First posting

Imagine if it was your wedding and the photographer, dj or make-up artist got to announce to all your friends and family (that night or the day after) that you got married and share the most iconic photos (the professional ones) with everyone before you got to announce it?

One of my favorite things to do with my photos is to share them. That means with bride & groom, venue, dj, florists, hair & make up. But i’ve found that I have to provide a little context of how and when to share these photos. I’m making this post because I have had vendors take the initiative and post anywhere from a single photo to dozens of my professional photos of the bridal couple before the bride and groom have had a chance to arrive home and unpack from the wedding day.

Give the bride & groom (groom & groom, bride & bride) first posting (explaining further). That doesn’t mean you can’t post photos of the wedding day or night. This just means that you don’t tag them the first few days or so. You want to give the bridal couple a chance to announce to the world (friends, family) that something big went down (their wedding). When I make my initial posting about the wedding day i’ll usually post one or two of my favorites and tag the venue, quick little excerpt from the day and that’s about it to start. Once I see the bride and groom are posting days later or a week later thats when I allow myself to tag them on social. Remember that due to some social media privacy settings if you do tag them then all of their friends and family will see it in their newsfeed before they’ve made it public.

The night of the wedding they will expect their friends and family to post photos of where they are, tagging the lovely couple and including selfies and shots of the two at the alter. The following day they’ll still receive photos from friends and family on their social media, they’re riding high with all these posts. The two might make a post thanking everyone (sometimes vendors, I love it when this happens), this is when a formal photo is uploaded of their choosing or dozens of photos put up. The two have spent months, a year or two planning this big day and now they get to revel in all the likes, praises, congratulatory talk that one expects and accepts for just a tremendous day; don’t ruin it for them by taking away any of that thunder.

So now that the official photos are up and the bride and groom (groom & groom, bride & bride) have made it clear the they’re married, now you should tag them. I usually like to wait until after I see posts on their end dying down. I like to give them their due fifteen minutes of fame. I know that it won’t get lost amongst a sea of cell phone photos during the week of the wedding. This is a post i’ve wanted to make for awhile. It’s hard to explain to someone in person about when they should post and why. I’ll summarize it briefly below in simpler terms for ease of use.

If I’ve given you the link to the teaser photos for the wedding, it’s because I want you to have them, I want you to use them. You don’t even have to tag me in them (although I do love it when you do. You don’t even have to ask permission beyond this point).

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Wedding day: Thank the bridal couple, tag your business, maybe a selfie with them or a cell phone photo

Following day: Thank the bride couple, tag your business, maybe a selfie with them or a cell phone photo. A professional photo without tagging them, tag your business, venue, other vendors

After you see the newly married couple posting the professional photos: You’re golden, post whatever you would like at this point and tag them.

Hope you’ve enjoyed this post and will take it into consideration when you make posts in the future. I only put this together because it’s really hard to explain to someone who might be in the same room as the bridal couple about how they can use my photos (I give everyone the link to the teaser photos, I want everyone to win)

This is not a post dictating what to do with my “art” (shudder). I don’t have enough time to police all of my photos and patrol Facebook for infractions. This is just me saying “let the bridal couple enjoy their fifteen minutes of fame”.

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Dumb tricks that get photographers hired.

THIS IS AN ENGAGEMENT SESSION I DID IN DOWNTOWN PROVIDENCE, RHODE ISLAND WITH AN UPCOMING WEDDING. THE ENGAGEMENT SESSION IS A REALLY GREAT TIME TO HANG WITH THE BRIDAL COUPLE.

So this will be a quick little blog. It’s poking at some practices that we (not me) as photographers sometimes do to bait potential customers. I’m just listing a few that you might see at a bridal show, online or a face to face meeting. This also will touch a little bit on style of photography as well (some tricks that I do employ to a degree). If you’re a photographer, bride or groom then you may agree or disagree. Feel free to comment at the bottom. This is really only my insight from over ten years of shooting weddings and developing my approach. This is my opinion and of course there are many roads to Florida (my analogy I most often use). I know a photographer, lets make up a fictional name and call him Bill G. He would get soo mad whenever he saw anyone doing photography different than he did it, it wasn't the proper way he would always mutter. This photographer only happens to shoot a few events a year now while I have shoots a few times a week. Anyways.. all roads eventually lead to Florida. Every photographer has a different method and this is only to highlight what some of the masses do when they’re not trying to stand out.

Free engagement shoot with all new bookings! Okay, I always offer an engagement shoot with every wedding, that’t only normal to me because i’m going to be spending the entire day with you and… I want to know that you’re both semi-normal and that we somewhat get along and like each other. The engagement shoot is also a great time to run through poses, get a few nice photos for save the dates.

So back to how this works at a bridal show. Everyone is going to give this away and they’re going to put a “value” on it or an exact price or possibly use the word bargain along with this. The engagement shoot costs the photographer nothing but his time and when you bundle up your fee for the wedding day along with any tangibles (flash drives, albums), then a little extra time on the front end isn’t a big deal. Every photographer is going to include this, you might have to poke and prod a bit, but get it. But never think that the photographer is some sort of saint for offering this.

Positive side of things, take the engagement shoot with the photographer you want to book your wedding with, it’s a good trial to see how you vibe with each other. Even if in the end they charge you for it as extra it’s still a small investment to know that your wedding photos are going to be what you want.

Dates are filling up fast, better book with me now. This may be true. I had to turn away almost forty brides last year because I can only shoot one wedding at a time. If you need a few days or a week to mull things over then that’s totally reasonable and responsible. There are popular dates out there that happen every year. Typically i’ll have one or two dates that people are pining after every year, but only those who book early get it. If someones offering a one day deal only then pass on it. This is your wedding and if your photographer can’t wait a day or week to book you then maybe they don;’t have that much business to begin with or too much business to properly accommodate you.

Free album with all 2020 bookings, an eight hundred dollar value!!! OMG, you better book right now, that’s a killer deal. Wait! There’s the internet, With absolute certainty I know that any of my brides can find a decent album for two hundred dollars. I also know that once I send them an album they could do a little research and figure out who I use or… just ask me directly. When I book a wedding I do the albums at cost, give or take twenty dollars, this means that I have no incentive to up-sell you on getting one. It’s not that I don’t want you to have an album, in fact I do. I just don’t want to charge you eight hundred dollars or more for one and lose a wedding over a book, I also don’t want you to say “we aren’t interested in an album” and all of a sudden i’m taking eight hundred dollars off the total. So for me it’s always easier to just be super transparent on this. I would much rather charge for what matters, the photography. I’m putting value on my time and skill, not the material things. You’re paying for someone to show up, not mess up and deliver some amazing images.

Quick photo I had of an album that I had made for around two hundred and fifty dollars. fifty pages and glass cover.

To be completely transparent and honest I will say that there are eight hundred dollar albums and northward out there. Some of them are amazing companies that put out a quality product. I have friends that sell using these beautiful albums and that’s great. I’m only warning you about people that are pushing a free album in attempt to make you “Buy now now now!”. A great salesmen is going to present, not pressure. A traditional mark up on products is three hundred percent of their original cost if not more. It’s much easier for me not to have to explain the price increase if someone ever tracks down where I get my albums, so I do it at cost.

So if you’re a photographer you may have a problem with this next part. Multiple packages and A la cart pricing. So this allows photographers to move things around and still keep the price in their favor. This also can add to some confusion when trying to figure out the price. Sure, I can add this, let me give you a deal on this other thing or this is going to cost more because it’s not bundled with this, so you want this but not this other thing, or that’s an additional charge because of…

It’s too much to shift all these tiny pieces around all the time. I always want to make sure you get a good deal so I just find out what you’re looking for and give you. price on that, putting the majority of the fee on photography, not the tangibles or things that don’t cost me anything. A la cart pricing “can” be a way to steer you back to the packages. Once you add up everything that you want you realize that the price is more than the package. So now you’re considering the packages again and now you’re back to shifting things around. Again, going to play myself up again. I only offer one package so that I can just take away whatever brides aren’t interested in vs. shifting packages around or slowly building up the bill.

Gratuitous photo of myself.

Additional photographer, more coverage. Okay. This is true to a degree. You end up with more photos, more people in more places. My goal is never to up-sell you on what you may not need. If you’re getting ready near each other somewhat or if you have under a hundred and fifty guests then it’s pretty easy for me to accommodate you. Most brides that come to me are pretty educated on wedding stuff by the time they get to me and I know they’ve researched me and my work, so I’ll never want to push something on them that they already have an inkling that they don’t need. Your photographer should be pretty up front and either say yes or no, not yes and yes to a second shooter (our term). If you want photos of you walking down the isle from front and back then you’ll want a second shooter. If you want photos fo your grooms face as you walk down the isle and you walking down the isle, you don’t need a second shooter. If you’re both getting ready at a hotel and you want coverage of the both of you then you don’t need a second shooter. If you’re getting ready four towns away from each other and want coverage of the both of you… you may want a second photographer.

When I use a second shooter (photographer) I usually charge whatever money i’ll actually be giving them. They have an easy job, they show up, have fun, shoot and eventually leave sans memory card. I’m only using a portion of their photos in the end, we all have pretty high standards when it comes to photos and we’re all very picky as photographers. Be weary of any photographer pushing services that you don’t think you need on you. Do your research on this subject, ask Jeeves (old reference).

I couldn’t find any of my photos with crazy filters on them, so I’m using a photo of a wonderful meal I had, yes I have a cell phone case with my logo on it. I’m branded up.

Here’s what else grinds my gears, yes I went there. Everyone calling their photography their style or vision when… they’re just using a downloaded preset (sometimes they even pay for these) on every single photo or desaturating the photos. I’m not going to say I don’t like these photos, some of them are great. I love the look but, yes there’s a but. Someday in the future when you want to see what that moment actually looked like without grain and desaturated reds and oranges and way to much work on highlights and shadows you won’t be able to. Because that filter is there for life. What I like to do is capture the actual colors, correct color temperature and exposure. It takes seconds to throw a filter on, but I don’t think I could ever call it my “style”. I’ve wrote a bunch more about it here.

