Mike Hendrickson 12/28/20 Mike Hendrickson 12/28/20

First posting

This is for wedding professionals. DJ, Photographer, Videographer, Hair & Make-up, Florist, Venue, Justice of the peace (any one performing a sevice at the wedding). Don’t steal the thunder from the newly married couple. Let them have first posting in regards to the beautiful photos i’ve just done. I explain myself better in the blog vs. this little summary.

Imagine if it was your wedding and the photographer, dj or make-up artist got to announce to all your friends and family (that night or the day after) that you got married and share the most iconic photos (the professional ones) with everyone before you got to announce it?

One of my favorite things to do with my photos is to share them. That means with bride & groom, venue, dj, florists, hair & make up. But i’ve found that I have to provide a little context of how and when to share these photos. I’m making this post because I have had vendors take the initiative and post anywhere from a single photo to dozens of my professional photos of the bridal couple before the bride and groom have had a chance to arrive home and unpack from the wedding day.

Give the bride & groom (groom & groom, bride & bride) first posting (explaining further). That doesn’t mean you can’t post photos of the wedding day or night. This just means that you don’t tag them the first few days or so. You want to give the bridal couple a chance to announce to the world (friends, family) that something big went down (their wedding). When I make my initial posting about the wedding day i’ll usually post one or two of my favorites and tag the venue, quick little excerpt from the day and that’s about it to start. Once I see the bride and groom are posting days later or a week later thats when I allow myself to tag them on social. Remember that due to some social media privacy settings if you do tag them then all of their friends and family will see it in their newsfeed before they’ve made it public.

The night of the wedding they will expect their friends and family to post photos of where they are, tagging the lovely couple and including selfies and shots of the two at the alter. The following day they’ll still receive photos from friends and family on their social media, they’re riding high with all these posts. The two might make a post thanking everyone (sometimes vendors, I love it when this happens), this is when a formal photo is uploaded of their choosing or dozens of photos put up. The two have spent months, a year or two planning this big day and now they get to revel in all the likes, praises, congratulatory talk that one expects and accepts for just a tremendous day; don’t ruin it for them by taking away any of that thunder.

So now that the official photos are up and the bride and groom (groom & groom, bride & bride) have made it clear the they’re married, now you should tag them. I usually like to wait until after I see posts on their end dying down. I like to give them their due fifteen minutes of fame. I know that it won’t get lost amongst a sea of cell phone photos during the week of the wedding. This is a post i’ve wanted to make for awhile. It’s hard to explain to someone in person about when they should post and why. I’ll summarize it briefly below in simpler terms for ease of use.

If I’ve given you the link to the teaser photos for the wedding, it’s because I want you to have them, I want you to use them. You don’t even have to tag me in them (although I do love it when you do. You don’t even have to ask permission beyond this point).

Wedding day: Thank the bridal couple, tag your business, maybe a selfie with them or a cell phone photo

Following day: Thank the bride couple, tag your business, maybe a selfie with them or a cell phone photo. A professional photo without tagging them, tag your business, venue, other vendors

After you see the newly married couple posting the professional photos: You’re golden, post whatever you would like at this point and tag them.

Hope you’ve enjoyed this post and will take it into consideration when you make posts in the future. I only put this together because it’s really hard to explain to someone who might be in the same room as the bridal couple about how they can use my photos (I give everyone the link to the teaser photos, I want everyone to win)

This is not a post dictating what to do with my “art” (shudder). I don’t have enough time to police all of my photos and patrol Facebook for infractions. This is just me saying “let the bridal couple enjoy their fifteen minutes of fame”.

Mike Hendrickson 6/19/17 Mike Hendrickson 6/19/17

Who steers the ship

You've hired a wedding photographer but on your wedding day you decide to direct them instead of enjoying the day, that's fine. But... how many weddings have you shot and do you have a method to get all the formals done in twenty minutes?

If you decide that you know more than the photographer it may cost you. That's not meant to sound like a threat, it's more of a small rant that will help put some of your wedding day into perspective. It's a fast paced day with lots of moving parts and lots of different vendors who do not want to mess anything up, this means everyone is making sure they perform exactly what they were hired for.

Most weddings will go off without a hitch, there are the small little hiccups which do happen. People arriving late, corsage mishaps, wrong colored shoes, missing socks. But most photographers have been to a few hundred more weddings than the bride and groom they are tasked to take photos of. This means if you decide to intervene throughout the wedding with ideas and direction it can cost you time and photos. One of my favorite parts about a wedding is guiding a bride throughout the day because i'm with her the entire day. I'm able to say that we're running on schedule or we're going to head back here and you're going to have a little break and then get introduced into the reception.

On your wedding day a wedding photographer will never argue with you, you're the boss. We've been hired to take photos and not to negotiate/argue on how you want it done. I totally understand the intervention that may happen when a bride thinks she needs to. It's a high stress day for the bride because she wants everything to be perfect. In my experience most brides don't relax or breath until after they've sat at the reception. My goal is to get amazing photos and maybe jump through a few hoops doing so. I also want to keep the bride and groom happy throughout all this. If your face shows stress on your wedding day it's going to show in the photos. You may not even remember doing this or ever see those photos because I will make sure they don't make the final cut.

During formal photos I have thirty to forty minutes to get the photos that you'll be hanging on your wall and passing down to future generations. I have a method, a path that I follow and a flow. We start off big, break it down, switch it up and eventually end up with just the bride and groom. If you decide you know better then the photographer we're going to let you do so. I've had brides direct formal photos before and we started with family and then bridal party and then back to family and then back to family and then the bride and groom and then bridal party and double the time. I write this as a warning to other brides to let the photographer steer the ship at certain key points. You've hired us for a reason. I certainly wouldn't be offering suggestions to a plumber or mechanic. I want to get you as many photos as possible.

On your wedding day, relax, enjoy, experience it. You don't have to keep track of everyones whereabouts, put someone in charge of that. Consider the day a stack of dominos, line them up and let it happen. You wouldn't start the line of dominion by tipping them and slowly readjusting them as the dominos fell. If you look worried or like you're yelling at people in your photos it's going to look just like that in your photos. I really want the best of you on your wedding day. It's not just a paycheck or an honest one if I don't think i've done everything possible to get you the best photos. So pucker up, smile and let your wedding day happen and enjoy your friends and family. No guests will ever notice the mistakes, I promise you.

Mike Hendrickson 6/7/17 Mike Hendrickson 6/7/17

The flying photographer

I certainly don't mix my lenses with my socks when I travel. Here's how I travel as a wedding photographer. I'm also endorsing ThinkTANK because they really rock when it comes to photography gear.

ThinkTank Airport Security. retractable stroller handle so you don't get stuck carrying through the airport.

ThinkTank Airport Security. plenty of space to fit my 200mm 1.8, two bodies, 4 other lenses, two flashes and tons of batteries and accessories and laptop.

usually one body and 3 or 4 lenses and a flash. Also has room for a 15inch macbook

smaller things like cables and usb devices in here

This keeps my macbooks cables organized in my bag and easy to get to.

No this is not a blog about drones even though I may have link-bated you. This could either be about drones or a magical flying photographer or X-Men based sort of mutant who can take photos while flying. I just wanted to write a little bit about my experience traveling as a photographer.

So traveling as a photographer can be a bit difficult. I'm not traveling with a few thousand dollars worth of gear, usually it's tens of thousands of dollars worth of gear; hope you liked that humble brag. This means that i'm not checking my gear, we've all seen those videos of luggage handlers tossing and pitching suitcases into and out of planes. This is my exact nightmare, having someone toss a case or bag filled with two bodies and several lenses with accessories into a mishmash of storage space that is being optimized for space which means fitting and squishing into place when applicable.

When you travel somewhere as a photographer you really don't want to leave that one tool home that you realize later you needed. So this means we will often bring everything and the kitchen sink. I regularly will travel with around eight lenses, a few flashes and two bodies as well as batteries and everything else.

The next nightmare is for a TSA employee somewhere along the lines to inspect my gear and pull out the smallest maybe unnoticeable item somewhere along the lines. Even when I don't have anything important in my checked bags I regularly get luggage back with either one or two locks missing or telltale signs of rummaging. How easy would it be for any of them to simply place an object into their pocketbook or vest pocket. I may arrive at my location and notice I don't have an adapter or lens and now I'm questioning if I even packed it or maybe it fell out when I was retrieving my car charger for my phone at the airport. It may be a week or two before I can verify a stolen item and the amount of baggage handlers could very well mean than I cannot narrow down a point where it was taken.

So how I treat my equipment is having it with me on a carry on bag. This is the stuff that cannot be stolen, it's with me; the guard. On most flights you are allowed a carry on, a backpack and a small item. The carry on size is different between international and continental USA. I do have both sizes of carry on for my camera equipment. I have bags from ThinkTANK and highly suggest them. I have the ThinkTANK commuter, airport security v2, airport international v3 and the retrospective 30 and 10 shoulder bags. One of the neat things as well is the similar bag shapes which mean they look awesome when they are all put away. They are boxy, padded and have all the right features that you need. Order on Amazon and check one out or take a trip to B&H in NYC and get hands on with it. I've had a bag collection for many years and this past year i've actually started to thin out my stash because I fell in love.

