few different ways you can take photos of food. You can take really close ups of it, if it's a sandwich you might get meat hanging out of it or the crumbs falling off the bread. The next is maybe one of the more recent popular ways, straight down; birds eye view. You take a photo looking down on the plate, highlighting the shape, portions, colors and textures of the meal. The next is simply at an angle, showing where the food is and maybe a few accessories (fork, knife, drink, napkins, table cloth, ketchup bottle, other table wear). The other way I like to get photos is straight on from the side. I think this is one of the best and unique views of the food.   So whichever way you decide to shoot you have to make sure everything looks picture perfect before you start. So if you have to lift up a steak and clean the plate or ask for a new vegetable because the one you have looks kinda dumpy then do it.  Don't be scared to squeeze, stretch, adjust and move things around so they look perfect.  

     So the rest is up to you, theres no wrong way to do food photography. It's whatever you make it. My food photography is always developing. I'm always learning more tricks and techniques to get my shots looking better and better. Sometimes i'll shoot wide open, sometimes i'm shooting at f8. It's whatever you do to get the shot and then properly post processing that image. One little thing that I don't always share is I use my Iphone to do some of my food photography sometimes. I usually use a reflector and pose the plate right by a window. I'm still doing a little post processing with apps on my phone.

      I do have a little bit of an advantage though, I love eating food and I also work part time at a Mexican Restaurant which is part of a restaurant group in Worcester with ten different restaurants in two different states.  So i'm usually around food quite often.

 

You can see some of my food photography on Gerardo's Italian Bakery's website. I've provided all their photography and it's been a real learning experience.

     

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Food porn, photography Mike Hendrickson Food porn, photography Mike Hendrickson

BirchTree Bread Company

BirchTree Bread Company is a one month old bakery in Worcester that seems to be crushing it.  Delicious breads and a fresh take on a bakery / place to grab a coffee with a friend. Don't even bother reading this and go and check it out yourself. 

This past Saturday myself and my girlfriend decided to make our way to this new bakery in Worcester. Located on Green Street in Worcester right across from SmokeStack BBQ is an old Worcester factory building with many hidden gems, BirchTree Bread Company to be specific.

      We entered the building and immediately started exploring.  We ended up browsing in a curiosity shop downstairs called Crompton Collective which deserves it's own fan fare, it's amazing. It's collection of local's curated antiques and home made goods make wandering a delight. After pressing onward we made our way through a farmers market which is located in the basement and also know as The White Room. The farmers market had lots of fresh produce and familiar faces. Next we made our way back through Crompton Collective, up the stairs to BirchTree Bread Company.

     As you are walking down the hall to the entrance to BirchTree you can feel and hear every intentional footstep as can everyone else. This building is ancient and repurposed, bright and clean; other local businesses occupy most spaces in this spacious location. We enter BirchTree and are delighted to see this modern meets rustic look for a brand new brand. We stand in line for a few minutes and end up running into various friends who are also here to check out this new hotspot. 

     We slowly pass the cases with cheese and other goodies, I make note of future cheese purchases. The menu is a few feet into my stay in the line. The menu is written out in white chalk on a green chalk board.  So the main thing to understand is they have a limited menu, that's not a bad thing. With a limited menu that means they can concentrate on the things they do well, an awesome soup of the day, a sandwich special, breads, cookies and coffee drinks as well as rolls and loafs.  This also means that you have the chance to try everything on this menu before it is added to. 

     I ordered all the cookies, cranberry white chocolate, turbinado sugar, peperes adeladies. Don't ask me specifically what all that means, what you need to know is it's delicious.  I ordered a hot chocolate and two variations of toast, the seeded rye with a cranberry orange cream cheese and a coriander raisin with peanut butter and banana and toasted wheat germ. The portions were generous and the price affordable. Before heading out for seating I spot a large country jug filled with ice water, I turn the spout and quickly fill a mason jar up with what may be filtered or delicious Worcester water into it.  We sit at the bar at the end of the copper counter while we waited for our brunch, the line doubles at this point; when will the madness stop.  

     Looking around the room you can see lots of room for future tables, furniture and innovations. A coffee table is surrounded by four large benches in the center of the room, tables line the window as other various seating is placed accordingly.   One of the owners is hustling around the kitchen doing odds and ends while this new well oiled machines dances through orders.  I sit and spend my time while I wait taking photos of the food. My name is called and our food is brought right over to us, I spend at least another ten minutes taking photos.  After I put away my camera gear and dig into the food I am instantly satisfied. The food here is fresh, delicious and worth any small wait that you may encounter.  
  

     I highly suggest you visit this local bakery and push into the frame of a Worcester landmark.

Go and add them on Facebook and see what they're up to. BirchTree Bread Company. 


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My public service announcements.

So I made myself some promo material and yes it contains bad spelling, sometimes grammar and punctuation flaps. But here it is in all it's glory, my public service announcements.

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