So here’s what i’m trying to get across, look at their skill as a photographer. Do you like the way they frame a photo, is the exposure at least correct. Take a look at their whole portfolio, not just weddings. See their range and skill as a photographer because a wedding is essentially a marathon of photography. We’re constantly pushed and pulled throughout the day to get operate in any conditions, bad lighting, difficult people and situations, hot and cold and also our gear matters. I’m getting away from my point but basically if a photographer is calling his desaturated photos his style and trying to play up how artistic he is… take a second look. If he’s saying he’s a natural light photographer.. run! One more warning sign to look for is selective color, thats when a photographer turns down all the colors except for one. This makes everything black and white except for those red roses, making it an iconic photo. This is gimmicky, simple and a stupid trick that people can now do on their cell phones… so why would a wedding photographer be doing this? Steer away from white vignetting as well, that’s a huge warning sign that your photographer is behind the times in style.

So this is a shot THAT A NATURAL LIGHT PHOTOGRAPHER COULDN’T GET. THIS WAS SHOT WITH TWO OFF CAMERA FLASHES. ONE FLASH BEHIND THEM ON A SNOOT SO THAT THE FLASH DIDN’T SPILL OUT ONTO THE BRANCHES OF THE TREE AND THE SECOND LIGHT BEING HELD BY ANOTHER PHOTOGRAPHER WITH A TIGHT GRID TO FOCUS THE MAJORITY OF THE LIGHT ON THEM.

A natural light photographer is a scary thing for a wedding. There’s only so many hours of the day that are bright during a wedding. Eventually it gets dark and then what? If someone’s mastered how to take photos in daylight, that’s great. But you’re going to want your entire wedding covered and if they can’t navigate around a flash and some interesting light then you may want to look elsewhere. Again, they’ll have some amazing photos and they may be a talented photographer but please for wedding sake make sure your photographer uses lights! Imagine if you bought cabinets for your kitchen and the cabinet maker told you that he can only put the hinges on the outside of the cabinet and not inside because that’s not his style. I love a good analogy.

Depth of field, making something sharp and something pretty damn smooth. At a quick glance you already know this wasn’t taken with a cell phone, so automatically it’s already leaning towards the only conclusion you could make, a professional photographer took this with a professional camera.

Here’s another trick that I do employ. Shooting at a very low depth of field. This means whatever i’m focused on is sharp and the rest is out of focus. It does make for a pleasing photo. I also know that regardless of the situation when I use this little trick that whoever sees the photo regardless of proper assessment sees a professional image. They know that a good camera or good lens is somewhere in the equation and whoever can afford this good lens or camera must be a professional photographer. Quick example, lets say I tattoo’d someone and it didn’t look half bad and I show off that tattoo. To those of you who don’t know, I might be a professional tattoo artist, but look at the rest of my work and realize that maybe… not so much. So again, look at someones portfolio, if that’s their style, everything shot in low depth of field, then maybe pass. It’s a simple trick that I do use, but only when it’s called for. These lenses are primarily used to work in extremely low light, not just for a blurring (bokeh) effect.

So here’s an example of my Canon 200mm 1.8 lens. The reason this looks unique is because of the size of this lens and also the hefty price tag. This isn’t a lens you can pick up in your local best buy.

So i’m going to admit to something horrible. I use my gear to get brides and grooms. I have some cool lenses. I have a fisheye lens that is pretty much useless except for some random cool photos here or there. It’s sometimes fun to use during a wedding reception or sometimes in tight spaces but mostly useless. I also have a two hundred millimeter lens that is no longer produced that can shoot at an incredibly low depth of field which produces a spectacularly amazing image that looks like non other. I have many others which I could list. I use these lenses to get new business sometimes because I know the common person will see the image and be wowed. But the main thing I want to point out is that I can still use the most basic, boring, cheap lens to get an amazing image regardless of depth of field or any other curiosity the lens may entail.

So to round this out, investigate your photographer, get to know them. Don’t go with a photographer because they’re rolling back the price quickly or throwing in a freebie as soon as you blink or move your chair in the meeting. Make sure you love their work, that they don’t use car salesmen terms in regards to your wedding package. If you see the word budget, value or deal then calmly and quietly get up and say that you have to make a quick phone call and get out of there. Just like then you buy a house, car or anything of value, research, know the terms, know the differences between photographers and make a very educated choice on who you go with.

Click here to see some of my photography or call me at 508-471-0069 to ask me any questions you might have.

David & Anna at the AC HOTEL, Worcester

David and Anna at the AC Hotel in Worcester

Bride, groom, photographer and.... i'll come help!!!!!

I wanted to recap on something I run into every fifth or sixth wedding. An entourage of family and friends that want to help during the couples photos. This sometimes is following the ceremony or a more private moment sometime during the reception. I'm not going to specifically reference exact details but wanted to tell you how most circumstances unfold. This is for informational purposes / venting purposes... i'm only human.  :) The photos in this blog do not reflect any specific weddings where this occurred, they're just pretty photos. 

     I really like to write exactly like I talk and this is a story i've told brides and grooms before. I wanted to take the time and write this out for other brides, grooms and fellow photographers who may or may not yet have encountered this moment. 

Please hold your phone side ways to read it to correctly view the conversation's proper exchange.  Otherwise this post will just sound a little too weird. 

Here's a few moments with just the bride and groom to help give example to special moments that unfold during these private photos.

Me to bride & groom: Okay, the clouds just parted way to beautiful sun rays and a deep blue sky with a rainbow... let's go run and get a few photos. Okay.. ready. Let's go. Sweet!
 

Me: Totally cool. You just have to stand back a bit because I need their complete focus.

BRIDAL COUPLES PHOTOS START

Friend or family member: (talking on phone) Yeah, we're behind the building, come on over.

Friend or family member: (one minute passes) You should both hold hands and do this thing where you make a heart and...

Friend or family member: That looked really pretty, you should have them go over there next and stand on that rock. Oh hey Jim (another family or friend walks over). 

Me: Could I have you folks just give us a little bit of room so I can have their complete focus while I do the photos. Just for a few minutes.

Friend or family member: Hi Denise (now a third family member has joined because they saw the five of us standing over here and wanted to see what we were doing).

Friend or family member: I'll come help. I'll come and watch. I want to take a photo with my phone so I'll come along with you. 

Friend or family member: Of course, no problem. I'll just stand back and won't say a word.

Friend or family member: Hey you should take photos over by the wall there. Tim and Diane got their photos there.

Me talking to bride & groom: Okay, look back over here. Okay, I need you to move slightly over to the left and focus on each other and..

Me talking to bride & groom: That's perfect, I just need you to slightly turn a little bit more this way and... perfect. 

Me talking to bride & groom: Okay, look back over here again. (looks over at family or friend and reaffirms the need to stand back and not converse). Okay move slightly over to the left and focus on each other and move in slightly towards a kiss but don't kiss yet.

Me talking to bride & groom: Let's take a walk down this path over here and what i'm going to have you do is do a slow walk, hold hands, talk and have a moment to yourselves while I take photos.

Friend or family member: What are you guys doing, are you taking photos right now. It's very pretty over here.

Friend or family member: (All the friends and family): Totally, no problem. We just want to hang out and watch.

Me: Could I have you all step over this way while I do their photos, I only have about three more minutes before we have to head back.

Friend or family member: (Two minutes pass) Hey (directed towards bride and groom), are you both going over to the hotel after or heading back home, Rob is texting me and wanted to know. Hey can we get a photo with you over there in a few minutes.

You get the point. 

     What really happens is the bride and groom don't actually get a private moment to themselves for these special photos that they're going to have for the rest of their lives. Think about your parents or grandparents wedding photos and now imagine that they could have had a dozen other special ones equal or greater than those ones. 

     Everything always starts off with good intentions. I'll hold your drink, let me hold up your dress, I want to come and watch, I have a quick question, can we get a quick photo, can I take a photo with my friend, this person wanted to know this question, what are you guys doing. 

     I've had a bridesmaid rush in after each test shot to fix a brides dress. When i'm setting up a magical photo that will be hung on their wall from now until the end of time i'm going to put a little extra care into everything. I'll be adjusting power levels, exposure and position of lights for maybe a dozen photos before I even think about a final pose. Before i'm even ready to start posing a bride i've had the bridesmaid try and jump start the photos by posing them and positioning them and after each test fire (too bright, not bright enough, not in the right position, add a second or third light) run in and turn a two minute photo session into a ten minute "are we done yet" sorta mood.  This is just another example of moments that I run into. :)

     I'm never going to be rude to a bride & grooms wedding guests, family, friends. I'm never going to be rude to the wedding coordinator / planner who wants to stand next to me and count down every single minute of our remaining time (This happens usually during formal photos). You in fact will never know if you got in the way. If you make a weird suggestion or try and hijack a moment i'm most likely going to humor you and go along with it and a smile. It's always going to be easier to say good idea and take a photo or two and then move on to my shots.

      Every single wedding I've made it part of my routine to borrow the bride and groom for additional photos post reception moments like bouquet toss or cake cutting. Most of these moments go off without a hitch but occasionally I get someone who wants to tag along. During your wedding day you're going to be surrounded by people the entire day, ball & chain to a schedule of events and have the same thingss repeated at you for hours (wheres the honey moon, do you feel different, you must be tired, congratulations). This is typically a moment to breathe, have a bit of quiet and also a special moment with your husband or wife. 

     I know this post most likely won't change how the next twenty years of weddings go or in fact anyone will actually read this. But it's therapeutic at best and helps keep me sane in moments that I cannot control. These are moments that brides & grooms don't know about until their wedding day and it's actually happening. They're very much on my side when i've had to occasionally shush off people. So if you ever see a bride, groom and photographer head off to get photos I can almost guarantee that they will be just fine if you wait to talk to them when they return. 

     In the end i'm there to take beautiful photos and be nice to people even if they are stepping on my feet. I hope this wasn't too offensive and if it was, you might be that person tagging along during photos. ;)

Who steers the ship

     If you decide that you know more than the photographer it may cost you. That's not meant to sound like a threat, it's more of a small rant that will help put some of your wedding day into perspective.  It's a fast paced day with lots of moving parts and lots of different vendors who do not want to mess anything up, this means everyone is making sure they perform exactly what they were hired for.

     Most weddings will go off without a hitch, there are the small little hiccups which do happen. People arriving late, corsage mishaps, wrong colored shoes, missing socks. But most photographers have been to a few hundred more weddings than the bride and groom they are tasked to take photos of. This means if you decide to intervene throughout the wedding with ideas and direction it can cost you time and photos. One of my favorite parts about a wedding is guiding a bride throughout the day because i'm with her the entire day. I'm able to say that we're running on schedule or we're going to head back here and you're going to have a little break and then get introduced into the reception. 