Screenshot from TSA website. In the past three years I have had four locks DISAPPEAR and have never received an inspection notice.

So when traveling with your gear, keep it with you. If you get the ThinkTANK bags they mostly all include a cable that is attached to the bag that you simply have to loop to any pole, seat or other stationary objects to secure as well as zippers than can be locked into a stationary lock.

ThinkTank Airport commuter. solid bag that fits enough gear for a wedding

Thinktank Airport commuter. great for a carry on and durable enough for hiking.

Somewhat disposable TSA locks (They like to throw them away)

Keep alot of my chargers in here when i travel

Mike Hendrickson 6/7/17 Mike Hendrickson 6/7/17

Why would you hire me?

I've put together some ramblings of why you would want to choose me as your wedding photographer. When you choose a wedding photographer you are choosing someone who you will most likely spend the day with. I'm fun and sometimes I bring donuts.

Here I am wielding not one, but two flashes. #ExpertLevelAchieved

Trigger warning: bad writing.

Sometimes I start off with a really solid idea and then I branch out into ramblings. I apologize ahead of time because I believe I slightly did that here.

Why should we hire you... MIKE. While I don't get asked this exact question, it still hangs in the air throughout the meeting. I've done enough meetings with potential brides and grooms to read their expressions like a packet of Cliff Notes guide to meeting with wedding photographer.

So first there is the nodding expression where they are thinking "This is going to be expensive" . In truth it is going to be expensive. You're hiring me to document a day that can't be repeated, it's high stakes. I'm also showing up with enough equipment to put a downpayment on a house with.

There's the other hinting of body language and facial expression that spell out we don't want anything extra, book, flash drive, online gallery; we just want the digital photos. That's great that you know what you want and yes, just say that right off the bat.

Sometime's I meet with just the bride and sometimes with the bridal couple. Meeting with one person is always easier because you have their complete focus. I'll also be completely honest in saying that the bride to be usually makes the calls when it comes to the details of the wedding. When I have a potential bride and groom in front of me throughout my pitch they will sometimes show their cards. When we get into price and start talking about what they're looking for. I'll start running through the different options and when I run across something they don't want they instinctively look at each other. They say it with their eyes "we talked about this before, I don't want this" and with a look back i'm able to course correct and steer them with options they do want.

The meetings are really just to see if we vibe, I already know I can shoot your wedding blindfolded and you know I can too. It can come down to a few things for a bride, i'll name the top three. First, do you like me? I'm going to spend all day with you and hopefully we get along right off the bat because I will spend more time with the bride on her wedding day than the groom. Secondly, do you like my photography? I have lots of different lenses and I'm with you for the whole day so I tend to have lots of different looks to my photos. Third, does my price work for you? I'm flexible on price to a point. I really want to shoot weddings and make people happy but it costs money to be a well rounded photographer.

Okay so I wanted to convey a little bit about the meetings above. But here's the truth of why you would to hire me as your wedding photographer. I'm committed to getting you awesome photos on your wedding day. My goal is to keep you on schedule, be your cheerleader, help out where I can. I've been known to bustle a dress, fit a corsage, straighten ties, deliver flowers, escort grandmothers and dance with kids. This is my full-time job, that means you message me at ten at night, i'm most likely going to be responding by ten ten. I've even taken the time to write out every single question that I've been asked in the past few years, sometimes a bride won't actually voice these questions so I've found it helpful to write it all out. I have enough gear, equipment and batteries to shoot three weddings in a row without recharging. I've been shooting weddings for over ten years. I actually like photography and do that in my spare time.. for fun. When I do a good job with weddings it leads to more weddings which means better equipment, sharper photos, more unique aspects. I'm constantly rolling my money back into my photography, so developing myself more. Every year I add a few more tricks to my wheelhouse. I also travel a lot, eighteen countries and twenty four states; that means I don't mind flying to your wedding to shoot. I would be happy to give you any bride and groom's contact info and have them tell you how much fun they had with me. Friend me on Facebook, Follow me on Instagram to see exactly who you would be getting as a wedding photographer; I won't disappoint.

So i'll use an analogue to describe wedding photography. When you go to Best Buy and stand there and look at all the TVs you can see the difference between each one pretty easily. They're all next to each other, same dimensions, same brightness, maybe color is different on this other one or another is a bit smoother with the resolution. When you eventually pick out a set you're getting it because the price worked for you. When you get that TV home you're going to fall in love with it and brag to your friends about your big tv. I will say that I certainly don't think back to that Samsung with the high gloss black finish when i'm sitting watching my tv.

It's partially the same with wedding photography. We're going to all do essentially the same thing, capture photos of you on your wedding day, the best we can or know how. If you stack me up next to other photographers you'll see i'm better than some but not than others. All I can offer is my uniqueness, perspective and skill. But when you have your photos, your memories you won't be second guessing who you went with. I imagine you're going to be pretty happy. I can't really trash other wedding photographers because most are not terrible, most just do it a bit differently then I do, different equipment, different focus or limited or unlimited experience that they may have. Most of my friends are actually photographers so I have that unique viewpoint of knowing how lots of other photographers operate. So do you research before you commit, drill your wedding photographer, ask me a million questions.

LIKE

COMMENT

Any of the above will make me happy.

Mike Hendrickson 6/2/17 Mike Hendrickson 6/2/17

I made the bride's daughter cry

Soooo before you get mad at me, I didn't do anything wrong. While taking photos a waitress yelled at me and afterwards the bride's daughter (9 years old) was absolutely certain this waitress would kick everyone out and cancel the wedding. Here's the story.

Okay. Now that i've link baited you i'll quickly tell you I didn't do anything wrong. Okay now that we've got that settled I can continue with the story. I also did get my bride's permission to tell this story because I didn't want to come off as mean in any sense or be disrespectful to anyone. I'm not going to name this venue and if you recognize it then you know they have amazing prime rib and corn fritters. I have shot many weddings here as well as my first wedding and I will be back.

So first off, me and the bride's daughter totally hitting it off. She's nine years old and I took the time to help her find some things in a Where's Waldo type of book at the hair salon and I let her use my camera. When we arrived at the wedding venue (I'm not going to use their name here because I really like them) I started doing detail photos while the bride ran around and made sure everything was in order. I asked my bride's daughter is she wanted to come and hang out with me while I do photos and carry the veil.

My little assistant came with me while I hung the dress all around the property but there was no area that was really conducive to what I was looking to do. Inside and outside I only found a few spots but nothing that blew me away.I found one spot that worked amazingly, from a chandelier by the front entrance. I hung it, tipping the lights sideways a bit but the dress was light and no troubles. I took a few photos and it looked amazing. I decided to have Sam stand in a chair next to the dress and maybe some directly behind it. I had her on a chair and I was instructing her not to touch the dress whatsoever because of the chandelier. Just as I was doing so a nineteen year old waitress rushes over with her hands up saying "I'm sorry, I just, I, you can't, sorry, you can't" to which I replied we'll just be a few more minutes and then we'll be out of your way. She then started to reach for the wedding dress which I grabbed before she could touch it. We stood there in a small stale mate and I explained that I just needed to get a few photos and I would be leaving the area and she said that I couldn't hang the dress there (several employees had walked by me or watched me prior to this). She pointed out two places where I could hang the dress. One being on a coat hanging area with high chairs and the other by the front podium where there was no place to hang it.

I pointed out those to areas and questioned them, over there??? She eventually walked away very quickly and I was left alone with Sam. I walked back over to rehang the dress and continue with my photos and was blocked by Sam. Sam told me "No! The lady said you can't" to which I replied, yea I know but it's okay. So I moved into position again but was blocked by Sam "She said no". Now i'm being impeded from doing my job. So I got down and tried to explain to her that the worse thing that can happen is I get yelled at again. I tell her that i'm going to be taking the photos that her mom will have for the rest of her life and I have to make them as perfect as I can. Now Sam is actively trying to take the wedding dress fro me.

A family member of Sams comes in the front entrance and says hi to both of us. I ask if they can take her upstairs so that I can finish taking photos. She stands there with arms crossed. She is unresponsive to her Aunt and Uncle. I ask if she doesn't want me to take photos of the dress, she is quiet with arms still crossed "Do you not want me to hang the dress up" yessssss. Tears start to drip down her face so I say "Okay i'm going to go take photos over here, but you have to head upstairs okay". So she leaves and I walk over and rehang the dress and get a few more photos.

Afterwards I head up to put the dress back and my bride is there to greet me. She says "So you made my daughter cry...". She then follows up with telling me that she talked to Sam and that for the money she paid me and also the venue that I can do whatever I want and that's what i'm paying for. So Sam thought that the nineteen year old waitress was going to cancel the wedding and kick everyone out. I did talk to the coordinator for our wedding and she said she was aware of what happened and it wasn't a big deal at all and was fine with it.

My main goal at any wedding is maybe not following all the rules but instead getting the best photos I can without being too disruptive. I'm always on the bride and groom's side and am looking to do the best I can do. I've included some photos of the dress below, I did only take a few shots inside of the dress.

See if you can pick out which photo I designed and shot and which one was suggested to me.

B

A

Mike Hendrickson 5/17/17 Mike Hendrickson 5/17/17

It's not a Trump hat!

So if you haven't seen my Facebook yet then you don't know the yuuuge news. I have a new hat, a red hat, like i've always worn, except.. it has white lettering. Make Mike great again, he's always been great. So the problem with the new hat is Donald Trump also wears a red hat. I guess the big difference will be my ability to write and speak full sentences without using small words and big small hand movements. Okay, enough writing, go and read.

Okay, I recently got some new unitymike.com gear. That's what i'm going to call it I guess, unitymike.com gear. Just so you know, it's expensive, FUBU expensive. These shirts, hats are not H&M prices.

Okay, so let's get where we're going. I happen to wear a red hat all the time, well almost all the time. When it's spring, summer or anywhere where it's hot out i'm not wearing a red winter hat. Which you may think of as my luxury items which are not readily available to the great public. Recently I wanted to rock a red hat when it was spring, summer or generally hot out, I couldn't; too hot. I decided I need a summer version of my hat and soon.

So while I was in Hawaii I wandered into a LIDS, which for those of you not in the know, it's a hat store. Quick side not, I was wearing a Worcester "Fuck Yeah" T-Shirt from Worcester Wares, the person who actually designed the outdoor mall where we were happened to notice my shirt. This architecture guru or designing genius has actually designed the Greendale Mall and the Solomon Pond mall as well as dozens of other malls, anyways... small world.

So back to the story, I checked out some red hats, black hats and ended up getting both. So now i'm going to crap on LIDS for a second. This chain wanted the price of the hat, plus fifty dollars to create a DST or EMB file (embroidery file) and then twelve dollars to put my logo on a hat. So for a single hat it would be a little north of eighty dollars. So I decided to curt the system a bit and have the embroidery file made elsewhere. This is where I want to praise Fiverr.com. I was able to have my logo made back into a vector file, it's been awhile so why not sharpen that up. I lost my original logo file and have been working off a lesser quality version. So once that file was nice and sharp I found someone on Fiverr that would create this embroidery file for the high cost of five dollars. At this point i'm home on the mainland in Massachusetts. I made my way to the Auburn Mall to meet with the embroidery artists who are experts at putting a hat on a machine and hitting a button. This is literally what they do. So now i'll throw some praise back at LIDS. The first three hats that I brought them got destroyed while attempting my logo. A quote of around an hour turned into two hours and then turned into me swinging back later in the day to find no progress made. This doesn't sound like much praise yet, i'm getting there. So the next day I show up around eleven thirty or so and there is all three of my hats with varying degrees of mis-stiching. The kid working there assured me that the machine was now fixed and he just walked into this, I did not doubt him in the least. So again I was quoted around twenty minutes per hat and thirty minutes later I realize that they do not understand estimates.

Okay, praise time. My hats came out awesome, they did start from scratch for the new hats. They hats fit good, they look good with one exception. The exception is it's similar to Donald Trump's hat, Make America Great Again. Okay, two things; America was never not great and secondly I've been rocking a red hat longer. I am not a trump supporter at all, so much not a support in fact that when I type out trump and it doesn't auto correct the capitalization of his name.. I don't even go back and fix it. So two second rant, watch the news, watch his press conferences, watch what he's doing in office. I want him to do good and stand up and do the job, but I doubt that's going to happen.

So i've had too many people comment on the fact that it looks like a Trump hat and I guess i'll have to get over that little aspect of my hat. I like it because it's a strong looking hat. I know it will eventually get dirty and crappy and i'll have to stop wearing it, but until that day comes.

Mike Hendrickson 5/4/17 Mike Hendrickson 5/4/17

Wedding workflow

So this post is geared towards photographers out there, specifically wedding photographers. This is my workflow. It's simple and it works. I basically import, sort and process. This is a little bit technical and you'll appreciate it this only if you know Lightroom or are planning on getting Lightroom.

So this post is purely for photographers, maybe geared more towards wedding photographers perhaps. This is not going to be a blog where I incorporate lots of visual aids, i'm not a Buzzfeed article. If you know Lightroom or have just started using it then you will be able to follow along. If you're a bride or groom and don't know what Lightroom is then this probably isn't for you.

So what I concentrate on is keeping things simple. It can be very easy to misplace a photo if you don't know what you're doing in Lightroom. You can add a filter that doesn't show certain types of flagged photos or you might not have photos from 2016 or 2015 included and miss a photo that you needed asap. Okay, so i'll go through everything from the beginning.

So first off, any of my edits have usually been thirty seconds or less on a photo. I'm working with four thousand photos when shooting a wedding and between sorting, processing and delivering I have gotten pretty efficient. I'm mentioning this because I want you to understand that I don't treat my catalog like a golden goose. If my catalog becomes corrupt or has an issue and I have to restart from scratch, it won't be the end of the world. I may lose all of my edits but i'll always have my photos which is the most important part.

I sort my photos by YEAR, MONTH, DATE. If I need to get photos of a race from two years ago all I have to do is search my calendar on my computer or phone for RACE. Once I have the date I just look through my catalog for these photos.

I do have two catalogs, one on each computer. My main computer is used for managing storage between two eight terabyte external hard drives. This catalog has everything from 2007 to 2017. I'm currently teetering around five and a half terabytes but it goes up and down each year depending on how harshly I treat my past work which i'll explain more about in the next paragraph. The second catalog I have is on my MacBook Retina, this is my workhorse. It's fully loaded and meant for travel and speed. I'm able to take all my wedding photos and work through them non stop without being confined to my office or apartment. My favorite place to work is actually Starbucks. So this catalog of photos and edits on my MacBook is stored on a Lacie Thunderbolt hard drive. I'll talk more about what I do with these photos later in this blog.

Another benefit of having everything in one catalog is access. You can keep doing triage on your photos, sorting through them and pulling out the bad photos. When years go by and you get better at photography you will be better equipped to judge your past work more critically. Every year I spend a few weeks to go back through my old photos and trim out the chum. God forbid I expire before i'm suppose to and someone is charged with sorting through my photos and see all my bad photos (I mean bad composition, blurry and other issues). I've heard other photographers talk about how inexpensive storage is, it's not trust me. I upgrade my hard drives every year due to concerns of proper backups. Hard drives fail so you should regularly upgrade. I use my hard drives pretty heavily as well. If I have a bride or past client that wants photos from their shoot I don't want to give them any bad photos. If you even show a client a bad photo there is a chance they may think it's great. Here's what happens when you show that bad photo, they say it looks great and you know it doesn't. They start showing that bad photo and telling everyone who took that photo. So I really only want my good photos out there. If it's something important then yes, save the photos, no biggie. But for me I don't want to have sixteen terabytes of good photos mixed with bad photos.

Sorting, yes, no. It's that simple. Yes to a photo, it's good and you like it and want to share it and you want people to know it's on of your photos and i've used too many ands in this sentence. No means that you don't like the photo, it didn't come out good, bad composition, un-saveable, blurry, unflattering. When you get rid of a photo you're also saving the environment. You're also saving your wallet from having to get a bigger hard drive prematurely. So for those of you not in the know... P is for Pick or YES, X is not Reject or NO. While in the library module you have to make sure Auto Advance is clicked on under the Photo menu at the top. Okay, so now that we have all the photos and we're selecting P or X and working through the photos we realize it may not be going as fasts you would like it. This can be for two different reasons. You have to make sure all standard previews were built for the photos. Otherwise you will have to wait a second for the photo to render each time you click through the photos. Control A and then Library menu, Previews, Build Standard Size previews. Now wait and once it's finished restart your sorting process. Another reason the photos may be going slower as you pick through them is you're in the DEVELOP module. You will be able to sort while in this module but it will be a little bit slower.

The best part about sorting with P and X is you can do it with one hand. The more you do it the faster you'll get with it. I promise once you've done it with a half dozen shoots you'll be a master. Now here's what you do once you've selected all the bad and good photos, once you've flagged everything as a YES or NO. Now you can DELETE REJECTED PHOTOS. Now keep in mind once you've deleted these files they are moved to your trash bucket on your computer or Mac. Please please please make sure you don't have deleters remorse over your photos. This is just how I work and if it works for you then it works for you. Lightroom really allows everyone to process and do their own workflow the way they want. This is just how I work. Okay moving on.

Once you have deleted the rejected photos by clicking the Photo menu at the top of the screen and scrolling down to it you can repeat this whole process again. So what you'll want to do is go through all of the photos and repeat this process of saying yes or no to all of the photos. I will typically do this several times if not more just because I want to make sure that my client or bride & groom get the best photos they can. You'll start to notice that you now have just really nice photos in your catalog. It will be a pleasure to show, friends and family your photos without having to delicately explain why some of the are bad.