     On your wedding day a wedding photographer will never argue with you, you're the boss. We've been hired to take photos and not to negotiate/argue on how you want it done. I totally understand the intervention that may happen when a bride thinks she needs to. It's a high stress day for the bride because she wants everything to be perfect. In my experience most brides don't relax or breath until after they've sat at the reception.  My goal is to get amazing photos and maybe jump through a few hoops doing so. I also want to keep the bride and groom happy throughout all this. If your face shows stress on your wedding day it's going to show in the photos. You may not even remember doing this or ever see those photos because I will make sure they don't make the final cut. 

     During formal photos I have thirty to forty minutes to get the photos that you'll be hanging on your wall and passing down to future generations. I have a method, a path that I follow and a flow. We start off big, break it down, switch it up and eventually end up with just the bride and groom. If you decide you know better then the photographer we're going to let you do so. I've had brides direct formal photos before and we started with family and then bridal party and then back to family and then back to family and then the bride and groom and then bridal party and double the time. I write this as a warning to other brides to let the photographer steer the ship at certain key points. You've hired us for a reason. I certainly wouldn't be offering suggestions to a plumber or mechanic. I want to get you as many photos as possible.

     On your wedding day, relax, enjoy, experience it. You don't have to keep track of everyones whereabouts, put someone in charge of that. Consider the day a stack of dominos, line them up and let it happen. You wouldn't start the line of dominion by tipping them and slowly readjusting them as the dominos fell. If you look worried or like you're yelling at people in your photos it's going to look just like that in your photos. I really want the best of you on your wedding day. It's not just a paycheck or an honest one if I don't think i've done everything possible to get you the best photos. So pucker up, smile and let your wedding day happen and enjoy your friends and family. No guests will ever notice the mistakes, I promise you.

The flying photographer

ThinkTank Airport Security. retractable stroller handle so you don't get stuck carrying through the airport.

ThinkTank Airport Security. plenty of space to fit my 200mm 1.8, two bodies, 4 other lenses, two flashes and tons of batteries and accessories and laptop.

usually one body and 3 or 4 lenses and a flash. Also has room for a 15inch macbook

smaller things like cables and usb devices in here

This keeps my macbooks cables organized in my bag and easy to get to.

     No this is not a blog about drones even though I may have link-bated you. This could either be about drones or a magical flying photographer or X-Men based sort of mutant who can take photos while flying. I just wanted to write a little bit about my experience traveling as a photographer.

     So traveling as a photographer can be a bit difficult. I'm not traveling with a few thousand dollars worth of gear, usually it's tens of thousands of dollars worth of gear; hope you liked that humble brag. This means that i'm not checking my gear, we've all seen those videos of luggage handlers tossing and pitching suitcases into and out of planes. This is my exact nightmare, having someone toss a case or bag filled with two bodies and several lenses with accessories into a mishmash of storage space that is being optimized for space which means fitting and squishing into place when applicable.  

     When you travel somewhere as a photographer you really don't want to leave that one tool home that you realize later you needed. So this means we will often bring everything and the kitchen sink. I regularly will travel with around eight lenses, a few flashes and two bodies as well as batteries and everything else. 

     The next nightmare is for a TSA employee somewhere along the lines to inspect my gear and pull out the smallest maybe unnoticeable item somewhere along the lines. Even when I don't have anything important in my checked bags I regularly get luggage back with either one or two locks missing or telltale signs of rummaging. How easy would it be for any of them to simply place an object into their pocketbook or vest pocket. I may arrive at my location and notice I don't have an adapter or lens and now I'm questioning if I even packed it or maybe it fell out when I was retrieving my car charger for my phone at the airport. It may be a week or two before I can verify a stolen item and the amount of baggage handlers could very well mean than I cannot narrow down a point where it was taken.

     So how I treat my equipment is having it with me on a carry on bag. This is the stuff that cannot be stolen, it's with me; the guard. On most flights you are allowed a carry on, a backpack and a small item. The carry on size is different between international and continental USA. I do have both sizes of carry on for my camera equipment. I have bags from ThinkTANK and highly suggest them.  I have the ThinkTANK commuter, airport security v2, airport international v3 and the retrospective 30 and 10 shoulder bags. One of the neat things as well is the similar bag shapes which mean they look awesome when they are all put away. They are boxy, padded and have all the right features that you need. Order on Amazon and check one out or take a trip to B&H in NYC and get hands on with it. I've had a bag collection for many years and this past year i've actually started to thin out my stash because I fell in love.

Screenshot from TSA website. In the past three years I have had four locks DISAPPEAR and have never received an inspection notice. 

So when traveling with your gear, keep it with you. If you get the ThinkTANK bags they mostly all include a cable that is attached to the bag that you simply have to loop to any pole, seat or other stationary objects to secure as well as zippers than can be locked into a stationary lock. 

ThinkTank Airport commuter. solid bag that fits enough gear for a wedding

Thinktank Airport commuter. great for a carry on and durable enough for hiking.

Somewhat disposable TSA locks (They like to throw them away)

Keep alot of my chargers in here when i travel

Why would you hire me?

Here I am wielding not one, but two flashes. #ExpertLevelAchieved

Trigger warning: bad writing. 

Sometimes I start off with a really solid idea and then I branch out into ramblings. I apologize ahead of time because I believe I slightly did that here. 

     Why should we hire you... MIKE. While I don't get asked this exact question, it still hangs in the air throughout the meeting. I've done enough meetings with potential brides and grooms to read their expressions like a packet of Cliff Notes guide to meeting with wedding photographer.  

     So first there is the nodding expression where they are thinking "This is going to be expensive" . In truth it is going to be expensive. You're hiring me to document a day that can't be repeated, it's high stakes. I'm also showing up with enough equipment to put a downpayment on a house with. 

     There's the other hinting of body language and facial expression that spell out we don't want anything extra, book, flash drive, online gallery; we just want the digital photos. That's great that you know what you want and yes, just say that right off the bat.

     Sometime's I meet with just the bride and sometimes with the bridal couple. Meeting with one person is always easier because you have their complete focus. I'll also be completely honest in saying that the bride to be usually makes the calls when it comes to the details of the wedding. When I have a potential bride and groom in front of me throughout my pitch they will sometimes show their cards. When we get into price and start talking about what they're looking for. I'll start running through the different options and when I run across something they don't want they instinctively look at each other. They say it with their eyes "we talked about this before, I don't want this" and with a look back i'm able to course correct and steer them with options they do want. 

     The meetings are really just to see if we vibe, I already know I can shoot your wedding blindfolded and you know I can too. It can come down to a few things for a bride, i'll name the top three. First, do you like me? I'm going to spend all day with you and hopefully we get along right off the bat because I will spend more time with the bride on her wedding day than the groom. Secondly, do you like my photography? I have lots of different lenses and I'm with you for the whole day so I tend to have lots of different looks to my photos. Third, does my price work for you? I'm flexible on price to a point. I really want to shoot weddings and make people happy but it costs money to be a well rounded photographer. 

     Okay so I wanted to convey a little bit about the meetings above. But here's the truth of why you would to hire me as your wedding photographer. I'm committed to getting you awesome photos on your wedding day. My goal is to keep you on schedule, be your cheerleader, help out where I can. I've been known to bustle a dress, fit a corsage, straighten ties, deliver flowers, escort grandmothers and dance with kids. This is my full-time job, that means you message me at ten at night, i'm most likely going to be responding by ten ten. I've even taken the time to write out every single question that I've been asked in the past few years, sometimes a bride won't actually voice these questions so I've found it helpful to write it all out. I have enough gear, equipment and batteries to shoot three weddings in a row without recharging. I've been shooting weddings for over ten years. I actually like photography and do that in my spare time.. for fun. When I do a good job with weddings it leads to more weddings which means better equipment, sharper photos, more unique aspects. I'm constantly rolling my money back into my photography, so developing myself more. Every year I add a few more tricks to my wheelhouse. I also travel a lot, eighteen countries and twenty four states; that means I don't mind flying to your wedding to shoot. I would be happy to give you any bride and groom's contact info and have them tell you how much fun they had with me. Friend me on Facebook, Follow me on Instagram to see exactly who you would be getting as a wedding photographer; I won't disappoint. 

     So i'll use an analogue to describe wedding photography. When you go to Best Buy and stand there and look at all the TVs you can see the difference between each one pretty easily. They're all next to each other, same dimensions, same brightness, maybe color is different on this other one or another is a bit smoother with the resolution. When you eventually pick out a set you're getting it because the price worked for you. When you get that TV home you're going to fall in love with it and brag to your friends about your big tv. I will say that I certainly don't think back to that Samsung with the high gloss black finish when i'm sitting watching my tv. 

     It's partially the same with wedding photography. We're going to all do essentially the same thing, capture photos of you on your wedding day, the best we can or know how. If you stack me up next to other photographers you'll see i'm better than some but not than others. All I can offer is my uniqueness, perspective and skill. But when you have your photos, your memories you won't be second guessing who you went with. I imagine you're going to be pretty happy. I can't really trash other wedding photographers because most are not terrible, most just do it a bit differently then I do, different equipment, different focus or limited or unlimited experience that they may have. Most of my friends are actually photographers so I have that unique viewpoint of knowing how lots of other photographers operate.  So do you research before you commit, drill your wedding photographer, ask me a million questions. 

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Any of the above will make me happy.

The worst best man's speech

So I was recently told this story by a groom and wanted to retell it here. I loved it and I hope this happens at one my wedding. 

This all started with a best mans speech.  The best man got up and he looks over at the bride and groom and then back to friends and family.

"I'm really happy for Rob and Sarah, it's great that Sarah can start this new chapter in her life, in her relationship. So this is for all of you guys out there, she is off the market, she's not that type of girl anymore. We know she has somewhat of a past, but she's not that type of girl anymore. So you really have to understand this, no more calling, texting her. This is a new chapter in her life. So no more visiting her apartment, late night rendezvous.  You gotta just leave her alone now. So i'm going to have to ask everyone to bring up their keys to her apartment."

(puts out a bowl)

Everyone just filing up and putting keys in the bowl with a little old man being the final person putting his key in the bowl.  

(The best man had handed out keys to all the guys prior to the reception)

I made the bride's daughter cry

Okay. Now that i've link baited you i'll quickly tell you I didn't do anything wrong. Okay now that we've got that settled I can continue with the story. I also did get my bride's permission to tell this story because I didn't want to come off as mean in any sense or be disrespectful to anyone.  I'm not going to name this venue and if you recognize it then you know they have amazing prime rib and corn fritters. I have shot many weddings here as well as my first wedding and I will be back. 