Now that you are down to just your good photos you are ready to start editing. I don't use presets btw for anything. I process my photos a little bit differently and don't want everything to look exactly the same as every photographer on Instagram or Pinterest with a yellow decontrasted light flared photo. So here's what I do next. I take one photo and I apply a few general edits on it. First I add anywhere between +5 to +15 on contrast (This helps give enforce a more sharpened look) and then +5 to saturation (You should be shooting RAW and your phot may be a little flat because of it) and then +1 or +2 on clarity just to add a little bit of edge to everything. I'll also make sure Profile correction is on and sometimes i'll add increase sharpness and add a little bit of noise reduction. Once i've done this singular edit to this photo i'll want to apply it to all of the photos. I move back to the main Library loupe view by hitting the G key. Select All (Control A or Command A) and i'll mouse over to the side triangle to reveal the window to the left where it says Sync Settings. I select Sync Settings and I make sure everything is applied. Keep in mind if you decided to adjust exposure on this first photo it will apply to all of the photos. So once all these basic edits are applied to everything I can start going through with more edits. if you've noticed I don't do much with my editing. I really try to get everything correct when I actually shoot the original photo. I don't try and follow up my work with corrections. It makes my life a lot easier when I take a good photo and work from that to make minor adjustments. I'm not huge on filters, fake looking scenes and such. I would much rather get the correct tonal range and add some lights in the scene to break a subject from the background or add a dynamic little flare by using my flash a certain way. It's way too easy to add all these afterwards. I wrote about that a little more here.

While in the DEVELOP module you can navigate your mouse over to exposure and it should change the color slightly from Grey to white notifying you that your cursor is selecting this certain option. While the mouse sits over exposure you can now use the arrow keys to adjust exposure and also move between photos. This means you can go through all of your photos with out having to move around your mouse non-stop. I like to apply all of my exposure edits to all the photos like this. I'll eventually go back and do cropping on all of my photos to make it more pleasing to the eye. Some photos may require additional adjustments like Shadows or adjusting highlights.

Once I have done all my edits and i'm happy with my work i'll export the photos to a custom named folder. Once the photos have made their way to where they're suppose to be. This is usually my website IShotYourWedding.com which is made through Pixieset.com. Any photos that I really like will end up on my Facebook or Instagram. I'll also take a few photos that i'm happy with and put them in a separate folder called "Images", I know i'm super creative. This is just a folder that links to my Wallpaper and Screensaver that allows me to keep seeing my good photos. When i'm done getting the photos to where they need to be I delete the JPG files. I have no use for them. I have a finished copy on my website if I need to show them and the really good ones I have in a folder and on social media. I find it's much easier to get rid of them and it also keeps my desktop very clean and provides a really nice focus for me to get work done now.

After most shoots, always weddings I take my photos and back them up to my Lacie thunderbolt hard drive. I sort through them as quickly as possible and then those get backed up to two eight terabyte hard drives. When I am no longer using the photos on my MacBook or travel drive as much I delete them because I have them backed up in two separate locations. This allows me to keep my computer relatively clean. If my computer ever gets stolen I don't lose out on photos and because I have a MacBook and good practices it's very quick to get back on my feet as far as editing goes.

I hope this is helpful to the photographers out there with a massive workload. This is a little bit of the magic behind my smoke and mirrors. This is not a shortcut to work, this still takes a great deal of time to do correctly. I'm not breezing through any photos. In fact most weddings I take four to five weeks because I'll work on the photos every few days that way I'm looking at them with fresh eyes and processing everything in my head on which is a good photo and which is a bad photo. I always want to make sure my best foot is forward. If you don't have Lightroom yet i would highly suggest you go and sign up for Adobe's photographer plan which gives you Lightroom & Photoshop for only $9.99 a month. Feel free to leave me any comments or criticism on this post.

Mike Hendrickson 1/15/17 Mike Hendrickson 1/15/17

Filters are for the lazy.

Going to be pretty straightforward in saying that filters can ruin weddings. Look in your phone at the photos from a year for two ago at the filters you were using on your photos, some are pretty cringe-worthy. Some photographers use filters as a crutch or use it because they're lazy. Photographers who de-contrast and play with highlights / adding a yellow filter over a photo are a dime a dozen. The goal should be correct color reproduction and using your skill as a photographer to produce compelling images through composition, knowledge and also being in the right place at the right time.

Believe it or not, no filter. This was shot with a Canon 90mm TSE (Tilt shift) lens

Government Center MBTA Canon 8-15 Fisheye

I just got this question recently when meeting with a bride and groom.

Why don’t I have black and whites, sepia tones, filters on my photos? This is very simple to answer, look back in your phone a year or two. Do see all the random filters that you were using on your Instagram photos / Facebook posts; they’re awful.

Tastes change, styles adapt and people move on from trends. These are some of the most important photos that you’ll have of yourself, why would I put a trendy filter on and especially one that is so overused by Pinterest focused wedding photographers. De-contrast, playing with the highlights and adjusting the color temperature to be a bit more yellow doesn’t make a classic photo in my mind. I’ve also seen a lot of photographers use this as a crutch when a photo is mediocre or missing something.

Sometimes converting a photo to black and white looks great provided you do it the correct way and know what you’re doing with levels, curves and also saturation of colors and a number of other things. But here’s what we photographers know, this doesn’t make any photo a classic or immortalized image. Being honest, the only time i’ve actually made a photo black and white in recent history is when I absolutely couldn’t do what I wanted with the photo due to a number of reasons. I reluctantly changed it and adapted it because it was a moment that I did not want to throw away. I will never myself change a color photo to black and white though just to wow someone. One more example, white or black vignetting on photos… cringe.

Now here’s the part where i’m a dick and say mean things about other photographers. I really do try to be positive, like way too much.. usually. I know a great number of photographers that are shooting the exact material they were two or three years ago. Most photographers that I know get better every few months, years or just plainly have breakthroughs of creativity that make me very jealous. But I see some wedding photographers that never try new things, never purchase new equipment or develop their post game (editing). Wedding photography is simply put a gym for photographers, you’re regularly pushed to adapt, learn and get better, faster, stronger at your photography. I can look back every year and see my deficits or where i’ve made improvements. So here’s where I tie that back into what i’m saying, filters are a huge crutch for someone trying to hide the fact that they aren’t developing themselves. For the sake of the bride and groom you should be taking the payment and rolling a good portion back into your own development and/or equipment. This is your one chance to capture someone’s wedding and why would you put an ugly filter on such a beautiful day.

What I try to accomplish with my wedding photography is creating accurate representations of what the scene actually looked like. I use different lenses and compositions to showcase different moments. I’m trying to achieve as close to as possible correct color profiles, your flowers are rarely neon or muted colors; it’s somewhere in-between I hope. It would be too easy to add filters to my photos and claim that I’m an artist and that this is my art. What I do is document and record moments as beautifully as I can. I don’t have a particular unique skill that no other photographer could ever attain. What I bring to the table is knowledge, personality, skill and a pretty good amount of equipment to back it up. I do use some creative editing techniques that highlight certain aspects of a scene or cast a cold blue morning as a more warn and sunny one. The best editing in my opinion is the kind you can’t detect.

If you want to add a filter on your photos you’re always welcome to do so but as I started out saying, look at your images with filters and effects from a year or two ago.. cringe. :) Imagine your parents wedding photos and imagine what it would look like with correct color or your grandparents images if it wasn’t shot in black and white (yes, I know that may have been all that was available at the time).

I shoot weddings and would love to shoot your wedding.

Click here to see my website and learn more.

Moore State Park,  Canon 200mm 1.8 — Moore State Park, Canon 200mm 1.8

Mike Hendrickson 12/29/16 Mike Hendrickson 12/29/16

We're not going to get everything.

You're going to have your dream wedding, you've even selected what your wedding photos will look like via Pinterest, various wedding blogs and Google image searches. So you can have all of this but you may have to spend some time doing during your wedding. If you're getting married you'll want to read this. I'm writing this through my own personal experience. My number one goal is to make a bride and groom happy and also being very truthful with what I can offer.

A photographer can work off a list or just capture a little bit of everything. When you work off a list you are trying to remember what is not important to the bride. In fact the bride may not even know what is the most important parts of the day, this is her first go at a wedding. That’s why I think it’s best to just cover every aspect.

So before the wedding you have loaded up your head with amazing images from Google and Pinterest and featured Buzzfeed articles. You’ve forwarded these links to your photographer and informed them that these photos are to be captured. This is all very doable, but when it comes to your wedding day and you incorporate this into the mix it’s sometimes impossible. So I say impossible, it’s not really impossible; it’s undoable for you as the bride and groom. The photographer can most certainly do this, but he won’t be able to do all of these requests in the twenty to thirty minutes he may have with you following bridal party photos. I can only speak from my own experience in this of course. I would love to recreate photos and make the bride and groom happy but often during a wedding day you're busy with friends and family. Another thing to take into account is that some photos you see on the internet are purely circumstantial or in fact not even from a wedding. Some photographers will have models pose as a bride and groom just to create breathtaking photos. For the bride and groom I really suggest trusting their photographer and let photos take a backseat to being in the moment.

So to follow up and summarize. The photographer is going to do his/her best to capture everything. We want to immortalize your wedding day in photos. We want to provide a seamless, enjoyable experience and not get in the way. If you’ve hired a photographer because you like their work then the best thing to do is trust that they’ll capture your wedding day so you can sit back and enjoy it.

Here's the reality of it.

When you hire a wedding photographer you sometimes have these amazing expectations. You’ve seen their photos, their work, their great attitude. You’re hiring them to capture the one of the most amazing and memorable days of your life. Here’s what he/she is going to be able to capture, not everything.

Another reason to capture everything is you don’t know what’s important to the bride and groom. Sometimes they might not know what was important until after the wedding. Let me give a few examples of this. Let’s say you take the time to get photos of all the cousins, maybe they move away in three years and aren’t reunited until a family reunion in ten years. How about an Aunt and Uncle who come to your wedding that move away the following year. The most common thing i’ve come across is my focus on grandparents. Not to sound morbid of course but we do expire and these photos are a huge trigger for your memories. One more thought, how many times does your family get together. I’m talking about everyone, not just for the holidays which sometimes can be tough with visiting everyone. You have everyone in a room so why not take advantage of this.

Here’s the upside that you can really work with. If you have a great photographer who is willing to be adventurous, persistent and do a little bit of poking and prodding; he/she can liberate you from your wedding reception for a few minutes to take some amazing photos and give you a moment to breath away from everyone. During the formal photos for the bride and groom you’ll also be able to get some of the shots you’re looking for but to reference or have those same exact circumstances to recreate can sometimes be tough. The photographer is going to pose you a bit and move you to different locations. What i’ll do typically is run through all my tried and true poses that work. We only get one shot at getting your wedding photos and I do experiment and innovate but before I do that I make sure to get the memorable photos that you’ll hang on your wall. I only have a short amount of time and it would be selfish of me to ask more of the bride and groom while they’re trying to enjoy their wedding day. The same way a DJ wouldn’t keep asking for suggestions for playlists on your wedding day or a venue wouldn’t be consulting with the bride about sides during before the meal is served on the big day.

Thanks for reading. I've been a wedding photographer for around ten years now and every year means a little more experience and a lot more equipment to play with. I would love to meet with you if you're getting married in 2017 or 2018. 508-471-0069 or www.unitymike.com to see more of my work. Have a great new year.

Mike Hendrickson 12/15/16 Mike Hendrickson 12/15/16

Building an amazing wedding portfolio

What to include in your wedding portfolio to show your brides and grooms what you're all about. Showcasing your top photos is great but what about everything else, where does that fit in? I go through everything that has worked for me in my portfolio. Enjoy!

Building a wedding portfolio.

I’ve been working on my new wedding portfolio, it’s tough. My natural instincts tell me to just include the cream of the crop, the best of the best, top one percent. That looks great right?

I think that by only including the best of the best that can be deceiving. We all like Starbucks right, but sometimes not every Cafe Mocha is created equally; the same with photos. Some are going to be amazing, epic, one of a kind and others are of uncles and aunts or flowers and you and a friend who you haven’t seen in years. So that’s why I keep my portfolio varied as much as it is. I’m totally confident in my photography skills and more than happy to show everything. Sometimes when you see amazing photos with a beautiful location and gowns flowing and three or four lights used for the photo, that’s either because they have a team of people putting this together during a wedding or it’s not an actual wedding photo, it’s a couple dressed up as a wedding couple for a shoot.

Some of my portfolio is what I know looks good. These are the photos that I would eagerly show other photographers to get their approval. But there are parts of it though that I know the average person who is not a photographer will see and love. Do you know those photos where everything is black and white and the rose petals are the only thing in color, yeah… we hate that. Huge white vignetting on a photo, that’s another gross thing that we hate.

So I want to reiterate that this is just my opinion. This is what has worked for me. I also have enough photos in my portfolio that by the end of a presentation there is not question about my skill or devotement.

Here’s a summarization of what I include in my portfolio. By the way, I currently have close to eight hundred photos in my wedding portfolio. I’ve been working for a long time to bring it down but I really do love all the photos and memories that are attached to each and every one of them. Okay, here it is….

Messy room photos. It’s going to be a chaotic day, no lies. I want to show that the reality of a picture perfect wedding doesn’t always happen behind the scenes.

Getting hair and makeup done. There’s a path to your beauty, this is how that looks. Before and after is great and is really just for the bride and groom and rarely makes it on social media.

Table shots. Photos of the guests at their table. This is something I capture at the wedding, So I like to show it off here. This is also a great way to connect with each guest and maybe even meet a couple who’s thinking of getting married.

Kids. If someone is hiring me to shoot a wedding and they have kids then I want them to know that they are not excluded from the wedding. Plus the best way to work a room is to play to the kids. Parents, friends and family notice when their shy little kid is all of a sudden enamored with you and your camera and come out of their shell. I also usually will sit on the ground with most kids and let them fire off a few photos.

Parents. I want to include everyone thats present. This is a big day for the bride and groom but sometime bigger for the parents watching their kids grow up. Additionally, who doesn’t mind getting their photo taken, right?

Details. Couples spend a lot of time working on their wedding details and It really makes the wedding look amazing. This is to showcase that but also gives my new couples ideas.

Funny and ugly. Sometimes people make funny faces or horrible ones. These are moments for the bridal couple to look back on and laugh or just have blackmail material for later. These are also the best throwback Thursday photos for future posts.

Cake smashing. It happens and it makes the wedding reception soo much better. It shows that the bride and groom can take a joke and also provides some entertainment and tension at that moment.

Locations / venue. Sometimes I might have a staircase from a certain venue in my portfolio twice. That’s because the bride and groom hiring me may have selected that venue. Seeing how different arrangements on the stairs and also the fact that i’ve been there a few times may make me more appealing to hire.

Group photos. Throughout the wedding day I capture tons of group photos. I want the bride and groom to know that family, friends can get whatever they want for photos on the day of their wedding. I’ve done many family photos at weddings because everyones there together. :)

Rings. You spent a lot of money on this symbol of your love. Let’s show it off and brag a little. I’m also showcasing my skill in macro photography and creativity with these photos.

Table decorations. Someone took the time to put this altogether and somewhere, sometime they might be bragging about it. What phrase would be better heard than “the photography took an amazing photo of it” when referring to the table setups.

Creative lighting. Every wedding I try and do new things with lights. Sometimes it doesn’t work out, sometimes it does. But the average person sees this and knows this isn’t something they can do by going to Target or best buy and getting a few things, it’s special. So I include anything that’s out of the ordinary in this department.

Mike Hendrickson 9/12/16 Mike Hendrickson 9/12/16

Jillian & Jarrod

Jillian & Jarrod at Revere Beach. Engagement shoot. www.unitymike.com wedding photo

Spent a little time on Revere beach and afterwards we got some Italian subs at New Deal Fruit.

Mike Hendrickson 6/2/16 Mike Hendrickson 6/2/16

A thousand images!

What's an apprioate amount of wedding photos to receive? I talk about the upside and downside of what the client receives when the wedding is over. All wedding photographers and future brides and grooms should read this.

So this just popped into my head, this idea of a thousand images or more for wedding photos. This is something I support, I've always support this from day one. I am writing this for brides, grooms and fellow photographers.

There will always be criticism about the amount of wedding photos you share with clients or on the other end of the spectrum receive from a photographer because more often than not you wouldn't mind a few dozen or hundred more to look at or a bunch more to share.

So originally I would give upwards of fifteen hundred images because I felt like I was holding images captive. If I had fifteen hundred images but only gave them five hundred, why? I prided myself in giving this extra value to my brides, grooms, clients, friends and family. Everyone was very happy after all at all the extra photos.

So the images that are completely cut from a wedding that are not used are the following, peoples backs, unflattering faces (not to be confused with a funny face or two which the bridal couple will enjoy), bad micro-expression, unflattering light, blurry photo, obscene, unflattering photo of bridal couple, duplicates of same pose unless there was a significant change in facial expression or posture possibly, bad hand placement during group photos. This is only a small multitude of examples of reasons.

The remainder of the photos are variations of moments, different angles, views and composition. These are the usable photos, the ones that can be saved, shared and looked back on. Some of the photos are a series of an event happening and not just the pinnacle of the moment.

So i'm going to start with the downside of sharing this amount of photos. We as wedding photographers typically take more photos than we need. We do this because we don't know who's going to blink or if someone will suddenly have a horrible twitch in their face or move their hand to look like a t-rex's arm. Lots of photos, lots of options, lower risk of fucking up, better chance of getting something damn near close to magical. With all these photos you have to go through and perform triage, saying yes or no to which photos live and which ones die; a very important responsibility. More photos to look through can mean longer wait times for clients and also longer processing time for photographers.

Now when you give someone fifteen hundred photos that means they have lots of options, maybe too many options. The first dance photos maybe two dozen instead of a select six. When you have two dozen photos verses six that means that the most outstanding, perfect photo will take a bit longer to catch your eye or stand out. It also creates the perception that you quickly edited the photos and are giving them everything without selecting the bad ones to get rid of. You are also putting your photos up against your friends photos or other bride's photos where they have gotten the top fifteen percent of the wedding photos that were taken that day.

Let's use a box of donuts as comparison. I'm going to present you with a dozen donuts, some are chocolate frosted, a few chocolate frosted with sprinkles and maybe a chocolate glazed as well as the jelly, a french (You actually only capitalize french if it is a product of said country) cruller, and an additional complement of donuts. Now lets take that nice looking dozen and put it up against six good looking donuts, jelly, chocolate frosted, french cruller, blueberry, glazed, old fashioned. So you have a perfect assortment but maybe not a bunch of variations on donuts.