     So first off, me and the bride's daughter totally hitting it off. She's nine years old and I took the time to help her find some things in a Where's Waldo type of book at the hair salon and I let her use my camera.  When we arrived at the wedding venue (I'm not going to use their name here because I really like them) I started doing detail photos while the bride ran around and made sure everything was in order. I asked my bride's daughter is she wanted to come and hang out with me while I do photos and carry the veil. 

     My little assistant came with me while I hung the dress all around the property but there was no area that was really conducive to what I was looking to do. Inside and outside I only found a few spots but nothing that blew me away.I found one spot that worked amazingly, from a chandelier by the front entrance. I hung it, tipping the lights sideways a bit but the dress was light and no troubles. I took a few photos and it looked amazing. I decided to have Sam stand in a chair next to the dress and maybe some directly behind it. I had her on a chair and I was instructing her not to touch the dress whatsoever because of the chandelier. Just as I was doing so a nineteen year old waitress rushes over with her hands up saying "I'm sorry, I just, I, you can't, sorry, you can't"  to which I replied we'll just be a few more minutes and then we'll be out of your way. She then started to reach for the wedding dress which I grabbed before she could touch it. We stood there in a small stale mate and I explained that I just needed to get a few photos and I would be leaving the area and she said that I couldn't hang the dress there (several employees had walked by me or watched me prior to this). She pointed out two places where I could hang the dress. One being on a coat hanging area with high chairs and the other by the front podium where there was no place to hang it.

     I pointed out those to areas and questioned them, over there??? She eventually walked away very quickly and I was left alone with Sam. I walked back over to rehang the dress and continue with my photos and was blocked by Sam. Sam told me "No! The lady said you can't" to which I replied, yea I know but it's okay. So I moved into position again but was blocked by Sam "She said no". Now i'm being impeded from doing my job. So I got down and tried to explain to her that the worse thing that can happen is I get yelled at again. I tell her that i'm going to be taking the photos that her mom will have for the rest of her life and I have to make them as perfect as I can. Now Sam is actively trying to take the wedding dress fro me. 

     A family member of Sams comes in the front entrance and says hi to both of us. I ask if they can take her upstairs so that I can finish taking photos. She stands there with arms crossed. She is unresponsive to her Aunt and Uncle. I ask  if she doesn't want me to take photos of the dress, she is quiet with arms still crossed "Do you not want me to hang the dress up" yessssss. Tears start to drip down her face so I say "Okay i'm going to go take photos over here, but you have to head upstairs okay". So she leaves and I walk over and rehang the dress and get a few more photos.

     Afterwards I head up to put the dress back and my bride is there to greet me. She says "So you made my daughter cry...".  She then follows up with telling me that she talked to Sam and that for the money she paid me and also the venue that I can do whatever I want and that's what i'm paying for. So Sam thought that the nineteen year old waitress was going to cancel the wedding and kick everyone out. I did talk to the coordinator for our wedding and she said she was aware of what happened and it wasn't a big deal at all and was fine with it. 

     My main goal at any wedding is maybe not following all the rules but instead getting the best photos I can without being too disruptive. I'm always on the bride and groom's side and am looking to do the best I can do.  I've included some photos of the dress below, I did only take a few shots inside of the dress.

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See if you can pick out which photo I designed and shot and which one was suggested to me.

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Marketing

     Okay, I probably don’t know that much about this… or do I. I may be a marketing genius or maybe just incredibly lucky when it comes to getting business. I really favor the later in this but i’ll tell you some of what I do to market myself anyways. This is a blog post for photographers or other people in similar businesses.

     First of all I really suggest being yourself. You’ll never have to put on an act or be someone who you’re not. I am myself when I go through my day, my week. If there’s a chance to do good I do it, sometimes people are watching. First off, everyone is going to want to throw a nice guy some work. I also don’t mind doing charity either, it makes me feel good and helps other people as well as karma brownie points. People pay attention when you’re consistently doing the right thing, the honorable thing and helping out where you can. 

     Another strange thing is following your passion. PEOPLE NOTICE! If you’re into candles and constantly posting about new candle making techniques or a new fragrance you made and how excited you are people may think you’re strange but they know you’re genuine. If you dig something, if you’re over the top in it for the passion then the money will come. I’ve never made my focus about the money, it’s really just a nice symptom of having a passion for photography. I’ve also turned down money as well which I suggest once and awhile, pay it back. You never know when that person who you hooked up is going to have an even better way to hook you up. Quick story, this year I had a call from a waitress who said I took her photo seven years ago. I was at place on Shrewsbury Street in Worcester (basically forty restaurants within a mile stretch), I was hanging with my friend and I was taking photos of my food and then I asked to take a photo of this waitress. I asked for her e-mail and sent her the photo. She called me up this past December and booked me for a wedding in January. Another story just for an example. I was shooting a wedding a few years back and took the time to chat with one of the guests about cameras and then handed off my very expensive camera and let them try it out for a few minutes… he booked me for a wedding last year. So by being friendly and sharing my passion I’ve landed work. 

     So now the more practical things you can do for marketing. Post about what you’re up to on social media and act excited about it, hey maybe you are? Maybe post on Instagram or Google+ because there are sects of people that still use these platforms.  If you post on Google+ then you might get featured as a news article when people search for certain keywords which essentially draws people back to you. Instagram I use to post my best of the best photos. I don’t post any chum there, it’s all my processed work or things that I’m proud to share. Instagram isn’t for my photos of Starbuck Mochas or cell phone photos. Everyone treats Instagram a little bit different and some people even go as far as to color grade against everything they already have up there. A big thing is following a theme, at least thats what I hear. Myself I post what I’m really into, travel, weddings, food, abandoned buildings, building facades. There’s a lot of people who will have the best ways to gain followers and how to make the best Instagram, but I believe you can do it just for you.

     Okay i’ve started a new paragraph so this must be a pretty good topic. USE FACEBOOK! Use Facebook for the free advertising of you and your brand. Your friends may know someone who’s looking for someone just like you. You can also maintain a business page as well as your personal page. I’m sure we’re all over posting about what we do on a minute to minute basis but why not include a little bit of business in with that pleasure, right? I also use Facebook as a tool get to know my clients. I can figure out their personality a bit and hopefully fit in better with them at the wedding after we share a few dozen memes. I also encourage my friends to share the posts that I really need them to, such as information about my business or deals I might be having. 

     One more thing on Facebook which i’ll give away to you. I only share all this information in the hopes that some of you will get really good and force me to up my game even more. So Facebook has that awesome algorithm that fits all you most important friends in and if a new person comes into your life you might start noticing them more on Facebook as well. Facebook judges how long you look at someone’s posts or how quick you scroll over someones post, if you’ve clicked on their page or their post. Facebook will now think that they should include more information in your newsfeed about this particular person, get it. So if I’m out there posting photos of abandoned buildings or amazing photos of cupcakes then I bet some of you may slow down or even click on my posts. This means you’re more likely to see my future posts, my future posts about my wedding photography business. 

     Another one of my tricks is simply posting all the photos that I really like, Europe, traveling, food, abandoned buildings, hiking, cityscapes, landscapes and then peppering in wedding photography. This works wonderfully with Instagram and Facebook. So start doing it. People notice when you have a passion. I know this because I continually get told this by brides.

    You can market yourself like a bad ass but the question is if you can keep it up for years. I do this non stop. Day and night, vacation or laying in bed I think about how to get my business even bigger and better. There's a lot of times when I make a purchase and i'm thinking if it will benefit my photography. Even when I buy food i'm thinking if I could take an awesome photo of it.

      I don’t always look at what everyone else is doing, I look at what they're not doing and then I see if I can fill that gap. One of the biggest things i’ve had to deal with and figure out was not listening to other people. I’ve listed to too many people who had ideas about my business who in all actuality knew nothing about my business.  Other photographers have told me how they do things and what has really helped is to be different from them. I’ve gone in the wrong directions way too many times from people telling me that “it won’t work”, “you can’t do it like that”, “the way you’re suppose to do it is…” and a million other negative or non helpful comments. When you’re starting out you have the freedom to throw it all against the wall and see what sticks. I still change the way I do things regularly, be adaptive, don’t have a set policy on anything. If your customers are all asking for something or expecting something a certain way then go with the flow. 

     So I don’t want to give away anymore of my secrets but I hope this helps you. I help a lot of people out with other businesses because some of this marketing advice really can translate to other fields. Feel free to leave me a comment.

Business cards and why mine is the best.

Here's a few business cards i've put together.  You can see the evolution of my design.

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Brace yourself for a long winded rant about my business cards. You kinda asked for it... those were a lot of Facebook comments. 

      So Zazzle who I typically use for my business card had a little bit of a trimming mishap when producing my cards. They upgraded some of their behind the scenes editing software and it ended up pushing some of my text outside the cut lines. So this mishap meant they took care of me with credit and that allowed me to go back and readjust the cards. Additionally the thickness or weight of the card was so thick that during the cutting process the sheets shifted slightly. I had text very close to the edge and it showed any slight deviation. I only noticed it while dropping off a set of business cards. 

     I do want to preface this all with Zazzle is awesome. I've used other companies and I really have had good experiences with this company. The customer service is always top shelf. There has been times where I've made a mistake and other times where they've made a mistake. They have humans who work there and it turns out humans can make an occasional mistake, totally okay with that. I've had soo many people message with me various other companies that they use and I have to decline the help because I really do love this company and the fact that I have everything all ready and designed for print here.  So with this current mishap Zazzle took care of me and just recently sent me an additional box of cards which was done unpressured and just a show of appreciation. So I ended up with double the amount of cards. I've been using Zazzle since I started my photography business and it's nice to have a steady supplier like them. 

     So I've put this out to my friends on Facebook, the designing of my card. I was mostly looking for feedback on my red hat that I want to include. I've spent a lot of time designing my card to stand apart from everyone else. Typically everyone does the same exact thing. Name, Phone, E-mail, logo and maybe a slogan. Think about how many business cards look exactly the same. 

     The design of my business card has been the same with minor adjustments over the past five years. One side is always a large image of my logo, large enough to read if it's on the ground or a table. I've chosen the chubby size cards instead of the standard for two reasons, it stands out and doesn't fit behind other cards nicely. The second reason is it's different, it's usually been a tear-proof material which is always an interesting challenge to my clients to tear it up. 