So here's the upside of sharing as many photos as is reasonable. The most important reason first, you don't know who is important to the bride or groom. We don't know if they've seen their uncle or aunt in the past twenty years. We don't know if they don't get along with their parents and have reconciled for the sake of family and wedding. We don't know if their parents are divorced and this si the first time they've been in a room together in ten years. Their parents may live on the other side of the country, their sister may be in the army and home for the first time in two years.

So when you make the choice to not include a photo of Uncle John giving a hug or crying at the wedding then you forsaking a once in a lifetime moment. You are the judge, jury and executioner when it comes to the selection of photos given. Why not lessen the risk of incorporating beautiful moments that you might not realize are happening right in front of your lens.

I once had a wedding where I was going through the routine of getting all the moments, all the guests and performing top notch wedding photography. I spent around a month editing the photos and ordering the flash drive and finally presenting the photos. I found out that the bride's aunt had died shortly after from cancer and she was only in maybe three or four photos. She asked if I had more. Apparently the aunt had raised her since she was a preteen, she had meant more to get than her own mother in some sense. I had no idea and this killed me that I couldn't do more for this bride. I'm only sharing this because I want to really impress upon you that we don't know who is special to the bride or groom and we have no idea the great history in everyone's relationships. The wedding guests are chosen very carefully and they're there to witness a huge landmark in a person's life.

So when you give variation, option, choices you are allowing them to choose the best version of themselves in photos. You are giving permission for them to remember moments that they will most likely have missed on their wedding day. It's a little bit extra work to edit a few extra hundred photos, but you get better and faster at it. Is it all worth it, sharing this many photos? Damn right it's worth it and I don't regret it for one second. Those extra photos usually mean that everyone who attended that wedding can find a flattering, fun and amazing photo of themselves or someone they love. This means they share, they brag and hopefully they say who took their photo.

I always argue about this with fellow photographers, I think I always will. I started giving out these extra photos as an added value to my product but through the years i've learned that this added value isn't quantity, it's beautiful moments that I didn't know were happening.

Mike Hendrickson 4/6/16 Mike Hendrickson 4/6/16

How to be a successful photographer.

Want to be a successful photographer? The key to success is pretty simple, this is the speech I give everyone who asks me how to make money as a photographer or how to become a professional photographer.

So I just spent the past hour writing this blog out and decided that It dragged on too long. It didn't have a point or it touched on too many. I'm going to make this clear, simple and short. I have given this speech to multiple people who ask me how to get into photography. I get asked quite regularly to take people on as an assistant or to bring them to a wedding i'm shooting or show them how to make money with photography. This is what I tell them.

If I was a painter, a mason or made money doing carpentry I would pour all of my efforts into it. I would have the best brushes, watch videos on painting, try out different canvases, learn to make my own canvases. I would make sure everyone knew I was a painter, I might even have my own studio space just to paint. I have all the coolest painters clothes, aprons, gloves, hats to keep my hair out of my face. I have a cool logo that lets people know i'm a painter with my name in it and website. I would also write about my paintings, enter them into shows. I would make sure I was on all social medias and I would pay someone to scan or get copies of my paintings online to share with everyone. I would make shirts and broadcast what I do. Everyone would want to come to me to have a painting done because they know i'm a painter because that's all I talk about. You could find all the books on my shelf have a common theme, painting. My instagram would feature my own paintings and a link to my website which has my work and also ways to purchase my paintings. I also would love to go to Meetup.com gatherings to meet other painters. My good friend is also a painter from Boston and we talk a few days a week on the phone and he does some things similar to me and some different things from me but we both love painting regardless. We regularly talk about how to price our work and what people will pay for it and what's fair and how to treat people who don't pay. I would also be doing some work for charity with my paintings, maybe a themed project to help support a group, cause or person. When I do charity work, that gets shared on social media and talked about and every once and awhile my name will get thrown out to a commissioned painting or a series that someone will auction on. I love to go see famous painters speak as well and I always check in to whatever place i'm at to brag about my painting related activities.

If you truly love what you do and want more of it then show the world. Focus all of your efforts on it, leap without looking, live without the money and success and know that it's coming and it will. I'm where I am right now because i've made sacrifices with my time, money and relationships. I have had multiple people over the years tell me that it won't work and that you can't make money being a photographer. When I hear this all I can think of is how sweet it will be when i'm sleeping in or in a foreign city while they are scheduled to be sitting in a cubicle in front of a computer for the foreseeable future.

I love what I do and wouldn't change a thing. I wouldn't have the friends I have, the life I have without buying that first camera, without shooting that first wedding, I regularly take all of my profits and roll them back to equipment costs and take work off and go on a "vacation" where i'm just taking photos so I have interesting stuff to share on social media. I also give up time with friends and family to spend with strangers taking their photos.

In the end i'm doing something important, i'm capturing memories that someone will have forever.

Mike Hendrickson 2/6/16 Mike Hendrickson 2/6/16

Canon Professional Services

CPS is an awesome program where you pay a little and get a lot back. Very very good idea to have if you make money doing photography.

So i've invested a little bit of money this past year in my infrastructure, one of those being Canon Professional Services.

I've belonged to Canon Professional Services for a few years but relying on the free or basic service. Mostly it's been nice to keep adding gear and watching my points go up. This year I upgraded to platinum which comes with a lot of benefits. So you need to be an employee of a photography business or have your own and have at least fifty points in your CPS account. You get points by the amount of gear you own. So if you own a Canon Rebel with an 18-55 lens and a third party flash you're probably not going to cut it. Own a 5D mkIII with a 50mm 1.8, you're getting warmer. Basically you have to be committed to photography and Canon to belong. If you have a basic rebel and kit lens and drop it, just buy a new one. I have seven L lenses and two bodies and three flashes so I'm well above the mark for getting in. So when you join for the low fee of $300 you get the following:

New Member Welcome Kit: Welcome Letter, Exclusive CPS Platinum Gift, CPS Member Card, 2 CPS Pro Straps, 2 Rear Lens Caps, and 2 Camera Body Caps (contents subject to change)

I received a Thinktank Laptop bag which has been really useful and the extra lens caps and body caps have been nice to stash away fro a rainy day. I don't really have any use for the two CPS Pro straps (You're welcome to buy them from me). I have Black Rapid and Spider holsters.

Priority access (over Gold members) to Equipment Evaluation Loans (Try Before You Buy Program)*

I fell in love with the Canon 200mm f2. Thanks Canon for enabling me!

Expedited 2 business day service turnaround** on CPS PLATINUM REPAIR LIST products

Dropped my 580ex II & 5d MKIII. Had it fixed before the following weekend's wedding. It was a damn good excuse to buy the Canon 600RT. The repair actually got back to me faster than the new lens, but regardless my accident enabled me to buy new toys.

30% discount on repairs on CPS PLATINUM REPAIR LIST products on up to 15 items per membership term

I have plans to ship out some lenses with a tiny bit of dust in them.

Repair Coverage Loans***
Free shipping both ways on CPS PLATINUM REPAIR LIST products sent in for service

I still have to find out more about this.

Complimentary Product Maintenance Service**** on up to 10 Pieces per membership term

I will be shipping out some of my gear very soon before the wedding season starts! You could spend around $15 plus $40-60 for a cleaning for a single piece of equipment, why not get a bargain on this and sign up!

Onsite event and show support, as listed on the events calendar
24/7 CPS Support Hotline (domestic and international)*****
Discounted admission to select Canon Live Learning seminars and workshops

Anyways it's a good deal and you should give it a try. If you're a professional and want to know that someone is in your corner backing you up in the event of an emergency then this is the program for you.

This is also a good program for you to get to know lenses better. Sure you can watch Youtube (DigitalRev has some of the best reviews in my opinion) or you can read reviews on FredMiranda. But signing up for CPS and getting to use those lenses for a week and then paying the $15 to mail it back to Canon is even better. I've "evaluated" four lenses so far. One of those being the canon 200-400 f4. It was amazing and the looks you get from everyone is even better, priceless.

So my first lens rental from CPS was the Canon 200mm f2. I figured what better way to showcase this beast than putting it on the Canon EOS M3. Let me tell you, it was amazing. The image was creamy in the bokeh and tack sharp. I was able to shoot handheld in NYC at ISO 200 at night. (Photo Below)

Mike Hendrickson 11/22/15 Mike Hendrickson 11/22/15

Want to become a better photographer? Shoot weddings!

Want to become a better photographer, shoot weddings.

This is a marathon, a crucible of photography. Locations, settings, light, people, equipment, you are the one making all these mini decisions and changing the outcome of your photos. The more you shoot these, the better you'll get. Sure it can be stressful, but once that's gone it's nothing but fun.

So the title pretty much sums up what I want to say. I'm going to keep this brief, mostly because I was just on my way out the door and then inspiration hit and I have to get this out before my Venti Mocha happens.

So if most of you don't know already, I'm a wedding photographer. People usually say one of two things, that's awesome it must be a fun job or I would never do that, i've tried before and it was too stressful. So if you've said either of these things you're both correct.