     So I appreciate everyones input for the cards. Some of the advice I totally understand. Use a beautiful image you've shot, use this font, why is the phone number so big. This is not a card which I've put together quickly. It's been made to stand out from the pack.  A thousand cards will probably last me most of the year. Brides and grooms who typically end up with my card end up with it because they are in my office. Most people are finding me on Google, Facebook, Instagram or a random phone call. If these were being used for a wedding expo I would probably have something a bit different. 

     One of the biggest things with photographer is everyone happens to use a camera aperture for a logo (myself included, guilty). So I changed my logo a year or two back to something a littler bit more reflective of who and what. It now includes the words wedding which is my focus. I also have the dot come in the logo as well so now I don't have to do any additional dot come references elsewhere in the card. The main goal of my card is for it to stand apart from everyones no matter what business's card it's next to. My business name was believe it or not an AIM handle back in 1996 which was unity1818. Unity is an Operation Ivy song, not a Queen Latifah jam. It ended up as a placeholder for my website because I eventually needed one. Unity happens to work as a name for a business name but unity photography is actually taken by another photographer named Ken who I've actually met in real life. Anyways the reason I mention this is logos are hard and also very much essential to pull together a website, business card and any branding you may want to do. I didn't get to do anything cute like Two cranes photography or jumping cat photo. I based mine off a teenage Aol Instant Messenger name. 

     The giant phone number is something that takes people a second to grasp sometimes. I've had lots of people pick it up and say what is this and then it clicks. Then I have a few different sentences fit above, in-between and below the giant phone number. So whoever has already picked up my card because they don't understand the giant numbers at first and now they're reading all these sentences i've put on my card which is done is a very small font.  So they've spent anywhere from fifteen seconds to twenty seconds reading this side of my business card. I just times myself doing it from picking it up and skimming through everything. 

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TEXT LISTED CURRENTLY ON MY BUSINESS CARD

Follow me on Twitter, Instagram, Pinterest, Google+ and Facebook. Visit my website to find all my social media links.

Wow, this is a very impressive business card. Thank you, I agree. If you find this impressive then wait until you see my photos.

The number on this card is my phone number. Please visit my website to send me a more formal message.

Don't lose this card. Int has your future wedding photographer's contact info on it.

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There is a rhyme to my reason.... is that even a saying?

     So think about how long it takes for you to usually comprehend information on anyones business card. You look at a logo, an address maybe, hours possibly, phone and e-mail. I've already gotten almost twenty seconds of someones time. I've told them where they can find my social media links. I've directed them to my website to send me a message. I personally don't like a random e-mail from someone with a simple sentence "HOW MUCH" "WHAT ARE YOUR PACKAGES". So I love to direct people to my website where I have a proper contact form and more importantly all the information.  I've also included a little bit of my humor by saying how impressive the business card is. If you didn't get what the numbers were or skipped over the numbers in favor for a full sentence then it's explained here with the above text. I've also told them how important the card is and not to lose it, it has your future wedding photographers info on it. Okay, that last sentence is a little cocky but it's cool, I know I rock.

    So if you found this card and and saw all this information you would be able to get a quick snippet of who I am, personality wise possibly. As a wedding photographer i'm the person you'll have the most contact with during a wedding day. I'm literally with a bride all day long give or take some distance. The big thing I try to convey when I meet a bride and groom is the attitude of easy going. I'm very easy going, in fact most of my meetings i'm wearing that red hat and a hoodie. More meetings happen in the winter time. I'm also friending all of my brides and grooms on Facebook at some point. Since i'm spending the entire day with someone it totally benefits me to keep them in a good, relaxed and happy mood. Some of that comes from the informality of most of my approaches. I have brides contact me at eleven at night with a simple question or on Facebook on a Sunday afternoon. I'm very accessible and I make sure the bridal couple knows this. My goal is to have it feel like a friend is shooting your wedding. 

     With my current design i've chosen to remove some of the text to focus more on branding myself with my favorite object, a red hat. Affectionally worn for the past six years solid or so. I'm regularly recognized everywhere for this hat. Currently it's a red winter hat from American Eagle but i've also had many other variations of this red hat. I can't really wear baseball caps when I shoot outdoors and fedoras or these winter caps have always hung around me. I've actually gotten to meet a lot of my Facebook friends in public because they spot me somewhere in Worcester, Boston, NYC. It's a very bold color and my attire doesn't really have to match the hat. What i'm doing by including the red hat with my business cards are training anyone who ends up with this card to eventually be able to spot that exact red hat. Think about it. You have this random card with a red hat, phone, name, wedding photographer and you see a random photographer with the same exact hat. Chances are you are going to come up and say hi and tell me about how you ended up with the card. 

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I'm going to meander a bit, follow along.

     So beyond wedding photography I actually do a number of things. One of those things being web design. When I meet someone who asks for photos or video the first thing I ask is what it's being used for. They tell me they want to put it on their website or Facebook. The next question I ask is to see their website and from there I see their website is angelfire or geocities hosted (antiquated reference, totally worth googling). So from there I talk to them about web design in addition to photos. So I can put togethers someone website pretty easily with a few photos and rearranging information. Here's the other thing I do, consulting work. 

     What is consulting work as it applies to you? Okay, thats a question being asked to me if that didn't make sense there. What I do is interview a business owner and pull out content to add to their website. Often times while explaining things it leads to other questions which inadvenrtuly conclude with a change in their own business's infrastructure. One of the best questions you can ask someone is "What would this look like if it were easy". It's a question you can ask any business owner. It helps them identify a problem area and provide the easiest solution and then we can work on the actual route to getting there. I also will call out an weak areas in their dealings and suggestions I may have to changing routine. 

     So I deal with many different businesses and these owners all happen to be around Worcester and Boston and every once and awhile I get recognized in a Starbucks or while on the job shooting somewhere. I'm training everyone as well as brides, grooms to recognize and associate the red hat with Michael Hendrickson, wedding photographer. 

I have time.

So hopefully everyone will understand my reasoning a little bit better now. It's not simply a harsh design choice. I've slowly evolved it from the very simple to the more complex. My goal with my cards are to stand apart from everyone and I fear being similar to everyone else will make me blend a little too much. I've spent a few minutes to design some of what everyone's asked for in a business card just to appease some.

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I've made a few quick mock-ups of what some think would make a good business card. I've also reverted the size back to a standard business card size. This is not a dig on anyone. This is suggestions i've gotten on the initial thread on Facebook as well as in private messages. 

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Okay. So here's my final design. I did put some thought into this. If you've read this entire blog then hopefully you've fell on my side of the wall. 

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What a photographer's day is like.

Wow, you take photos for a living, that's soo cool. It must be awesome traveling and making your own schedule. Did you get to eat that after you took the photos! Wow did they pay you to fly there and take photos of that? That's an awesome camera, it must have cost a lot. You have that many lenses. 

So I get a lot of the same things repeated to me time and time over. People remark at how amazing and fun it must be to do what I do. But the fact is, it is. But... taking the photos is really only ten percent of what I do. Marketing, post processing, phone calls, e-mails, spending money on things that are and aren't tangible as well as hoping clients make their way to you if you're doing everything the correct way.  I'm going to run through some of the basics of what I do and dive into some of it and gloss over the other parts. 

I do get to make my own schedule. I wake up whenever I want, in fact I don't even set an alarm anymore. I just happen to wake up as soon as the sun comes up and my brain automatically activates and goes back to whatever I should be working on or left off on. When I wake up it's a shower, slide on my stylish clothes and Apple Watch and off to Starbucks to have a Venti Cafe Mocha. I wear the same red hat everywhere I go so that i'm easy to find, recognize and meet. I also wear a unitymike.com t-shirt on the off chance that someone wants to talk to me about hiring me. On my way down to Starbucks i'll call my photographer friends and we bitch to each other about the business. We all run into the same problems, clients who don't want to pay, clients that we're still waiting for them to pay and the clients that say they can pay less somewhere else. This topic is rehashed every few weeks or months as time dictates. This photographer friend and I will talk sometimes several times a day. We run numbers by each other and situations to get another perspective. We also share a lot of information such as negotiation tactics and we talk a lot of gear. 

Once at Starbucks I sit down and play on Facebook. I have my noise canceling headphones on which are absolutely necessary to focus on tasks.  So, when I say play on Facebook I really mean sort through my business page's messages or posts and find people who have tried to contact me. Clients contact me through, text message, phone calls, Instagram, Google+, my personal Facebook page, a Facebook thread or my Facebook business page. While on Facebook I'll also post a link to my website which I really need people to visit. I'm also taking a nice selfie photo or photo of my drink. I need likes, I need people to follow me and be remembered when they or their friends get engaged. Some of my marketing strategy is to go exciting places, eat amazing food, have fun experiences and share these. Facebook's algorithm will note if someone hovers over a photo a bit or clicks on something you posted and adjust it so you show more often in their newsfeed. This means when I post things people are seeing it. I write out a blog or two to put on my website because it actually boosts me up in Google, makes my SEO a little bit better. I also schedule a post or two for my Facebook's business page. I sort through my photos on my computer and pull out a few photos and send them to my phone so that I can post on Instagram a little bit later. The Instagram photos will have to include a nice description, location and some relevant hashtags. 

I send a few e-mails, responding back to anyone who has asked me anything. I'm very prompt with this. If I have an e-mail from a potential bride and I don't answer with in short few hours they will move on to the photographer who does answer.  My futuristic tech that I wear around my wrist is not so much to show off a toy as it is used to get e-mail notifications and text messages. I hate staring at my phone for any length of time.

I have to swing by my office to drop off some flyers that came in. I straighten out my office which comes at a nice discount. Other people have been in my office to use my giant tv. I clean up desk, arrange everything for new clients coming in. My forms are getting a little low in stock and I have to sit down and revise and reprint a new stack. I keep adding more to my forms to help me. While at my office I also have to visit with my landlord of sorts to go over his projects and what he needs done. I help out where I can. 

I have to take a drive to a clients house now because they need a family portrait.  Everything is loaded into my car, lights, camera, action. I head to the clients house where I set up, pose, photograph and repeat half a dozen time with various locations on their property. We have a good time, i'm paid and now everything needs to be packed up and brought back home and deconstructed back into it's case.  On my way back home i'm calling a client of mine who I help out at their office. I do everything from ordering supplies to photo and video and web design and consulting work. I check and see if they need anything or if theres anything upcoming that I need to get ready for. Nothing to do there, so no problem. 

I'm having clients in my car later in the week which means that my car which is also used to transport gear from Maine to Florida is nice and clean. Also, earlier I got a good deal of dirt in my car because the clients driveway was muddy. So wiping the seats down, vacuuming, sorting the contents of my trunk space as well as topping off fluids are on my to do list either today or another. 

During lunch I may eat at my dream place, Coney Island Hot Dogs or go down to The Fix. I'm going to pig out and enjoy it. I've earned it. I've been up since seven working on things.  During lunch i'm browsing on Amazon looking for little things that I've been putting off ordering and finally plunge into my wallet to accommodate myself. I also take any phone calls during my lunch time throughout the week. My phone rings about a dozen times a day with clients and also telemarketers. I can't tell the difference between a safe number and unsafe number because local numbers have been bought up to get a better hit rate.  The reason I mention this is I get to go to my favorite places to eat but a majority of the time my food gets cold. I don't let calls go to voicemail when possible because no one wants to wait and I also depend on clients coming in regularly.  I still manage to take photos of my food which more often than not leads to my food losing it's ideal temperature. 

After lunch I'm beat, worn out and ready to quit. I usually take a nice two hour nap or more. This is interrupted by the occasional phone call and I also wake up at some point and roll over and check my phone for reciprocated e-mails from clients. If I get a call from a bride or e-mail from a bride my goal is to set up a meeting asap, that means later in the day or early the next day or whenever they want. Once I'm awake I recharge again with coffee and a snack. I'm editing photos now for a gig I shot the night prior. I've spent a little part of the day making sure I have everything backed up, previews loaded and basic adjustments made across the board. I get a phone call from a print shop saying the custom frames I ordered are in, i'm still waiting to be paid for them by the client. I have to head over and pick them up and then notify my client they are in and softly nudge them to be ready to have their wallet ready. In case of any questions I have to go back to my computer and dig up the original invoice I sent them. I have several invoices out in fact totaling enough to pay my incoming bills, rent, subscriptions, insurance. 

I'm also waiting on my insurance agent to find me a more affordable insurance for my gear which I pay almost two hundred dollars a month for. I pace around my apartment, straightening things out, organizing my equipment and staring at my giant three by four foot white board. I regularly fill this board up with upcoming tasks, notes, reminders and dates. Anything that i've taken a note for has to be put into my phone and computer for redundancy, thats on my to-do list. I put on my nice Bose noise canceling headphones and pace around my apartment conquering small and mundane tasks to the bigger ones. I have a phone call to make and I spend thirty minutes circling my couch talking to a bride and narrowing down a meeting time. I have to cross check my calendar with a list of weddings to make sure I have time to meet later this week and have her wedding date free.  She can meet today in fact which is wonderful. This was a good phone call. About seven or eight times a year I get a phone call from a bride who loves my photos and she's very excited to meet with me and then tells me her wedding date. I cross check her wedding date and i'm already booked. I have a couple go-to photographers which I send brides that I cannot take. I'm careful who I send brides to because it will fall back on me if anything goes wrong. I send most of my brides to a photographer friend out in Boston. 

I head to my office for the second time today, I'm early. I turn on my tv, my apple tv, bluetooth speaker, set Spotify to modern wedding playlist, set up my Macbook to connect with the TV and get the form out and write out all the information I have at the moment. She should be here any minute, okay ten minutes ago, thirty minutes ago, text, phone call, nothing. I get a text message letting me know she'll be late. I've now been here for an hour and it's dark out by now. She arrives, we hit it off and I go through my entire pitch, I feel good about it. I head home and after dinner I sit and write up a contract and send a follow up e-mail regarding our meeting and everything we talked about. I don't know if she's going to go with me or not. I don't typically do follow up messages because it can easily put someone in that awkward position of saying they're going with someone else but thanks for... you get the idea. 

I'm now uploading photos from the gig I shot the day prior. There's a lot of photos going up so It throttles by data which means Netflix and Hulu won't work on my TV. So shower and head back to my TV to be reminded of this. I end up sitting at my computer browsing through Facebook's newsfeed and get lost in Instant Karma videos on Youtube. I'm also kicking myself to be productive still at eleven at night. I'm making a circuit between my workstation where my Macbook and main computer are to my white board looking for more tasks to finish. I write a few more things on my board that need to get finished. There's a lot of things that just require sitting and writing or following up with people about projects. The rest of my time is spent sitting on my couch with my cats swiping through Bumble to meet someone. It's hard to meet someone when you're schedule is composed of the entire day and night. Basically this app leads into a huge time suck of non productivity which re-guilts me into a productive whirlwind.  

Sleep either can be wonderful because i've accomplished so much or terrible because I still have so much to accomplish. I've disallowed any news on Trump before bed because that makes my sleep even worse. The best part of my day though is having my cats follow me onto my bed and lay next to me. They have no idea what I've done today or the day prior no matter how many times i've tried to explain it to them. That's a very calming thing, two little cats who's day tomorrow is packed with sleeping and eating. Maybe i'm in the wrong profession. 

So this is exactly how any day goes for the most part. The details may change, some days are less and some days are more. The tasks are different but each day I get thrown a puzzle and have to put it together. If I ever clear my white board of things that I should be doing that I feel uneasy and anxious because there is something I can be doing and I have to figure that out asap. There is no rest. But the best part of any of this is whenever I want I can take the day off. I can shut down and do nothing. But most every single day goes from seven in the morning to past midnight. It means I can take a vacation wherever I want on a moments notice but I also better keep a watch on social media and e-mail during that.  

Filters are for the lazy.

Believe it or not, no filter. This was shot with a Canon 90mm TSE (Tilt shift) lens

WGBH Live on Boylston Street

Government Center MBTA Canon 8-15 Fisheye

I just got this question recently when meeting with a bride and groom.

Why don’t I have black and whites, sepia tones, filters on my photos? This is very simple to answer, look back in your phone a year or two. Do see all the random filters that you were using on your Instagram photos / Facebook posts; they’re awful.

     Tastes change, styles adapt and people move on from trends. These are some of the most important photos that you’ll have of yourself, why would I put a trendy filter on and especially one that is so overused by Pinterest focused wedding photographers. De-contrast, playing with the highlights and adjusting the color temperature to be a bit more yellow doesn’t make a classic photo in my mind. I’ve also seen a lot of photographers use this as a crutch when a photo is mediocre or missing something.  

     Sometimes converting a photo to black and white looks great provided you do it the correct way and know what you’re doing with levels, curves and also saturation of colors and a number of other things. But here’s what we photographers know, this doesn’t make any photo a classic or immortalized image. Being honest, the only time i’ve actually made a photo black and white in recent history is when I absolutely couldn’t do what I wanted with the photo due to a number of reasons. I reluctantly changed it and adapted it because it was a moment that I did not want to throw away. I will never myself change a color photo to black and white though just to wow someone. One more example, white or black vignetting on photos… cringe. 

     Now here’s the part where i’m a dick and say mean things about other photographers. I really do try to be positive, like way too much.. usually. I know a great number of photographers that are shooting the exact material they were two or three years ago. Most photographers that I know get better every few months, years or just plainly have breakthroughs of creativity that make me very jealous. But I see some wedding photographers that never try new things, never purchase new equipment or develop their post game (editing).  Wedding photography is simply put a gym for photographers, you’re regularly pushed to adapt, learn and get better, faster, stronger at your photography.  I can look back every year and see my deficits or where i’ve made improvements. So here’s where I tie that back into what i’m saying, filters are a huge crutch for someone trying to hide the fact that they aren’t developing themselves. For the sake of the bride and groom you should be taking the payment and rolling a good portion back into your own development and/or equipment. This is your one chance to capture someone’s wedding and why would you put an ugly filter on such a beautiful day.

     What I try to accomplish with my wedding photography is creating accurate representations of what the scene actually looked like. I use different lenses and compositions to showcase different moments. I’m trying to achieve as close to as possible correct color profiles, your flowers are rarely neon or muted colors; it’s somewhere in-between I hope. It would be too easy to add filters to my photos and claim that I’m an artist and that this is my art. What I do is document and record moments as beautifully as I can. I don’t have a particular unique skill that no other photographer could ever attain. What I bring to the table is knowledge, personality, skill and a pretty good amount of equipment to back it up. I do use some creative editing techniques that highlight certain aspects of a scene or cast a cold blue morning as a more warn and sunny one. The best editing in my opinion is the kind you can’t detect. 

     If you want to add a filter on your photos you’re always welcome to do so but as I started out saying, look at your images with filters and effects from a year or two ago.. cringe. :) Imagine your parents wedding photos and imagine what it would look like with correct color or your grandparents images if it wasn’t shot in black and white (yes, I know that may have been all that was available at the time). 

I shoot weddings and would love to shoot your wedding.

Click here to see my website and learn more.

Moore State Park,  Canon 200mm 1.8

My cafe mocha. Shot with Canon 35mm 1.4

We're not going to get everything.

     A photographer can work off a list or just capture a little bit of everything. When you work off a list you are trying to remember what is not important to the bride. In fact the bride may not even know what is the most important parts of the day, this is her first go at a wedding. That’s why I think it’s best to just cover every aspect. 

   So before the wedding you have loaded up your head with amazing images from Google and Pinterest and featured Buzzfeed articles. You’ve forwarded these links to your photographer and informed them that these photos are to be captured. This is all very doable, but when it comes to your wedding day and you incorporate this into the mix it’s sometimes impossible. So I say impossible, it’s not really impossible; it’s undoable for you as the bride and groom. The photographer can most certainly do this, but he won’t be able to do all of these requests in the twenty to thirty minutes he may have with you following bridal party photos.  I can only speak from my own experience in this of course. I would love to recreate photos and make the bride and groom happy but often during a wedding day you're busy with friends and family. Another thing to take into account is that some photos you see on the internet are purely circumstantial or in fact not even from a wedding. Some photographers will have models pose as a bride and groom just to create breathtaking photos. For the bride and groom I really suggest trusting their photographer and let photos take a backseat to being in the moment.

  So to follow up and summarize. The photographer is going to do his/her best to capture everything. We want to immortalize your wedding day in photos. We want to provide a seamless, enjoyable experience and not get in the way.  If you’ve hired a photographer because you like their work then the best thing to do is trust that they’ll capture your wedding day so you can sit back and enjoy it.

Here's the reality of it.

When you hire a wedding photographer you sometimes have these amazing expectations. You’ve seen their photos, their work, their great attitude. You’re hiring them to capture the one of the most amazing and memorable days of your life.  Here’s what he/she is going to be able to capture, not everything.