This is a fun day, you're spending it with two people on the happiest day of their life; unless of course they have a baby or have just spent way too much at B&H (photographer reference). Everyone's happy on their wedding day despite the hiccups of the day and the hectic nature of the schedule sometimes. The bride and the groom see all their friends and family, get to show off dance skills and force everyone to watch them eat the cake; it's a wonderful time. As the photographer I'm also in a good mood. I've done enough where my day feels like i'm hanging out with new friends and just doing what I love.... taking photos. I get to share this beautiful day with two brand new friends of mine and I get to eat with all the rest of the people. I get unrestricted access to the best photos during the ceremony and reception. I'm not fighting anyone for the best shot of the bride and groom and when the dance floor opens up i've been known to dance with an aunt or grandmother too. At the end of the day I get to thank the bride and groom for inviting me to shoot their wedding by sending a dozen or so shots. It feels good to send those off and see all my photos pop up on their social media (I get tagged and I love it). So again, to reaffirm, this is fun.

So the other half of the coin, it's stressful and you don't think you could ever do it. Shooting a wedding is a marathon of photography. Sure you may have done an hour or two shoot before or two portraits in a day but imagine shooting six to twelve hours. When people think that it's going to be the most stressful thing, it's not... maybe the first dozen times. But once you realize that you're the one in control the better off you are. Often times or not my job feels like a photographer / chaperone. I'm typically reaffirming the bride & groom about how the day will unfold throughout the day. Okay, you're getting makeup done and afterwards we're going to take a big group photo, yes, not in your dresses yet or okay directly after the ceremony you'll have the receiving line we're everyone hugs you, shakes your hand and while that's happening i'm going to set up over here and then we can..... You get the point (excuse my run-on sentence), i'm guiding the day and reaffirming their schedule and letting them know if we're good on time or not.

So the way weddings make you a better photographer is this, you change settings location wise and on your camera hundreds of time throughout the day. Light changes, difficult people added into the mix, someone doesn't like the way their arms look or you found an amazing location that's a ten minute walk away that you have to convince everyone of. Shooting a wedding will make you a better technical photographer (unless you shoot on Auto). You'll constantly be changing angles, lighting and learning posing. You'll change your settings on your camera non stop and after awhile you can dial in whatever you need at a seconds notice. During the ceremony i'll have on a certain setting but as soon as that announcement happens introducing Mr. & Mrs. Smith i've already shot my few photos and now i'm changing everything on my camera to get those photos of the bride and groom walking up the isle in a bit different lighting situation.

The most difficult thing for me is looking at photos i've shot and asked myself why didn't I just drag the shutter a little longer or why didn't I just ask that lady to move out of the photo. So each wedding I improve on all these little details, I know that I'm just going to ask someone to move out of the photo, i'll yell at someone who's mugging too much for the camera. When people are difficult or uncooperative and say something like I don't like photos or are just ruining a group photo I remind them "These photos aren't for you, it's for Mary & Tom". The location's aren't always the same either. You may be shooting at a beautiful hotel in Boston and get to take photos around Boston Commons and some of the urban areas and then the next wedding is at the Elks lodge with a giant parking lot around it. This is a challenge but not unconquerable. You find other locations nearby and suggest that we take a ride up the road to the beautiful lake or go across the street to the bridge or if all else fails, embrace what you have. Take photos of everyone outside in front. Showcase where the bride and groom are, set up some awesome portraits inside, make it fun for everyone. I also am constantly changing what I bring, some weddings I bring all my super telephoto lenses and others I just bring a few prime lenses. I'm constantly challenging myself, can I shoot a wedding on just a 50mm 1.2, damn right I can. Could I show up to a wedding with a Canon Rebel and kits lens, hell yes and I would have the best photos there.

So hopefully you're looking at this in a different light or I just got happy and excited for you for nothing. So to recap, each wedding is a six to twelve hour shoot (I don't put a cap on the time and I don't ask them for more money in the middle of their wedding, they just get extra time, thats it) where you get to shoot the same subject from wherever you want and also the subject is willing to go with any ideas that you put down. Let me rephrase this, imagine doing a photoshoot for two people and having eight hours and not nailing it, it's almost impossible. Regardless of how we all feel about our own work and how judgmental we can feel, the bride and groom are going to love their photos, they're in all of them! So long as you try your hardest and are honest about everything with the bride and groom about what they're getting they'll be happy.

Want to get better at photography, shoot weddings.

Mike Hendrickson 6/4/15 Mike Hendrickson 6/4/15

Food photography

So i'm a wedding photographer but I love food. So combining that into food photography is pretty damn easy. Here's a few things i've learned while doing food photography. BTW most times i'm shooting photos of food i'm using my iPhone.

Lately i've been doing a lot of food photography. I really should say I've been going places and eating and taking lots of photos of my food. I've been supplementing my Instagram feed with new exciting places i've found to eat.

That's how I feel about my photography, my work; it doesn't feel like work. I love doing what I do, taking photos and living my life the way I want. So lately it's been taking photos of burgers, pastries or whatever else is beckoning to me. So I wanted to share a little bit more about food photography. I know it's been written about it a more glorious fashion in books, online articles or magazines but I wanted to share my little view of it.

So i'll be perfectly honest, a few months ago I really knew nothing about food photography. I knew the basics, some lighting and what not and adjusting colors after so everything looks great. I didn't realize how much went into it. Often times the location is not well lit and whoever has prepared the food doesn't know about food photography and you're given a little less than perfect presentation of the food. So when you show up and get the food to work with you either get something thats pretty damn good looking or you gotta fix it up a bit.

So the first thing I want to try and get is a clean plate. I bring my own, a few different sizes and colors because sometimes whoever is giving me the food might have a god awful ugly plate that ruins the presentation. I have a huge variety of plates that I collect from Target, Wal-Mart, Savers and any other place that I go. I also am consistently on the lookout for unique glassware and bowls. So the plate is the base, it's where the beautiful food will sit and pose for me. Now the next thing is making sure the plate remains clean throughout, I would rather not do photoshop after the fact to fix it.

The next thing is the food, it's gotta look amazing. I will usually work with the chef and make sure that they understand what i'm looking for. I want a picture perfect piece of food, no flaws and all ingredients showing. Sometimes this may mean adding extra ingredients or putting less of something else on something. I typically only need one side of whatever i'm working with, so it can be built up on one side.

So the next is location. I don't want to take the photo in the back of the kitchen or on a steel table. I don't want a white background that looks like it belongs on Amazon either. So I usually scout around the area where i'm going to take the photo and select a few locations. Depending on the location I will use a flash or strobe. But the best thing that I usually use is a simple reflector.

So someone asked me which is harder, taking pictures of people or food. It's definitely food because it's all on me to get the photo right. I can't blame anyone else on the photo not coming out. The food is just sitting there, looking sexy and I have my camera and tools to get it done. When i'm shooting a person, they could have a bad hair day, a bad attitude or simply just be wearing something horrible. So again, food is hard.

So back to food photography. We left off at starting to take photos of the food. So there's a few different ways you can take photos of food. You can take really close ups of it, if it's a sandwich you might get meat hanging out of it or the crumbs falling off the bread. The next is maybe one of the more recent popular ways, straight down; birds eye view. You take a photo looking down on the plate, highlighting the shape, portions, colors and textures of the meal. The next is simply at an angle, showing where the food is and maybe a few accessories (fork, knife, drink, napkins, table cloth, ketchup bottle, other table wear). The other way I like to get photos is straight on from the side. I think this is one of the best and unique views of the food. So whichever way you decide to shoot you have to make sure everything looks picture perfect before you start. So if you have to lift up a steak and clean the plate or ask for a new vegetable because the one you have looks kinda dumpy then do it. Don't be scared to squeeze, stretch, adjust and move things around so they look perfect.

So the rest is up to you, theres no wrong way to do food photography. It's whatever you make it. My food photography is always developing. I'm always learning more tricks and techniques to get my shots looking better and better. Sometimes i'll shoot wide open, sometimes i'm shooting at f8. It's whatever you do to get the shot and then properly post processing that image. One little thing that I don't always share is I use my Iphone to do some of my food photography sometimes. I usually use a reflector and pose the plate right by a window. I'm still doing a little post processing with apps on my phone.

I do have a little bit of an advantage though, I love eating food and I also work part time at a Mexican Restaurant which is part of a restaurant group in Worcester with ten different restaurants in two different states. So i'm usually around food quite often.

You can see some of my food photography on Gerardo's Italian Bakery's website. I've provided all their photography and it's been a real learning experience.

Mike Hendrickson 8/1/14 Mike Hendrickson 8/1/14

Europe - Barcelona for the day.

A full day in Barcelona with everyone's favorite wedding photographer Mike Hendrickson.

Spent most of the day shooting street photography and the sites. I'm exhausted but want to make sure I get this post and photos out before I leave tomorrow morning for Paris.

So i'm preemptively starting this blog to tell about my day.

So far i've woken up and decided yes, I want to leave the hostel and walk around.

My bunk mates are from France, China and Omaha Nebraska and we had fun conversations before bed, for some it was their first time in Europe.

So today it's a bit cloudy which is nice because it gets hot here and quick. I'm thinking about trying the bus system or just doing a lot of walking today. I don't know if i'll get to go swimming, I think I would rather a more relaxed beach scene than they have to offer. I hope that was the correct than,then?