     Another reason to capture everything is you don’t know what’s important to the bride and groom. Sometimes they might not know what was important until after the wedding. Let me give a few examples of this. Let’s say you take the time to get photos of all the cousins, maybe they move away in three years and aren’t reunited until a family reunion in ten years. How about an Aunt and Uncle who come to your wedding that move away the following year. The most common thing i’ve come across is my focus on grandparents. Not to sound morbid of course but we do expire and these photos are a huge trigger for your memories. One more thought, how many times does your family get together. I’m talking about everyone, not just for the holidays which sometimes can be tough with visiting everyone. You have everyone in a room so why not take advantage of this.

    Here’s the upside that you can really work with. If you have a great photographer who is willing to be adventurous, persistent and do a little bit of poking and prodding; he/she can liberate you from your wedding reception for a few minutes to take some amazing photos and give you a moment to breath away from everyone. During the formal photos for the bride and groom you’ll also be able to get some of the shots you’re looking for but to reference or have those same exact circumstances to recreate can sometimes be tough. The photographer is going to pose you a bit and move you to different locations.  What i’ll do typically is run through all my tried and true poses that work. We only get one shot at getting your wedding photos and I do experiment and innovate but before I do that I make sure to get the memorable photos that you’ll hang on your wall. I only have a short amount of time and it would be selfish of me to ask more of the bride and groom while they’re trying to enjoy their wedding day. The same way a DJ wouldn’t keep asking for suggestions for playlists on your wedding day or a venue wouldn’t be consulting with the bride about sides during before the meal is served on the big day. 

Thanks for reading. I've been a wedding photographer for around ten years now and every year means a little more experience and a lot more equipment to play with. I would love to meet with you if you're getting married in 2017 or 2018. 508-471-0069 or www.unitymike.com to see more of my work. Have a great new year.

Building an amazing wedding portfolio

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Building a wedding portfolio.

I’ve been working on my new wedding portfolio, it’s tough. My natural instincts tell me to just include the cream of the crop, the best of the best, top one percent. That looks great right? 

     I think that by only including the best of the best that can be deceiving. We all like Starbucks right, but sometimes not every Cafe Mocha is created equally; the same with photos. Some are going to be amazing, epic, one of a kind and others are of uncles and aunts or flowers and you and a friend who you haven’t seen in years. So that’s why I keep my portfolio varied as much as it is. I’m totally confident in my photography skills and more than happy to show everything. Sometimes when you see amazing photos with a beautiful location and gowns flowing and three or four lights used for the photo, that’s either because they have a team of people putting this together during a wedding or it’s not an actual wedding photo, it’s a couple dressed up as a wedding couple for a shoot. 

     Some of my portfolio is what I know looks good. These are the photos that I would eagerly show other photographers to get their approval. But there are parts of it though that I know the average person who is not a photographer will see and love. Do you know those photos where everything is black and white and the rose petals are the only thing in color, yeah… we hate that. Huge white vignetting on a photo, that’s another gross thing that we hate.

     So I want to reiterate that this is just my opinion. This is what has worked for me. I also have enough photos in my portfolio that by the end of a presentation there is not question about my skill or devotement.

      Here’s a summarization of what I include in my portfolio. By the way, I currently have close to eight hundred photos in my wedding portfolio. I’ve been working for a long time to bring it down but I really do love all the photos and memories that are attached to each and every one of them.  Okay, here it is….

Messy room photos. It’s going to be a chaotic day, no lies. I want to show that the reality of a picture perfect wedding doesn’t always happen behind the scenes. 

Getting hair and makeup done. There’s a path to your beauty, this is how that looks.  Before and after is great and is really just for the bride and groom and rarely makes it on social media.

Table shots. Photos of the guests at their table. This is something I capture at the wedding, So I like to show it off here. This is also a great way to connect with each guest and maybe even meet a couple who’s thinking of getting married. 

Kids. If someone is hiring me to shoot a wedding and they have kids then I want them to know that they are not excluded from the wedding. Plus the best way to work a room is to play to the kids. Parents, friends and family notice when their shy little kid is all of a sudden enamored with you and your camera and come out of their shell. I also usually will sit on the ground with most kids and let them fire off a few photos.

Parents. I want to include everyone thats present. This is a big day for the bride and groom but sometime bigger for the parents watching their kids grow up. Additionally, who doesn’t mind getting their photo taken, right?

Details. Couples spend a lot of time working on their wedding details and It really makes the wedding look amazing. This is to showcase that but also gives my new couples ideas. 

Funny and ugly. Sometimes people make funny faces or horrible ones. These are moments for the bridal couple to look back on and laugh or just have blackmail material for later. These are also the best throwback Thursday photos for future posts.

Cake smashing. It happens and it makes the wedding reception soo much better. It shows that the bride and groom can take a joke and also provides some entertainment and tension at that moment.

Locations / venue. Sometimes I might have a staircase from a certain venue in my portfolio twice. That’s because the bride and groom hiring me may have selected that venue. Seeing how different arrangements on the stairs and also the fact that i’ve been there a few times may make me more appealing to hire.

Group photos. Throughout the wedding day I capture tons of group photos. I want the bride and groom to know that family, friends can get whatever they want for photos on the day of their wedding. I’ve done many family photos at weddings because everyones there together. :)

Rings. You spent a lot of money on this symbol of your love. Let’s show it off and brag a little. I’m also showcasing my skill in macro photography and creativity with these photos.

Table decorations. Someone took the time to put this altogether and somewhere, sometime they might be bragging about it. What phrase would be better heard than “the photography took an amazing photo of it” when referring to the table setups.

Creative lighting. Every wedding I try and do new things with lights. Sometimes it doesn’t work out, sometimes it does. But the average person sees this and knows this isn’t something they can do by going to Target or best buy and getting a few things, it’s special. So I include anything that’s out of the ordinary in this department.

How to be a successful photographer.

So I just spent the past hour writing this blog out and decided that It dragged on too long. It didn't have a point or it touched on too many. I'm going to make this clear, simple and short. I have given this speech to multiple people who ask me how to get into photography. I get asked quite regularly to take people on as an assistant or to bring them to a wedding i'm shooting or show them how to make money with photography. This is what I tell them.

     If I was a painter, a mason or made money doing carpentry I would pour all of my efforts into it. I would have the best brushes, watch videos on painting, try out different canvases, learn to make my own canvases. I would make sure everyone knew I was a painter, I might even have my own studio space just to paint. I have all the coolest painters clothes, aprons, gloves, hats to keep my hair out of my face. I have a cool logo that lets people know i'm a painter with my name in it and website.  I would also write about my paintings, enter them into shows. I would make sure I was on all social medias and I would pay someone to scan or get copies of my paintings online to share with everyone. I would make shirts and broadcast what I do. Everyone would want to come to me to have a painting done because they know i'm a painter because that's all I talk about. You could find all the books on my shelf have a common theme, painting. My instagram would feature my own paintings and a link to my website which has my work and also ways to purchase my paintings. I also would love to go to Meetup.com gatherings to meet other painters. My good friend is also a painter from Boston and we talk a few days a week on the phone and he does some things similar to me and some different things from me but we both love painting regardless. We regularly talk about how to price our work and what people will pay for it and what's fair and how to treat people who don't pay.  I would also be doing some work for charity with my paintings, maybe a themed project to help support a group, cause or person. When I do charity work, that gets shared on social media and talked about and every once and awhile my name will get thrown out to a commissioned painting or a series that someone will auction on. I love to go see famous painters speak as well and I always check in to whatever place i'm at to brag about my painting related activities.  

     If you truly love what you do and want more of it then show the world. Focus all of your efforts on it, leap without looking, live without the money and success and know that it's coming and it will. I'm where I am right now because i've made sacrifices with my time, money and relationships. I have had multiple people over the years tell me that it won't work and that you can't make money being a photographer. When I hear this all I can think of is how sweet it will be when i'm sleeping in or in a foreign city while they are scheduled to be sitting in a cubicle in front of a computer for the foreseeable future. 

     I love what I do and wouldn't change a thing. I wouldn't have the friends I have, the life I have without buying that first camera, without shooting that first wedding, I regularly take all of my profits and roll them back to equipment costs and take work off and go on a "vacation" where i'm just taking photos so I have interesting stuff to share on social media. I also give up time with friends and family to spend with strangers taking their photos.

In the end i'm doing something important, i'm capturing memories that someone will have forever.  

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Canon Professional Services

So i've invested a little bit of money this past year in my infrastructure, one of those being Canon Professional Services.

I've belonged to Canon Professional Services for a few years but relying on the free or basic service. Mostly it's been nice to keep adding gear and watching my points go up. This year I upgraded to platinum which comes with a lot of benefits.  So you need to be an employee of a photography business or have your own and have at least fifty points in your CPS account. You get points by the amount of gear you own. So if you own a Canon Rebel with an 18-55 lens and a third party flash you're probably not going to cut it. Own a 5D mkIII with a 50mm 1.8, you're getting warmer. Basically you  have to be committed to photography and Canon to belong. If you have a basic rebel and kit lens and drop it, just buy a new one.  I have seven L lenses and two bodies and three flashes so I'm well above the mark for getting in.  So when you join for the low fee of $300 you get the following:

• New Member Welcome Kit: Welcome Letter, Exclusive CPS Platinum Gift, CPS Member Card, 2 CPS Pro Straps, 2 Rear Lens Caps, and 2 Camera Body Caps (contents subject to change) 

I received a Thinktank Laptop bag which has been really useful and the extra lens caps and body caps have been nice to stash away fro a rainy day. I don't really have any use for the two CPS Pro straps (You're welcome to buy them from me). I have Black Rapid and Spider holsters.

• Priority access (over Gold members) to Equipment Evaluation Loans (Try Before You Buy Program)*

I fell in love with the Canon 200mm f2. Thanks Canon for enabling me!

• Expedited 2 business day service turnaround** on CPS PLATINUM REPAIR LIST products

Dropped my 580ex II & 5d MKIII. Had it fixed before the following weekend's wedding. It was a damn good excuse to buy the Canon 600RT. The repair actually got back to me faster than the new lens, but regardless my accident enabled me to buy new toys.

• 30% discount on repairs on CPS PLATINUM REPAIR LIST products on up to 15 items per membership term

I have plans to ship out some lenses with a tiny bit of dust in them.

• Repair Coverage Loans***
• Free shipping both ways on CPS PLATINUM REPAIR LIST products sent in for service

I still have to find out more about this.