I started the day by walking next door to the hostel to rent a bicycle for the entire day. After the lengthy contract process to borrow a $100 dollar bicycle I ventured off. I set up a mount for my iPhone so I could make a time lapse video, it worked and then failed. The mount for the iPhone felt a little too loose and then upon tightening it I was able to, with my super human strength pull the mount off. I checked directions on my Iphone so that I could head to the beach, I want to get some shots of all the people there. After a few hours and getting very close I gave up. I'll look up the directions tonight, it's very easy to get turned around on some of the side streets.

The traffic in this city is composed of bicycles, human traffic, scooters, car and truck and motorcycle. Everyone follows the walk, don't walk signs and all traffic. The city is consistently swept and cleaned and cleared of dead leaves and trash from what I could tell daily.

So I took a shower when I got back to my hostel today and then headed out with the Sigma 150-500. My aim for today was to get some really stunning photos of the people of Barcelona and some of the sights. I couldn't be happier with what I got. This lens is amazing for street photography. So with street photography it's best not to be seen I believe so that you can maintain those moments of spontaneity between people. I set up all my shots, crossed streets, hid, pretended to be shooting past people and at other things. When I had the subject completely unaware that's when I would strike. I cannot wait to show everyone my photos from today. I plan on doing this style of shooting even more when I hit Paris in a day or so. I do need to find a lighter, smaller bag to travel with while on bike or foot.

Now i'm back at the hostel and i've decided to call it a night. Just some snacks from the vending machine and maybe a soda before bed. Last night I was the first person in the room to come home and go to bed which meant I was the first to get woken up and the first to wake up in the morning. I have to return the bicycle I rented by 10am tomorrow morning. Going to try and take the Canon EOS M and a bike ride around the city when I wake up. I'm all ready packed up for the most part, can't open all my stuff around everyone at the hostel and pack properly. While i'm writing this there is a table of hot German girls talking and drinking.

So now I am going to finish working on my photos and present them at the bottom of the page. That part will be added in post though, for now you will have to just read.

Mike Hendrickson 7/31/14 Mike Hendrickson 7/31/14

The unseen unheard photographer

Are you that photographer who only uses natural light, shoots on P and won't talk to his bride and groom or interact with them at the wedding. You are paid to be awesome, you spend the day with the bride and groom and you're tasked with giving them an awesome experience.

This message is for you photographers who are going to say "I don't do it that way".

These photographers are also the same people who say I only shoot natural light. That's the equivalent of saying "oh.. I only drive automatic cars" or "I only put the camera on auto because of how good it is and I want to just focus on the moment". The photographer you hire is going to rock in soo many ways and one of them is being able to shoot manual and also use lights (that's a blog for a different day). This is for those who decide to not give the bride and groom that full experience. This particular blog is about you and your ability to direct and fix things so that they are in the bride and groom's favor. If you are one of these photographers who doesn't interact then you are lazy. Some of you photographers are awesome and can justify this shooting style, but the majority of you are not that.

So some of the photographers out there are saying in their head "I only shoot candid and I don't move anything and I'm not going to pose you and I only do journalistic style and try not to interact with the bridal party at all". You are dumb. So now that I've insulted you let's continue from there. This is a one shot deal, one go at the photos, one photo to rule them all. Do you want to be boring and take the same old shots or to look at each wedding as a marathon of photos that push you past where you were. Sure, take photos of where everything is if you want, don't touch anything or don't pose people, don't say anything to that person who has their tie crooked or the tag hanging out of the armpit of a dress. But then take those damn photos, be a person and interact with everyone. I assure you that ten, twenty years down the line they will appreciate some really tasteful images from their wedding. No one wants a photo of a pair of shoes in a box or their wedding dress hanging up in your brothers old room because that's where they had the space or the flowers in the fridge.

I shoot candids and that doesn't mean I can't add a little bit of pizaz to that photo "hey can you do that again but this time look that way". Okay so you're still not won over maybe, you're still thinking they hired me to just shoot the one way I do and I should just be quiet and take the easy photos. Are you the one shooting the weddings all the time or them? The bride and groom want amazing photos and they really aren't going to be upset if you adjust a few things to make sure that happens.

If you hire a wedding photographer they should be able to rock your wedding, you should know they're there at some points. I'm not talking about being four feet away during the ceremony, that's a different animal altogether. You want them to be the one getting everyone in line for formals or telling your Uncle Jerry that he needs to get out of the way. Your professional photographer is going to point out the flask of whiskey in the groomsmen's pocket. Your wedding photographer is also your personal cheerleader and that random guy who can and most likely will run an errand for you or do something above and beyond just because they are awesome.

I know some of you out there are saying but I'm out of the way and I do awesome. That may be so but eventually you will have that bride that calls you out and says "why didn't you tell me I had makeup on my teeth" or "Tim's zipper was down the whole time". So interact and earn that sweet wedding paycheck that we make. There's a reason why we do so good at a wedding, it's because it's a lot of work and not hiding in the shadows.

A good wedding photographer will be remembered for his images and his great personality during the wedding, everyone's going to tell the bride and groom how much they loved their experience with you too.

Mike Hendrickson 7/28/14 Mike Hendrickson 7/28/14

Europe - Airport and on my way

Sitting in an airport is kinda boring, unless you're with me and I have my phone, iPad and macbook. Killing time is easy now here in the future. My flying car still isn't here though.

So I'm at Logan International Airport right now. I'm tired from running around and getting everything situated and ready for my trip. I have that groggy, might be on the verge of a cold feeling. I happen to get sick before, during any trip I ever take. I don't know if by saying this out loud is some sort of willing it upon myself, but it happens regardless. I get excited, I get anxious, I get sick.

So far I've had some Chinese food, replaced my watch band and discovered that good internet wifi costs you $7.95. I'm currently making a time lapse of the tarmac and about to crack open a new magazine. The next leg of my journey is to JFK International Airport in NJ and then onwards to Rome, Italy. I'm sure i'll have plenty of photos soon enough to start posting, but most likely not in the airport. It's not that I'm shy, it's just my bag is really packed and hard to zip up.

Stay tuned.

Mike Hendrickson 5/19/14 Mike Hendrickson 5/19/14

Europe, me, camera, car

Mike, camera, car, Europe, 2 weeks. What could go wrong.

Traveling alone everywhere I can via car in Europe. Exploring and taking photos. I'll be documenting as much as I can via Iphone, Canon 5d and regular uploads to my blog. 12 countries in under 2 weeks sounds pretty damn awesome to me for a vacation.

I bought a plane ticket.

Flying to Italy (July 28th)

Picking up a car.

Driving all over Europe. (Italy, Switzerland, France, Portugal, Spain, Netherlands, Austria, Poland, Germany, Luxembourg, Czech Republic, Slovakia and any other place I can squeeze in.

Taking photos everywhere. (I'm even tempted with a Ukraine selfie)

Flying home (August 11th).

So now the logistics of what I'm going to do. Everyone keeps saying that this is a bit mental. But what better way to showcase that I'm a destination wedding photographer than to visit all the places I want to shoot at. How can I visit so many places in such a short amount of time.. and alone! I'm planning on doing a bit of driving and enjoying some alone time. Some places in Europe only take an hour or several to get to, Amsterdam to Brussels is under an hour and you can drive from Paris to Germany in under 5 hours. I've been researching a route to take and I plan on make a small route of my trip before I go so everyone can follow me on here. Some places are 5-7 hours apart which sounds like a lot, but consider this. Imagine driving from Worcester to Boston, not bad right. Now drive to Providence, not the worse right; hop out and explore a bit for a few hours. Next would be Hartford CT. So you arrive and now you've been driving for a few hours and the end of the world didn't happen. Even though the places are many hours apart that won't mean that I have to stay in the car and on route. This trip is all about stops, detours and taking it in.

I've also been to Europe before, several times. I rock.

I plan to blog everything while i'm there, videos, pictures and audio. Unlocking my AT&T Iphone to be a bit more compatible with VodaPhone and purchasing a prepaid card. I also plan on visiting many Starbucks and internet cafes. I'll have my MacBook with me and be uploading photos and videos daily.

So I can't possibly enjoy my time because it's going to take so long driving and finding hostels, hotels or bed and breakfasts. I found an easier way and much more economical way to explore Europe. By sleeping in the backseat of my rental i'll be able to cut out many hours of checking in and out and making sure I didn't lose anything. I do plan on staying a few nights in a hotel (A man's gotta shower). By not doing a hotel it will also save me countless dollars which can better be spent on gas and delicious meals.

If I find that I love Portugal or Slovakia and i'm having a blast there then i'll stay longer. My goal though is to experience as much as I can in a short amount of time. (My part time job is being awesome and allowing me to take 2 weeks off this summer for this trip as well as 17 dates for weddings and other shoots).

I'll be traveling with two Pelican cases. One will be full of camera equipment, planning on bringing my Canon 16-35 and 24-70, 70-200 and a 50mm to compliment my 5d MKII. I'll also have my Canon EOS M in tow. I've actually already started to assemble some of what i'm bringing. I famously get sick before any big trip because I worry about mis-packing equipment. I'll be using a power inverter so I can charge everything that I need to in the car and negate any power adapters or need to stop moving.

To people who doubt how awesome this is I say this. I love to travel, it's something that makes me happy. I love photography and the chance to take photos where everything is alien to me is rare. I also love adventure and living my life to the most exciting ends possible.

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