• Complimentary Product Maintenance Service**** on up to 10 Pieces per membership term

I will be shipping out some of my gear very soon before the wedding season starts! You could spend around $15 plus $40-60 for a cleaning for a single piece of equipment, why not get a bargain on this and sign up!

• Onsite event and show support, as listed on the events calendar
• 24/7 CPS Support Hotline (domestic and international)*****
• Discounted admission to select Canon Live Learning seminars and workshops

Anyways it's a good deal and you should give it a try. If you're a professional and want to know that someone is in your corner backing you up in the event of an emergency then this is the program for you.

This is also a good program for you to get to know lenses better. Sure you can watch Youtube (DigitalRev has some of the best reviews in my opinion) or you can read reviews on FredMiranda. But signing up for CPS and getting to use those lenses for a week and then paying the $15 to mail it back to Canon is even better. I've "evaluated" four lenses so far. One of those being the canon 200-400 f4. It was amazing and the looks you get from everyone is even better, priceless. 

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So my first lens rental from CPS was the Canon 200mm f2. I figured what better way to showcase this beast than putting it on the Canon EOS M3. Let me tell you, it was amazing. The image was creamy in the bokeh and tack sharp. I was able to shoot handheld in NYC at ISO 200 at night.  (Photo Below)

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Want to become a better photographer? Shoot weddings!

So the title pretty much sums up what I want to say. I'm going to keep this brief, mostly because I was just on my way out the door and then inspiration hit and I have to get this out before my Venti Mocha happens. 

     So if most of you don't know already, I'm a wedding photographer. People usually say one of two things, that's awesome it must be a fun job or I would never do that, i've tried before and it was too stressful. So if you've said either of these things you're both correct.

     This is a fun day, you're spending it with two people on the happiest day of their life; unless of course they have a baby or have just spent way too much at B&H (photographer reference). Everyone's happy on their wedding day despite the hiccups of the day and the hectic nature of the schedule sometimes. The bride and the groom see all their friends and family, get to show off dance skills and force everyone to watch them eat the cake; it's a wonderful time. As the photographer I'm also in a good mood. I've done enough where my day feels like i'm hanging out with new friends and just doing what I love.... taking photos. I get to share this beautiful day with two brand new friends of mine and I get to eat with all the rest of the people. I get unrestricted access to the best photos during the ceremony and reception. I'm not fighting anyone for the best shot of the bride and groom and when the dance floor opens up i've been known to dance with an aunt or grandmother too. At the end of the day I get to thank the bride and groom for inviting me to shoot their wedding by sending a dozen or so shots. It feels good to send those off and see all my photos pop up on their social media (I get tagged and I love it).  So again, to reaffirm, this is fun.

     So the other half of the coin, it's stressful and you don't think you could ever do it. Shooting a wedding is a marathon of photography. Sure you may have done an hour or two shoot before or two portraits in a day but imagine shooting six to twelve hours. When people think that it's going to be the most stressful thing, it's not... maybe the first dozen times. But once you realize that you're the one in control the better off you are. Often times or not my job feels like a photographer / chaperone. I'm typically reaffirming the bride & groom about how the day will unfold throughout the day. Okay, you're getting makeup done and afterwards we're going to take a big group photo, yes, not in your dresses yet or okay directly after the ceremony you'll have the receiving line we're everyone hugs you, shakes your hand and while that's happening i'm going to set up over here and then we can..... You get the point (excuse my run-on sentence), i'm guiding the day and reaffirming their schedule and letting them know if we're good on time or not. 

     So the way weddings make you a better photographer is this, you change settings location wise and on your camera hundreds of time throughout the day. Light changes, difficult people added into the mix, someone doesn't like the way their arms look or you found an amazing location that's a ten minute walk away that you have to convince everyone of. Shooting a wedding will make you a better technical photographer (unless you shoot on Auto). You'll constantly be changing angles, lighting and learning posing. You'll change your settings on your camera non stop and after awhile you can dial in whatever you need at a seconds notice. During the ceremony i'll have on a certain setting but as soon as that announcement happens introducing Mr. & Mrs. Smith i've already shot my few photos and now i'm changing everything on my camera to get those photos of the bride and groom walking up the isle in a bit different lighting situation. 

     The most difficult thing for me is looking at photos i've shot and asked myself why didn't I just drag the shutter a little longer or why didn't I just ask that lady to move out of the photo. So each wedding I improve on all these little details, I know that I'm just going to ask someone to move out of the photo, i'll yell at someone who's mugging too much for the camera. When people are difficult or uncooperative and say something like I don't like photos or are just ruining a group photo I remind them "These photos aren't for you, it's for Mary & Tom". The location's aren't always the same either. You may be shooting at a beautiful hotel in Boston and get to take photos around Boston Commons and some of the urban areas and then the next wedding is at the Elks lodge with a giant parking lot around it. This is a challenge but not unconquerable. You find other locations nearby and suggest that we take a ride up the road to the beautiful lake or go across the street to the bridge or if all else fails, embrace what you have. Take photos of everyone outside in front. Showcase where the bride and groom are, set up some awesome portraits inside, make it fun for everyone.  I also am constantly changing what I bring, some weddings I bring all my super telephoto lenses and others I just bring a few prime lenses. I'm constantly challenging myself, can I shoot a wedding on just a 50mm 1.2, damn right I can. Could I show up to a wedding with a Canon Rebel and kits lens, hell yes and I would have the best photos there. 

     So hopefully you're looking at this in a different light or I just got happy and excited for you for nothing. So to recap, each wedding is a six to twelve hour shoot (I don't put a cap on the time and I don't ask them for more money in the middle of their wedding, they just get extra time, thats it) where you get to shoot the same subject from wherever you want and also the subject is willing to go with any ideas that you put down. Let me rephrase this, imagine doing a photoshoot for two people and having eight hours and not nailing it, it's almost impossible. Regardless of how we all feel about our own work and how judgmental we can feel, the bride and groom are going to love their photos, they're in all of them! So long as you try your hardest and are honest about everything with the bride and groom about what they're getting they'll be happy. 

     Want to get better at photography, shoot weddings.

Sharon & Jon's engagement session at Arnold Arboretum

Today we spent the afternoon at Arnold Arboretum in Boston, Massachusetts. Turns out it's right down the road from my best friend's apartment and i've actually driven past this place a dozen times. We wandered and got some great shots and got to know each other a bit better. Here's some of the photos from the shoot.

#engagement #boston #arnoldarboretum #arboretum #bostonweddingphotographer #worcesterweddingphotographer #session #photoshoot #photography #macro #canon #ring #weddingring #inlove #couples #unitymikeweddingphotography #worcesterweddingphotographer 

Food photography

Lately i've been doing a lot of food photography. I really should say I've been going places and eating and taking lots of photos of my food. I've been supplementing my Instagram feed with new exciting places i've found to eat.  

     That's how I feel about my photography, my work; it doesn't feel like work. I love doing what I do, taking photos and living my life the way I want. So lately it's been taking photos of burgers, pastries or whatever else is beckoning to me.   So I wanted to share a little bit more about food photography. I know it's been written about it a more glorious fashion in books, online articles or magazines but I wanted to share my little view of it.

     So i'll be perfectly honest, a few months ago I really knew nothing about food photography. I knew the basics, some lighting and what not and adjusting colors after so everything looks great. I didn't realize how much went into it. Often times the location is not well lit and whoever has prepared the food doesn't know about food photography and you're given a little less than perfect presentation of the food. So when you show up and get the food to work with you either get something thats pretty damn good looking or you gotta fix it up a bit.

     So the first thing I want to try and get is a clean plate. I bring my own, a few different sizes and colors because sometimes whoever is giving me the food might have a god awful ugly plate that ruins the presentation. I have a huge variety of plates that I collect from Target, Wal-Mart, Savers and any other place that I go. I also am consistently on the lookout for unique glassware and bowls.  So the plate is the base, it's where the beautiful food will sit and pose for me. Now the next thing is making sure the plate remains clean throughout, I would rather not do photoshop after the fact to fix it.  

    The next thing is the food, it's gotta look amazing. I will usually work with the chef and make sure that they understand what i'm looking for. I want a picture perfect piece of food, no flaws and all ingredients showing. Sometimes this may mean adding extra ingredients or putting less of something else on something. I typically only need one side of whatever i'm working with, so it can be built up on one side.  

     So the next is location. I don't want to take the photo in the back of the kitchen or on a steel table. I don't want a white background that looks like it belongs on Amazon either. So I usually scout around the area where i'm going to take the photo and select a few locations.  Depending on the location I will use a flash or strobe. But the best thing that I usually use is a simple reflector.  

     So someone asked me which is harder, taking pictures of people or food. It's definitely food because it's all on me to get the photo right. I can't blame anyone else on the photo not coming out. The food is just sitting there, looking sexy and I have my camera and tools to get it done. When i'm shooting a person, they could have a bad hair day, a bad attitude or simply just be wearing something horrible. So again, food is hard.

     So back to food photography. We left off at starting to take photos of the food. So there's a few different ways you can take photos of food. You can take really close ups of it, if it's a sandwich you might get meat hanging out of it or the crumbs falling off the bread. The next is maybe one of the more recent popular ways, straight down; birds eye view. You take a photo looking down on the plate, highlighting the shape, portions, colors and textures of the meal. The next is simply at an angle, showing where the food is and maybe a few accessories (fork, knife, drink, napkins, table cloth, ketchup bottle, other table wear). The other way I like to get photos is straight on from the side. I think this is one of the best and unique views of the food.   So whichever way you decide to shoot you have to make sure everything looks picture perfect before you start. So if you have to lift up a steak and clean the plate or ask for a new vegetable because the one you have looks kinda dumpy then do it.  Don't be scared to squeeze, stretch, adjust and move things around so they look perfect.  

     So the rest is up to you, theres no wrong way to do food photography. It's whatever you make it. My food photography is always developing. I'm always learning more tricks and techniques to get my shots looking better and better. Sometimes i'll shoot wide open, sometimes i'm shooting at f8. It's whatever you do to get the shot and then properly post processing that image. One little thing that I don't always share is I use my Iphone to do some of my food photography sometimes. I usually use a reflector and pose the plate right by a window. I'm still doing a little post processing with apps on my phone.

      I do have a little bit of an advantage though, I love eating food and I also work part time at a Mexican Restaurant which is part of a restaurant group in Worcester with ten different restaurants in two different states.  So i'm usually around food quite often.

You can see some of my food photography on Gerardo's Italian Bakery's website. I've provided all their photography and it's been a real learning experience.